The Library of Michigan in Lansing, Michigan (photo courtesy of LoM)
Why are books written, collected, read, and re-read? Since the world’s first library, the Library of Ashurbanipal (Iraq, 600’s BC), humans have been collecting their thoughts and impressions into books, thereby helping each other achieve breakthrough insights, peak experiences, and unleashed imaginations.
Fast forward some 2,600 years and hundreds of millions of books later. Libraries are still important, still relevant, and still changing lives.
I wanted to write this article as a reminder to the good people of Michigan how good we have it in terms of easy access to great libraries.
Serving over 10 million Michigan residents statewide is no easy feat. The basis of this network is a statewide interlibrary loan service. The Library of Michigan’s eLibrary (MeL) has two components: the eResourcesand MeLCat(the catalog), supported by the Regional Interlibrary Delivery Service (RIDES).
What this means is that your local library card is also an all-access pass to borrowing books for free from hundreds of participating libraries.
In this article, we’re going to hear from Randy Riley (State Librarian), Tara Kanon (MeLCat Support Specialist & Statewide Delivery Coordinator), and Scott Garrison (MCLS Executive Director). Each of these individuals occupies a pivotal role at a critical juncture in this constantly moving mandala of books.
Randy Riley
I’m sitting inside Randy’s office on the 5th floor of the Library of Michigan in Lansing. This five-story, 250,000-square foot building houses several treasures, including the Rare Book Room and State Archives.
Randy has been a librarian since 1989. He is THE Librarian for the entire state, and he has kindly taken time out of his exceedingly busy schedule to chat with me.
Randy Riley, State Librarian at the Library of Michigan in Lansing, Michigan (photo courtesy of LoM)
Let’s hear from Randy:
“I grew up in mid-Michigan, graduated Ionia High School, then University of Michigan. Started my career in education as a history-government teacher at the Valley School (Grand Blanc). After a few years, I transitioned into the library field, working in Special Collections (the genealogy and family history center), and became State Librarian in 2014. Fortunately, I’ve worked with some phenomenal people over the years and have had many great experiences.”
“As the main library for the State of Michigan, our development policy is we primarily collect the printed history of Michigan and build collections that serve our great state. Mostly donations, occasional acquisitions. We are also a central resource for the many topics of state government. And we oversee aid payments to libraries, along with training and consulting for librarians.”
“The Library of Michigan has three core units: Special Collections, Library Development, and Technical & Access Services. Special Collections are the books and other materials. Library Development is how we help other Michigan Libraries, and Technical & Access Services is the cataloging and processing side of the business.”
“The Michigan e-Library (MeL) is the premier program of the Library Development office. MeL contains over 80 e-resources and is a big part of what we do. MeLCat is the union catalog where you can request items.”
The Library of Michigan in Lansing, Michigan (photo courtesy of LoM)
“Around one million items circulate annually among 420+ libraries statewide. When I started, the famed $100 reference book was a big deal. MeL has helped level the playing field in terms of easy on-demand access.”
“The inception of MeL can be traced to the early 1990’s. There was the Go-M link at the University of Michigan, then it came to the Library of Michigan in the mid-90’s and took shape as an actual database in 1998 when Access Michigan was created. This morphed into MeL and in 2005, MeLCat was added thanks to our wonderful partnership with MCLS.”
“For the majority of libraries in Michigan, MeL is their main database content. You can also access it online right now from anywhere. MeL completes about 20-30 million data retrievals annually, meaning that specific information was successfully located for 94% of these requests.”
“MeL presents the user with high-quality information from subject matter experts. For example, some of the most popular of the 80 databases are: Opposing Viewpoints (Gale Cengage database used heavily by schools), NoveList Plus (book discussion group; guides to almost 30,000 books of fiction), and the A to Z database(general business info).”
“We receive $1.75 million dollars per year from the state to run MeL, along with $4.5 million dollars from IMLS grants, thanks to the LSTA Act.”
