According to Eastern Market, we had 13,000 attendees at our 3rd Annual Detroit Festival of Books (aka: Detroit Bookfest) event in July 2019.
Our www.DetroitBookfest.com website is powered by WordPress. Inside of the website we have a Google Analytics plugin, which helps give us information on visitors to the website.
According to Google Analytics:
www.DetroitBookFest.com had 28, 658 unique visitors to the website in 2019.
3rd Annual Detroit Festival of Books (aka: Detroit Bookfest) phot by: Ryan M. Place
Top 10 Countries
USA
Canada
UK
Germany
France
Australia
India
Ireland
Italy
Netherlands
Top 10 States
Michigan
Illinois
Ohio
Tennessee
California
New York
Florida
Texas
Virginia
Oregon
Top 10 Cities in Michigan
Detroit
Ann Arbor
Grand Rapids
Royal Oak
Dearborn
Clinton Township
Troy
Warren
Livonia
Farmington Hills
3rd Annual Detroit Festival of Books (aka: Detroit Bookfest) phot by: Emily Rose Bennett
Fun Fact Stats
1.) 61% of visitors are ages 18-34 years old
2.) Male 54.15%, Female 45.85%
3.) Most popular web browsers = Chrome, Safari, Android Webview, Firefox
4.) 17,000 Mobile Phone (Apple iPhone most common)
5.) 10,000 Desktop (Dell computer most common)
6.) 1,400 Tablet users
Here’s a fun sampling of around 5,000 unique visitors and where they’re located geographically
1,000 Chicago, Illinois
825 Nashville, Tennessee
823 Ontario, Canada
588 New York, New York
325 London, England
264 Columbus, Ohio
204 Boardman, Oregon
188 Ashburn, Virginia
179 Los Angeles, California
122 Dublin, Ireland
102 San Francisco, California
83 Dallas, Texas
80 Paris, France
58 Berlin, Germany
54 Amsterdam, Netherlands
53 Sydney, Australia
50 Orlando, Florida
21 Rome, Italy
20 Delhi, India
Here is a list of our current social media platforms
I love Detroit. This city is loaded with great stories, many of which are oft hidden, unacknowledged, or underreported. If not inscribed for the future, when these stories are gone, they’re gone forever, like magnificent old buildings. To me, these stories are priceless.
The building at 3000 East Grand Boulevard is sign-less and unassuming. It sits near the Jam Handy warehouse on Detroit’s Eastside, within view of the stately 30-story tall Fisher Building.
This humble 3-story brick building was built in 1910 and is 8,790-square feet. It houses a significant contribution to Detroit’s cultural history, something vital and irreplaceable, a collective of Detroit techno culture.
Exhibit 3000, the world’s first (and only) techno museum is housed here on the main floor.
In the basement is the legendary Submerge’s Somewhere In Detroit (SID) record store and then upstairs is the HQ of Underground Resistance (UR). There are also recording studios, rehearsal spaces and offices.
Downstairs, DJ John Collins and Tyler Dancer are prepping the museum for a school tour today. Collins has been a well-known DJ since 1985. He’s a producer, manager, and talent agent. Tyler is a young DJ and producer from Kalamazoo who now lives in Detroit. Techno great Mad Mike Banks is also here getting things squared away. The ethic is: everyone helps out regardless of status.
Cornelius Harris (photo by: Ryan M. Place)
I’m sitting upstairs in a conference room with Detroit’s own Cornelius Harris, who was (and still is?) the only black manager in techno music in the world. “That’s what I’ve been told. I’m not aware of any other black managers in techno, in the world,” he says.
Cornelius Harris is the label manager of Detroit-based independent techno label Underground Resistance, an assistant at Submerge Distribution (and SID), and founder of Alter Ego Management.
Cornelius is a deep thinker with a multitude of insights and very focused on all aspects of the intersection of culture and music. We are discussing books, vinyl records, the roots of techno and all-things Detroit.
Cornelius explains:
“History, especially local history, is important to know so you understand the context of where you’re at in the world and in your own time. The impact of certain points in history have a lingering echo long after the fact.”
“I’m originally from Ann Arbor. Moved to Detroit in the 90’s. I’m not here by accident. I love the people, the culture, the history, the music.”
“I consider myself a cultural advocate and activist, promoting agents of culture beyond mere entertainment and using it as a tool for education and inspiration. I studied Media and Pop Culture at University of Michigan. My family are all educators and very passionate.”
“Economically, how do you bring this thing that came out of Detroit and generates millions of dollars globally, back to the source? I’m always interested in the next stage of evolution. Detroit is a powerful music center. How do you drive culture in the city?”
Detroit: The Birth of Techno
“Belleville Three” Juan Atkins, Kevin Saunderson, Derrick May. These are from Belleville High School yearbooks (circa 1980 & 1981). Kevin Saunderson also played varsity football and basketball for the Belleville Tigers. Atkins (class of ’80), May & Saunderson (class of ’82). Thanks to Psyche Jetton at the BHS Media Center for allowing me to do research there (Ryan M. Place)
“Techno music was started in the early 1980s by four African Americans: Juan Atkins, Kevin Saunderson, Derrick May and Eddie Fowlkes. The first three went to Belleville High School and Eddie went to a different school.”
“At the time, it wasn’t called ‘techno’, it was just a new, emergent form of different music. The British press came up with the title ‘Belleville Three’ even though they DJed mostly in the city of Detroit. Belleville isn’t known for its cutting-edge club scene.”
“Just like any inception-story, there’s different mythologies about this. One is the facts. The others are the added interpretations, which become the agreed upon history. So, let’s just agree to a middle understanding of all this.”
“They were playing a precursor to techno before their music was given a label by outsiders. What they had created was inner city dance music with a futuristic vibe.”
“In the mid to late 80’s, techno blew up here locally in Detroit. It was already a phenomenon here for several years before it became popular globally.”
Kevin Saunderson (senior photo 1982 Belleville High School yearbook)
“All of the techno labels were based in Detroit’s Eastern Market neighborhood.”
The first one was in 1985 when Juan Atkins opened Metroplex (1492 Riopelle St), then in 1986 Derrick May opened Transmat (1492 Gratiot), then in 1987 Kevin Saunderson opened KMS next door to Transmat.”
“Derrick started referring to Gratiot Avenue as ‘Techno Boulevard’.”
“These were the days of things like Channel 62 ‘The Scene’ and the Electrifying Mojo on Detroit’s WGPR, which was the first black radio station in America.”
“We also had Duane ‘In the Mix’ Bradley on WJLB Radio.”
“We had Jeff Mills, DJ Stacy “Hotwaxx”Hale, and there was Ken Collier who played house music at Club Heaven (19106 Woodward @ 7 mile).”
“There was The Music Institute (1315 Broadway an after-hours techno club opened from 1988-89).”
“Across the river in Windsor, there was Richie Hawtin (Plastikman) who was inspired by Detroit techno. By the early 90’s, everybody was getting turned on to Detroit music all over the world.”
Techno! The New Dance Sound of Detroit (c. 1988 vinyl record)
“Music popularity goes in waves. Techno got big globally around 1991, then experienced another resurgence in the late 90’s-early 2000’s, and a few years ago we had another wave.”
“Also, we had the techno festival, which started in Detroit in 2000 and was called DEMF before it became Movement in 2006.”
“Detroit is the smallest big town ever. Among creatives here of all stripes, mostly everyone knows everyone. Some of Juan Atkins old tapes even feature Kid Rock back when he had spiky hair and was trying to rap.”
“I credit Creem Magazine with symbolizing the Detroit ethos. Not being on the East or West Coasts, we weren’t bound by those scenes. There’s no restrictions here, we’re free to do our own thing, which Creem reflected in its coverage of music. “
Underground Resistance (UR) Detroit
Underground Resistance
“Underground Resistance, aka: UR, is a collective, that’s the best word to describe it because there’s so much back and forth flow between the various groups and producers.”