“TheInstitute of Museum and Library Services (IMLS) is an independent agency in federal government and they help us with funding. When calculated for ROI, for every dollar spent, the general public gets $26 in return, which is significant. We also use some federal funds for sub-grants to libraries, meaning that a few dozen libraries can each receive up to $25,000 per year.”
“Overall, MeL is a tremendous resource featuring a wealth of options for anyone to explore. Libraries from Monroe to Escanaba use it heavily. MeLCat allows you to borrow from libraries that are 500 miles away!”
“Libraries are community centers, not just book warehouses. A healthy library has many facets, including being a place of refuge for everyone from kids to adults of any economic status.”
“In my 35 years as a librarian, I’ve witnessed constant unstoppable change, driven by technology. For example, generative AI is coming so fast, that librarians who embrace and understand it will have an advantage over those who balk at it and ignore it, hoping it’ll go away. There is a working group called State Libraries and AI Technologies (SLAAIT) figuring out how to best handle AI.”
“Books and getting them into people’s hands is still vitally important to society. Working in libraries, you see firsthand the transformational power of the written word. Libraries exist to provide opportunities to people and make their lives better and I’m thrilled every single day to be a part of this.”
Tara Kanon
Tara Kanon is the statewide delivery coordinator for RIDES. She has graciously allowed me a rare peek into the process. I’m walking through a cavernous warehouse with her and some staff from RIDES courier ProMed Delivery, Inc.
We are witnessing an amazing feat of logistics and boots-on-the-ground hard work from dedicated people ferrying shrink-wrapped pallets of books.
Tara Kanon and team at RIDES hub warehouse in Detroit (photo by Ryan M. Place)
Let’s hear from Tara:
“The Regional Interlibrary Delivery Service (RIDES) is a statewide courier service for Michigan libraries. Some 300-400 couriers physically drive the books around the state to and from the various libraries. ProMed Delivery, Inc. provides delivery service to the Lower Peninsula, and they coordinate with another courier to provide delivery service in the Upper Peninsula.”
“There are six main regional warehouses statewide, and a transfer site for materials moving between the Lower Peninsula and the Upper Peninsula. The central Detroit hub is our largest. When someone requests a book or other item, it goes from the library to the closest warehouse hub where it gets sorted, sub-sorted, then routed to the requesters library via courier.”
RIDES hub warehouse in Detroit (photo by Ryan M. Place)
“Each library has its own 3-digit RIDES code identifier. Any library can choose to participate in the RIDES program. However, there is a small cost for libraries to join. Libraries can also choose to be a no-pack library (no packaging) if they want. We work with libraries of all sizes. Certain algorithms are in place to ensure request balancing, so that lending and borrowing doesn’t fall on any one library.”
“Materials are manually sorted by hub into green RIDES totes. There are three different sizes: large, medium, and very small. The max weight is 40 pounds per tote. An estimated 15,000 MeLCat materials move through the RIDES system daily. Audio visual material is double bubble wrapped.”
“MCLS manages the RIDES label maker. There are over 740 library names on the RIDES label maker. MCLS contracts with ProMed Delivery, Inc. to provide delivery. Many drivers themselves are independent contractors.”
Scott Garrison
Scott is the Executive Director of the Midwest Collaborative for Library Services (MCLS). He is kindly chatting on the phone with me.
“MCLS exists to help support libraries. We promote collaboration, engagement, innovation, learning, and more for libraries. We work with a variety of other organizations across the library landscape by offering collective e-licensing, consulting, training programs, and much more.”
“We’re very proud of our strong relationship with the Library of Michigan, with whom we contract to support MeL for millions of citizens across Michigan. . Our staff take the trust that the Library of Michigan and hundreds of libraries across the state have placed in us very, very seriously, and we take pride in serving libraries the best we possibly can. The MeLCat and other servers we maintain are at an IT co-location facility in Lansing, and are currently undergoing significant upgrades to bring them more up to date. MCLS serves and supports libraries of all sizes and types, from smaller academic to larger academic, school, public, special (i.e., hospitals and law firms), and the state libraries in Indiana and Michigan.”
“MCLS created and administers RIDES, which enables over 400 libraries to move over 1 million items back and forth to the Upper Peninsula and all around the state on a constant basis. Since we have two peninsulas, each with its own courier, Michigan is one of the most complex, multi-type resource sharing environments for libraries in the entire country.”
Final Thoughts
Michigan library card
I hope looking through this small window into an enormously vast network and what it takes to run it, has increased your appreciation for not only your local library but for libraries in general.
Many thanks to Randy, Scott, and Tara for taking the time to help us understand and appreciate the intricacies of the Michigan library system.
If you are a Michigan resident and don’t have a membership card to your local library, make it a priority to go there this week and get one. Use theMichigan Library Directory to locate the nearest public library to you. If you are a Michigan library, make sure you look into joining MeLCat.
Fun Bonus:
Cool items from the Library of Michigan’s Griffiths Rare Book Room (4th floor)
Library of Michigan’s Griffiths Rare Book Room (photo courtesy of Googchives)
According to Adam Oster, Community Engagement Librarian at the Library of Michigan, here are some cool items:
“The oldest item is from 1490. It’s called “Statham’s abridgement of the law” and it’s a collection of English law translated into French.
When it comes to other unique items in the Rare collection, we have a fairly complete set of the “The Michigan Suffragist” newsletter of the Michigan Equal Suffrage Association. A great feature within most issues of the newsletter is the County Reports section where the work be performed for the suffrage movement within individual Michigan counties is highlighted, including where individual people are listed.
Statham’s Abridgement of the Law circa 1490 book @ Library of Michigan’s Griffiths Rare Book Room (photo courtesy of Googchives)
Some other interesting items, according to Matt Pacer, Reference Librarian at the Library of Michigan:
Mapping my world : buildings + bridges / Laura Davidson. Published 2002. A pop-up book. One can think of it as more of an art piece with pop-ups of Michigan bridges and buildings.
Addresses of Abraham Lincoln. (miniature book). Published 1929. It is about 2cm. So, about the size of the knuckle to top of thumb. A representative sample of a book that would have been purchased as a memento/keepsake. One needs at least a magnifying glass to read it.
Hough’s Woods book circa 1892 @ Library of Michigan’s Griffiths Rare Book Room (photo courtesy of Googchives)
As for acquisitions/donations, there are several reasons we would add a book to our rare collection. For the above three books, we want to ensure that many future generations of Michigan residents and researchers have access to these items. If you have other questions, please ask.
Temperature-controlled closed-stacks room which houses the rare book collection at Library of Michigan (photo by Library of Michigan)
Donate rare Michigan yearbooks to the Library of Michigan
“The Michigan Suffragist” newsletter of the Michigan Equal Suffrage Association, which is housed in the Rare Book Room at the Library of Michigan (photo courtesy of Library of Michigan)
Detroit artist Bill Morrison at his home studio (photo by: Ryan M. Place)
Bill Morrison is a tremendously talented artist and writer.
A child prodigy in art and drawing, he could draw better at age three than I can at age thirty-six. His competency across a broad range of specialties and his career trajectory are jaw-droppingly impressive as he continues upping the ante by challenging himself with new and different projects.
He lives in a lovely stately historic home in St. Clair Shores, Michigan, which backs up to the vast and beautiful Lake St. Clair.
Bill lives with his wife Kayre (pronounced ‘Care’), two dogs Gidget and Ripley, two cats Ziggy and Freddie, and a world-class collection of comics, collectibles, and artwork. His home studio is a delightful wonderland of creativity, pop culture inspirations, and gobs upon gobs of wickedly good Bill Morrison original art.