“UR was started in 1989 by Jeff Mills and Mad Mike Banks in Mike’s mom’s basement on Detroit’s Westside near 7 Mile and Livernois. Mike and Jeff worked together before in a group called Members of the House. Mike had at one time been in a band on tour alongside Parliament Funkadelic.”
“The UR album UR001 had Yolanda Reynolds on it. She was the original third member of UR. A lot of people think of Robert Hood as the third member of UR, but he came later, though a lot of people forget that.”
“In 1991, the city of Berlin, Germany was hit by UR’s music from Detroit not long after the Berlin Wall came down. Detroit’s techno music helped unite the young people of East and West Berlin and reenergize the city. It was the soundtrack of what was happening in Berlin. And there were tons of Detroit techno records at the Hard Wax store owned by Mark Ernestus.”
Terrence Parker (photo courtesty of UR)
“I joined UR in the mid 1990s. The Detroit Regional Music Conference, started by DJ John Collins, was going on and I was a producer at the time. I submitted to perform at the conference. The music showcase manager said I should give my tape to Mike Banks, which is how we met. I also had put together a zine called SCENE. Mike and Lawrence Burden asked me to work with them doing promotion. Mike later asked about me doing label management. I did it until 2001 when I became extremely burned-out.”
“I quit everything for a bit and became anti-music for a few years. Did some management at Kinney Shoe Corp (Foot Locker), then Kinko’s, also did some teaching at a middle school. Eventually, I created Alter Ego Management and started again fresh. Alter Ego used to rep Juan Atkins, Model 500 and others. Right now we handle UR and some others.”
“At the time just before starting Alter Ego I, got a call from Mike. He said they’re working on a project in Japan. He invited me to come work on it, and initially I said, “no,” but he said ‘they got those thinking gardens in Japan, you could just come here and think’ (laughs). I was in the middle of acting in a show with Plowshares Theater. Mike was insistent. So I went to Japan. I was there for six hours and decided to return as label manager in 2005.”
“My first time as a tour manager, through the Burden Brothers (Lenny & Lawrence), was a tour in Germany. I was tour manager for Aux 88 who was on their label Direct Beat.”
“I remember being in Berlin outside this club talking to a local dude, told him he should come check out the scene in Detroit. He said, ‘I’ll never go to Detroit. I don’t make enough money to travel, but when I go to this club and it’s dark, and a Detroit DJ is playing, I can imagine that I’m in a Detroit club. That’s how I’m able to travel’. His explanation really stuck with me.”
“I realized that we’re giving people, people who are willingly giving their hard-earned money to us, these one-of-a-kind experiences. We owe everything to these people who make that choice to support the music. It really had a profound effect on me, gave me a sense of purpose.”
“For some people, music is their main outlet. It’s a type of therapy, a release for them, something they can’t get any other way. We all owe a deep appreciation for the fans who live on this stuff.”
“The clubs are social spaces where amazing things can happen. The 1980’s were rough in Detroit. The U.S. was in a bad recession, there was crack, AIDS, Detroit was dubbed ‘Murder Capital of the World’, the auto industry went to hell, etc. The one good thing at the time coming out of Detroit globally was this music, techno.”
“These aren’t just DJ’s, they’re cultural ambassadors. They are some of the best representations this country has ever had, often better than professional diplomats. They tour extensively and as a result, acquire a broad perspective and deep understanding of other cultures and people around the world.”
“Jeff Mills currently lives in Miami, France and Japan. In 2017, Jeff got the Order of Arts and Letters in France, which is that country’s second highest title, for his cultural contributions. Other nations seem to recognize the importance of creativity. The city of Detroit, our state, our nation, should consider providing more recognition to their own people. Why do we gotta go to France to get awards and be recognized? Why can’t it happen right here where it all started and continues to thrive? It would uplift the community in a positive way.”