Detroit artist Bill Morrison at his home studio (photo by: Ryan M. Place)
I’m here chatting with Bill. He was both brave enough to let me into his home and kind enough to answer my 10,000 rambling questions.
As a lifelong fan of The Simpsons and Bill’s work, I’ve owned several of his comics, watched several of his shows, and for years had the amazing full cast of The Simpsons poster on my wall that Mr. Morrison did.
Meeting him was an honor and I can tell you that he is a thoroughly cool dude.
The Simpsons kitchen sink poster art by Bill Morrison
Published by Hero Collector, it’s a treasure trove of trivia masked as intentional continuity errors that are artfully designed to test your mental abilities of recognition and recall.
And now, ladies and gentlemen, Mr. Bill Morrison!
Bill on The Beatles
Nerd Search: All You Nerd is Love: A Yellow Submarine Puzzle Book by Bill Morrison
“I’m a huge Beatles fan. My involvement with creating The Beatles books goes back to 1998 when Dark Horse Comics asked me to do a graphic novel for the 30th anniversary of Yellow Submarine. The deal unfortunately fell through midway. However, in 2018, I ended up doing a 112-page graphic novel adaptation of The Beatles Yellow Submarine for Titan Comics.”
“Titan Comics is based in London. They published our Simpsons stuff for Bongo in the UK. Initially, the licensing agent for The Beatles merchandise was interested in having me link up with Titan for the graphic novel. Then they came to me with a second project because they needed a pre-approved artist and put me in touch with Hero Collector, which is owned by Eaglemoss.”
“Hero said they have a series of books called Nerd Search where each scene has purposely incorrect information & items that the reader has to find, clues to solve, and at the end you get all the answers and rate yourself. I had a great time doing the book and I’m looking forward to seeing what the fan reaction is.”
“I’ve been a lifelong Beatles fan. Favorite song is Hey Bulldog. Favorite album is Rubber Soul. And I listen to The Beatles Channel on SiriusXM all the time.”
“I saw ‘A Hard Days Night’ (1964) at the drive-in when I was five, sitting in the back of the station wagon. Back then everyone was playing Beatles records.”
“The first album I had was Alvin and the Chipmunks Sing the Beatles Hits, then I got into the Saturday morning cartoon (1965-67), and saw Yellow Submarine (68) the first time it aired on TV in 1970.”
Beatles Yellow Submarine graphic novel by Bill Morrison
“I remember in high school there was a Broadway show called Beatlemania (1977-79) which was really popular and created a resurgence of interest in The Beatles. By that time, I was doing artwork and t-shirts.”
“At high school, my friend Steve Colwell and I started a small t-shirt business selling shirts of rock stars. We passed an order sheet around to everyone at school and they would place orders for our shirts.”
“My sister actually got to see The Beatles live in 1966 at Olympia Stadium in Detroit. My dad drove them and sat in the parking lot. The Beatles only played for a half hour, but they had several other opening bands, which was common at the time. Dad was smoking a cigarette outside the car when the big garage door on the side of the stadium rolled up. A big black limo pulls out as he hears the kids leaving. Suddenly the crowd spots the limo, and this horde of Beatles-crazed fans starts running towards him. My dad is between The Beatles and the kids. He says he had to jump onto a lamp post to avoid being trampled!”
The Early Years (or who is Bill Morrison and why am I in his house?)
Bill Morrison as Batman (photo courtesy of Bill Morrison)
“I’m an artist, writer, collector. I like working at my home studio where I use mostly traditional tools of the trade, some digital. I sketch with a blue pencil, use graphite and ink for comics, acrylic for painting, brush painting or airbrush, depending on the texture I’m trying to achieve. As for writing, I frequently jot down random notes in a book, otherwise I type in Microsoft Word.”
“My passion, thankfully, is my career and I don’t really have any other hobbies or interests beyond it. I love collecting toys, comics, art, but that all pretty much relates to my job. My wife and I like Art Deco, NY World’s Fair memorabilia, books (especially books on comics, comic collecting, illustrating, graphic novels).”
“My most marketable ability as a commercial artist is I can pick up other artist’s styles very quickly, which is very helpful in animation. I need a few practice sketches to find the rhythm, then I have it.”
Bill Morrison with Casper doll (photo courtesy of Bill Morrison)
“I was born January 15, 1959, and grew up in Lincoln Park, Michigan, about ten minutes south of Detroit. My dad is from the Hocking Hills, Ohio area and my mom is from Wyandotte, Michigan. Her father was Judge Arthur Decker, who as a young man, was a prize fighter nicknamed Kid Decker. My parents have always been very supportive of my artistic ambitions.”
“I have four living siblings: Alice, Donna, Sue, and Janice. My brother Don just passed away recently. Two of my sisters live here in Michigan, and two live elsewhere. My wife Kayre is also from Lincoln Park. Yes, we started dating in high school, and we recently moved back to Michigan to be closer to our families. This fulfills the mission of my youngest sister Alice, who lives in Novi, and has been trying to re-gather all of us for years.”
“Growing up, my older sister Sue was artistic, and she taught me how to draw at age three. She sat me down at the kitchen table and taught me how to draw a stickman. She drew a figure and told me to copy it. Then she left, came back in ten minutes, and says I had “vastly improved” on the drawing. She got real excited, thought I was a natural talent. She was always keyed into what I was into. Early on I would emulate her character drawings of Snoopy, the Wolfman, etc, whatever my mania was at the time”
Detroit artist Bill Morrison at his home studio (photo by: Ryan M. Place)
“In 1977, I graduated Lincoln Park High School and immediately enrolled in Detroit’s College for Creative Studies. I started off wanting to be a comic book artist but learned I’d have to go to NYC to establish myself. I love New York now, but back then the idea of living there sort of terrified me. I had a teacher Gary Ciccarelli for airbrush class. He was really into the whole West Coast airbrush scene, which was highly glamorized, stylized, lot of palm trees and neon. And he turned us onto stuff I hadn’t been exposed to.”
“I graduated CCS in 1981 and got a job at Artech, Inc. in Livonia doing technical drawings for the automotive industry. I would be in a big room with 15 artists. The guys in the other room would look at a blueprint and sketch it out in 3D, then they would send it to us and we would refine and perfect it. We did mostly engine stuff, mechanics manuals & parts catalogs, cut-away paintings of diesel fuel pumps, etc.”
“In 1982, I married Karen “Kayre” DeLosier, the love of my life, and we lived in Plymouth, Michigan for a bit near Plymouth Road and Haggerty, before moving to the West Coast. Moved to Beverly Hills briefly, then Sepulveda (which became North Hills), then Simi Valley.”
L.A. in the ‘80s: a town awash in neon and perms and mohawks, oh my!
Bill Morrison with Roger Rabbit (photo courtesy of Bill Morrison)
Bill was employed as a professional illustrator at B.D. Fox and Friends Advertising from 1982-86, which is where he first met legendary cartoonist, Matt Groening, who was just an unknown scribbler at the time. After that, Bill was at Willardson & Associates. During this time, he also worked on iconic movie posters like the famous Little Mermaid (1989), The Land Before Time (1988), Oliver and Company (1988), all sorts of Disney movies, of which he said his favorite poster is The Prince and The Pauper (1990).
“My first job in Hollywood was doing movie posters at B.D. Fox and Matt (Groening) was a freelance writer there. B.D. Fox was a boutique ad agency for the entertainment industry. A co-worker, Mili Smythe was an art director there and she was friends with Matt, they’re both from Portland, and she introduced us. Mili told me about Matt’s comic strip, Life in Hell.”
“Occasionally she would ask us for input on things like childhood songs to give to Matt, who would then put the song references in the comic strip. At work, Matt would pitch tag lines for posters, but we didn’t really become good friends until The Simpsons.”