“Detroit’s global contributions are numerous. Back here at home, true community development is not just giving money to something and hoping for the best. Things need to be nurtured, cared for, and given the proper attention in order to develop.”
Submerge Distribution
Submerge (photo by: Ryan M. Place)
“Submerge Distribution was founded in 1992 by Mike Banks and Christa Robinson.”
“It was originally located Downtown at 2030 East Grand River Ave. However, in 2000, we moved to 3000 East Grand Blvd.”
“Submerge exports Detroit techno labels to Europe and the world and transmits Detroit’s techno music around the world. All the techno and house labels went through Submerge.”
“There is no ‘Submerge Records’, it’s a distributor and vinyl record store. We carry all kinds of records but primarily specialize in techno, house and hip hop. Heavily Detroit oriented. There’s also Basic Channel out of Berlin.”
“Submerge even put out J. Dilla’s first vinyl record in 1994.”
“Everybody who visits the Submerge basement signs the wall.”
The Impact of Books on Cornelius
Cornelius Harris (photo by: Ryan M. Place)
“I love to read. Books are powerfully influential across all cultures, professions, whatever. Books are windows into the unfamiliar. Having a broad interest in a lot of different things gave me the perspective I have today.”
“Prior to music, I worked in the reference department at the downtown Ann Arbor Library from 9th grade through my time at the University of Michigan. First shelving books, then at the desk as an assistant. I grew up surrounded by books. A lot of my interpretation of the world was formed by books and music.”
“Here’s a few of the key books that have inspired me over the years.”
Black Magic (1967) Langston Hughes
“Black Magic (1967) Langston Hughes. Chronicles black entertainment from slavery to the modern late 60’s. Amazing as a kid growing up with that book. It traces the painful lineage of exploitation as well as incredible achievements.”
“Sex and Race (1940-44) J.A. Rodgers (3 vols.) I first read it at the public library when I was 10 or 11. Originally was excited by the name (laughs). Turned out to be a fascinating study of racial classifications, how people mix and blend and the fact that definitions of race are subjective.”
“Dustland (1980) Virginia Hamilton. It’s part of The Justice Trilogy about an African American girl named Justice. First time I ever read sci-fi where the central characters were African American. It blew my mind.”
“No-No Boy (1956) John Okada. The first Japanese American novel. It takes place just after WW2, it’s about Japanese no-no boys and post-war trauma in the USA.”
“Los Arboles Mueren de Pie (1949) Alejandro Casona. Amazing book, written in Spanish. I recommend learning Spanish just to read this book. It’s about how you define family. Magical realism. Many intriguing twists and turns.”
“Mumbo Jumbo (1972) Ishmael Reed. Magical realism about historical events and a contagious epidemic of the Jes Grew virus.”
“New Teen Titans: The Judas Contract (1988) Wolfman and Perez (DC Comics, Titan). They took this medium and crafted a story so thoughtful, warped, exciting. It’s about betrayal and abuse.”
Some Favorite Records & Why Vinyl Still Matters
Cornelius Harris @ Submerge (photo by: Ryan M. Place)
“Musically, I listen to a range of different things. Grew up on jazz and gospel. My grandma from the had grown up in the South and turned me onto Hank Williams.”
“Some influential albums for me are:”
Prince-Dirty Mind (1980)
Jorge Ben-Samba Esquema Novo (1963)
Grace Jones-Nightclubbing (1981)
Ryuichi Sakamoto-Merry Christmas, Mr. Lawrence (1983)
“Vinyl records still matter, still sell, still elevate the listener. There’s something special and different with something being tangible, rather than bits of information on a computer. To feel the grooves with your fingers. It’s an experience, you feel more connected. With vinyl you have to put the needle on it, make sure the needle is clean, flip it over when it’s done, you interact with it differently than you do a playlist on your smartphone.”
“Also, the order of the tracks meant something, not just random shuffling. Tracks are not just thrown onto an album indiscriminately. There’s a meaning in the order.”
Jorge Ben-Samba Esquema Novo (1963)
The Need to Preserve Creative Spaces in Detroit
Detroit aerial (photo courtesy of Formulaone)
“Detroit needs more creative spaces. The value of the creative community to a city cannot be overstated. Creative people imbue spaces with value. And they almost always need help from the city to mitigate things like gentrification and help maintain safe and fun spaces & outlets, for other people to go and experience the gift of their creativity. There should be a low barrier to entry.”
“People have had their life changed forever by music or art. Creativity keeps people in neighborhoods and stabilizes communities. Make it easy for people to access these things.”
“Right now, Detroit is a place where the creative community can go in any direction. As a city, we need to recognize talent and creativity and help engage creative types. Yet some of our greatest spaces are being ignored and disregarded. Detroit is loaded with iconic spots that should be preserved and used instead of being wasted unnecessarily. How do you set things up for success?”
“Listen, I’ve traveled all over the world for the past almost thirty years and I can honestly tell you that Detroit is a global nexus of untapped, undiscovered potential. It’s here but it’s disguised because it’s not often officially recognized by big-time funding.”
“We have the spaces, we’re just not doing anything with them, not making them accessible, and it’s a tragedy that’s rarely discussed. These places will get torn down and most folks, especially young folks, won’t ever even know they were there in the first place. We need to preserve them and do everything we can to drive more creative people to the city.”
“The world is saturated with creativity in all forms from Detroit. I remember when I was in Japan, a promoter told me at the time he couldn’t book one of my DJs because Japan had too many people from Detroit there! (laughs) That’s how big and powerful our footprint as a creative class of people is globally.”
“We’re givers not takers. We give the world our creativity, but I don’t think we take enough a lot of times and it shows because it seems there’s always a financial struggle here for everyone. Culture comes from the incredible wonderful, people here. The people are the value. They should be embraced.”
Thoughts on The Future
Submerge (photo by: Ryan M. Place)
“I don’t worry about the future of techno. It will evolve. Musical, creative diversity has to be encouraged. Stuff that doesn’t exist currently will be born and become transformational. Music is a reflection of that generation, that time, what’s happening globally and locally.”
“There is an undeniable need for space and a need to encourage openness. Hopefully Detroit will continue being at the forefront like it always has been. Don’t be afraid of the future. Yes, things will be strange and different than what you’re used to right now, and that’s a good thing.”
“Just remember, Motown was started by high school kids singing in their garages. They were broke but they were passionate and creative. However, what really changed everything was love from the local community. The community was supportive and encouraging. Local support helped them thrive globally. Never forget the enduring and positive lesson of Motown.”
Bonus: Cornelius’ favorite eateries in the Metro Detroit area
Pupuseria y Restaurante Salvadoreno (3149 Livernois, Detroit)
Yum Village (6500 Woodward, Detroit)
Royal Kabob (3236 Caniff, Hamtramck)
KG’s Grill (465 Inkster rd, Garden City)
Al Ameer’s (27346 Ford Rd, Dearborn Heights)
Cornelius Harris @ Exhibit 3000 Museum (photo by: Ryan M. Place)
UR, Submerge & Exhibit 3000 Museum
3000 East Grand Blvd.
Detroit, MI 48202
Exhibit 3000 Museum
For free tours or if you want to donate early techno artifacts
The raffle will run from Monday, December 16 to Sunday, December 22.
The Purple Gang (photo courtesy of Google)
The Elusive Purple Gang: Detroit’s Kosher Nostra is a concise history of one of America’s most notorious Prohibition gangs, The Purple Gang.
The Bernstein brothers and their associates were the only Jewish gang in the United States to dominate the rackets of a major American city. From their meteoric rise to the top of Detroit’s underworld to their ultimate demise, this book is an episodic account of the Purple Gang’s corrosive pursuit of power and wealth and their inevitable plunge towards self-destruction.