The Prince and the Pauper (1990) poster art by Bill Morrison
“I designed the posters for horror movies House (85), Blood Diner (87), and I was the in-house illustrator doing rough sketches and comps for films like The Return of the Living Dead (1985). Art directors would come to see me with ideas they needed me to draw up. For the Return of the Living Dead poster, I don’t know who did the final painting but I remember being surprised that Bill Stout didn’t do it. He was a well-known poster artist, and he designed the zombies for the film”
“In 1986, I was invited to work at an illustration studio owned by David Willardson, the California airbrush artist, called Willardson & Associates. We did all sorts of advertising for all different products, mostly photo realistic work but glorified, Nestles Quick, Maxell Tape, etc, and one of the jobs was for Disney. It was a re-release of Cinderella, they wanted a one-sheet poster. I did a teaser they liked, then another one, and another one, then anytime Disney released an animated film into theaters. I did Little Mermaid, Oliver and Co, Rescuers Down Under, Roller Coaster Rabbit, Prince and the Pauper (a Mickey Mouse featurette), Peter Pan, Jungle Book, Bambi, Lady and Tramp, Fox and Hound, etc.”
“I did The Land Before Time movie poster for Amblin Entertainment. I only did the characters, not the background. This was in the pre-photoshop days and I’m at the studio and I get this big painting delivered. They said we need you to re-draw the dinosaur characters and paste them over the existing ones. I did it on one-ply Strathmore paper, which was tricky to paint on because it’s so thin. Then cut out the outline perfectly with an x-acto knife then painted the edges with a brush. It’s very hard to match outline colors perfectly. Then I took spray mount and permanently sprayed them onto this guy’s painting, which seemed kind of unethical but I had to do it.”
The Simpsons & Matt Groening
First signing with Matt: from L to R are Matt Groening, Steve Vance, Bill Morrison (photo courtesy of Bill Morrison)
Bill joined The Simpsons crew in 1990 and played a seminal role in the global expansion of the franchise. He was doing illustrations for 20th Century Fox and creating all sorts of art for merchandise, sketches, t-shirts, posters, etc, while simultaneously art-directing other merchandise artists at Klasky Csupo Animation Studio.
“In 1987, The Simpsons made their global debut on the Tracey Ullman Show. It was one of the animated bumpers they did. Then it morphed into the December 1989 Simpsons Roasting on an Open Fire holiday special episode, then the show officially premiered February 1990. It was an immediate blockbuster hit.”
Simpsons Yellow Album art by Bill Morrison (image courtesy of Bill Morrison)
“I knew Matt (Groening) from our time working together at the ad agency a few years prior. He brought me into The Simpsons creative family, and I started doing character drawings for merchandise. I created the merch style guide, which is for companies who license the brand. If a licensee takes out a license, they get a style guide of images they can use. Some licensees pay extra for custom artwork. I also did almost all of the video game packaging in the early days, along with calendars, books, and more.”
“I didn’t have anything to do with the characters beyond what they looked like until we did the comic books. Sometimes the stories in Simpsons Comics necessitated creating new characters. For Radioactive Man we got to create a broader cast of characters because they didn’t exist on the show. Radioactive Man’s origins are similar to the Hulk. Fallout Boy’s origins are similar to Spider Man. It’s mostly parody and satire. At one time there was talk of doing a Radioactive Man cartoon show but the idea was shelved when Futurama came out. I would love to see the idea get revived and think it could be a big hit.”
Simpsons Comics & Stories # 1 art by Bill Morrison
“In April 1991, Simpsons Illustrated launched and the series ran for ten issues. It had a comic section, and at the end of the second year, Groening and Editor Steve Vance wanted a gimmicky annual issue, so we decided let’s do a comic book. We named it Simpsons Comics and Stories and it came out in February 1993.”