The Purple Gang (photo courtesy of Google)
The Purple Gang is well-known in Michigan. They were around from the 1910’s to 1932.
Some lesser known stuff about the Purples I’ve heard and read includes the following:
In 1930, my Grandpa lived at 638 East Ferry Street, Detroit. He would frequently see the Purple Gang hanging out in the back of a candy shop on Hastings Street and Medbury Street. This is the current spot of the 94 and 75 interchange.
The Purple Gang were responsible for an estimated 500 murders in 5 years and many of them wound up in Jacktown (aka: Jackson Prison), the world’s largest walled prison at the time. Rampant corruption allowed The Purples to run the prison from within.
The Sugar House Bar at 2130 Michigan Avenue Detroit is named in honor of the Purples old 1920’s hangout called The Sugar House on Oakland Avenue. The current bar is a cool, dimly lit, narrow, speakeasy-type place, check it out.
The Leland Hotel was built in 1927 at 400 Bagley St, Detroit. The Purple Gang murdered someone in the lobby of the Leland in 1930. The Leland is now an apartment building.
Harry ‘Chinky’ Meltzer (Sept 23, 1910-Nov 3, 1993) lived in Detroit. His dad opened the Schvitz Oakland Ave Bathhouse in 1930. The Purple Gang used to meet frequently at the bathhouse. Currently, the bathhouse still stands and looks the same.
After Prohibition, several of the Purples relocated to Albion, Michigan, which is about 1hr 30mins west of Detroit.
In 1946, a Michigan Senator in Albion was going to turn states evidence. So, a few incarcerated Purples borrowed a car from Jackson Prison, drove to Springport, Michigan, assassinated the Senator and drove back to prison. As a reward for their work, the Purples were taken to the Pearl Street bordello for some fun.
About the Author
Gregory A. Fournier author
Detroit native and Literary Classics gold medal award-winning author Gregory A. Fournier received his bachelor and master’s degrees in Language Arts from Eastern Michigan University in Ypsilanti.
His other titles include: Zug Island, Terror In Ypsilanti, and The Richard Streicher Jr. Murder.
Fournier writes short history posts for his blog Fornology, and he has appeared on the Investigation Discovery Channel as a guest expert on John Norman Collins for the series A Crime to Remember in an episode entitled “A New Kind of Monster.”
Greg’s book will be an historical and exciting read. Check it out!
Atlas Obscura 2nd Edition (image courtesy of Atlas Obscura)
*Special thanks to Dylan Thuras & Lathea Williams for this*
We are raffling off 3 autographed copies of ‘Atlas Obscura, 2nd Edition: An Explorer’s Guide to the World’s Hidden Wonders‘ signed by co-creator DYLAN THURAS!
*3 winners will be selected at random. Enter now for your chance to win!*
The raffle will run from Monday, December 02 to Sunday, December 08.
Dylan Thuras, Ella Morton, Joshua Foer (photo courtesy of Atlas Obscura)
Atlas Obscura was created in 2009 by Brooklyn, NYC-based Dylan Thuras and Joshua Foer.
Described as the “definitive guide to the world’s hidden wonders,” Atlas Obscura is an interactive guide to cool, strange, unusual places, food, and knowledge. This ongoing collaborative international mapping and cataloging project grows every day.
Themed around discovery and exploration, Atlas Obscura encourages people to be adventurous and become travelers in their own communities and around the globe.
John K. King Books Rare Book Room in DETROIT! (photo courtesy of Atlas Obscura)
To help drive this positive & global phenomenon, Dylan helped craft a book entitled ‘Atlas Obscura, 2nd Edition: An Explorer’s Guide to the World’s Hidden Wonders‘.
Published in October 2019 by Workman Publishing Group, the guide runs 480 pages and was compiled by Dylan Thuras, Joshua Foer and Ella Morton.
*Special thanks to Dylan Thuras & Lathea Williams for this*
We are raffling off 3 autographed copies of ‘Atlas Obscura, 2nd Edition: An Explorer’s Guide to the World’s Hidden Wonders‘ signed by co-creator DYLAN THURAS!
*3 winners will be selected at random. Enter now for your chance to win!*
The raffle will run from Monday, October 14 to Sunday, October 20.
Asylum Publications
Asylum Publications is a new publishing company located in Metro Detroit. Owned by serial entrepreneur Paul Burke, Asylum is slated to publish 100 titles by Summer 2020.
One of their most recent offerings is a beautifully rendered book called ‘The Early Years of McFarlane Toys‘.
Paul Burke worked closely with Todd McFarlane to co-develop McFarlane Toys and he has created a book about the unusual and ever-interesting twists & turns in bringing this multi-million-dollar toy company to life.
At the time, Paul was Co-founder / co-CEO / Vice Chairman of TMP International, which McFarlane Toys was a division of and, fun fact, they also had a partial ownership stake in the Edmonton Oilers NHL hockey team.
Image courtesy of Spawn
McFarlane Toys started in 1994 as Todd’s Toys, after they detached from Mattel and became independent. They quickly became the world’s 4th largest toy company and the largest US action figure company in Japan.
McFarlane Toys originally made Spawn action figures based on Todd’s comic book series called Spawn. After those were wildly successful, they started producing other general horror, movie and sports figures.
Span logo courtesy of Spawn
Fun Fact:
The Spawn comic book series just received a Guinness World Record for issue 301, making it the Longest Running Creator-Owned Comic Book in history.
‘The Early Years of McFarlane Toys’ is a fascinating book which you will enjoy immensely.
Biography of Paul Burke
Paul Burke (left) and Jack Faragasso (right) at Jack’s apartment in Manhattan NYC
Paul Burke is a well-known behind the scenes serial entrepreneur and financier whom typically does business on behalf of creators and artists.
Paul currently lives in Metro Detroit but has lived and traveled all over the world for business.
He has been a businessman for five decades and was involved in the management of rock band KISS in the 1970’s and even went on to found his own music publishing company, Stabur East Music / Can-Am Music, Inc.
In 1983 he got out of management and into publishing when he founded Stabur Graphics / Stabur Press publishing companies.
Stabur worked with some of the top cartoonists in the world and published several high-quality books, art prints, specialty books, books for Disney, Rocky Horror Picture Show, etc, until eventually merging with Caliber Comics, a company owned by his pal Gary Reed.
Among many other endeavors, Paul co-founded and was chairman of an automotive design and fabrication company, Blue Fusion, which became the 44th Global Tier One supplier to Ford Motor Company.
He re-organized a security mapping and documentation company for the Department of Homeland Security (DHS).
And he formed a company to advise private equity firms, EverGreen Capital Management and The Gores Group.
Stabur Home Video ‘Comic Book Greats’ (image courtesy of Stabur)
Over the years, Paul has interfaced with an impressive cross-section of pop-culture titans ranging from Stan Lee to Mad Magazine (Jack Davis and Bill Elder) to Bob Guccione (Penthouse) and others.
Paul Burke and Stan Lee even co-produced a 13-episode video series called ‘Comic Book Greats‘ from 1991-1992 for Stabur Home Video.
Paul also co-developed Deadworld Zombie Soda with Gary Reed. It started as a fun novelty joke, but sales unexpectedly took off and it became internationally popular.
Deadworld Zombie Soda (image courtesy of Deadworld)
Paul is currently involved with Asylum Publications, Source Point Press, Binary Press, and more.
Asylum Publications is scheduled to bring a number of books to market in all facets of pop culture, including publishing the fine art of 91-year-old Jack Faragasso, renowned New York artist and educator, in a follow-up to his ‘Early Photographs of Bettie Page’ book.
Asylum is working to make people aware of this great artist who has devoted his life to art, through a series of books and prints.
Dedd Fredd holding bottle of Asylum Zombie Soda (image courtesy of Asylum)
Recent Comments