“It was such a big hit that it gave Matt the confidence to start Bongo Comics, so we did. Starting a comic was a dream come true. We started it in November 1993. I served as Art Director, Steve Vance was the editor and his wife Cindy was colorist and letterer. After the first year the Vances left, and I became the Creative Director (Editor and Art Director.) I was directly involved in some way with every issue (writing, penciling, inking, supervising, art direction, etc). My favorite character to draw is probably Radioactive Man.”
“Matt and I are still good friends to this day.”
The Simpsons episode: A Serious Flanders (November 2021) poster art by Bill Morrison
“In terms of The Simpsons tv show, my favorite episodes are Radioactive Man, Black Widower (great art direction), and many of the episodes from the Conan O’Brien era (1991-93). Also, I love the recent two-part episode “A Serious Flanders” for which I created an advertising poster.”
Bill also did the cover artwork for The Simpsons DVD’s.
And Bill won several Eisner Awards for Simpsons Comics (2000), The Amazing Colossal Homer (1994), and Radioactive Man.
Roswell Little Green Man, Futurama, and more!
Roswell Little Green Man art by Bill Morrison (image courtesy of Bill Morrison)
“In 1996, I produced my own comic series for Bongo called Roswell, Little Green Man. Although Roswell loosely takes place in the late 1940’s, it was my love of 50’s sci-fi films that inspired it. The first story deals with giant ants, harkening back to Them! (1954 sci-fi movie). The series was nominated in four different categories for the highly coveted Eisner Award. We ended it because we started a little show called Futurama and I didn’t have time to work on the show, along with my Bongo duties, and also my own comic.”
“I was the Art Director on Futurama from 1998-2003. I assisted in the creation of the cast of characters with Matt Groening. Matt was the creator of the show and Futurama was done by The Curiosity Company, Matt’s own production company.”
“We did four seasons, 140 episodes. It was on Tuesday nights when it first premiered, and Matt didn’t like that. He told Fox execs to put it on Sunday nights 8:30 p.m. right after The Simpsons. They wouldn’t do it. Finally, they put it on Sunday’s but at 7:00 p.m., which was too early. Futurama is a workplace adult comedy, it’s about adults, romances, and it was inappropriate to put on then. Plus, at that time slot, if sports games ran longer than anticipated, which they frequently do, they had to cut portions of the episodes or not even air the episodes.”
Futurama art by Bill Morrison (image courtesy of Bill Morrison)
“I loved Futurama, especially Leela, and I helped design many of the weirder characters before Matt pitched the show. Matt would always do a final cut and tweak it. We’d be at his studio, he would give me a paragraph on a character, I would do drawings, then show him, it sparked him visually, then he would do a drawing, I would refine it, etc, it was a collaboration. I always felt my biggest contribution to the show was sometimes showing Matt what he didn’t want because it would help him decide which way to go with a character. It’s very difficult to create unique and original characters. Having some input from friends is valuable, the visceral reaction is valuable.”
“In 2000, I did a six-issue mini-series for Bongo called Heroes Anonymous. My editorial assistant at the time was Scott Gimple and I invited him to work on it with me. It’s about a support group for superheroes. We had it in development at the SyFy Channel for a while. Scott had moved on to Disney where he was working on a show called Fillmore, which was a safety patrol played as a 70’s cop show. He had an agent at this point who wanted him to go out and pitch ideas for shows that he owned. Since we co-created Heroes Anonymous he called me and we started pitching it to networks and the SyFy channel took an option. Scott and I worked together on the story for the pilot and Scott wrote the script. I was going to be on board as a producer. The network would give us notes on the script, and at first they were good notes. But eventually the notes got silly and were making the script worse. Finally, it got to the point that their suggested improvement notes were too embarrassing to seriously consider. We chose not to renew the option when it came up. Scott did okay though, he’s now the showrunner on The Walking Dead.”
“After that, I was lucky enough to be able to do my first book, which was a career retrospective on Dan DeCarlo, one of my favorite comic book artists. Dan is best known for drawing Archie comics and creating Josie and the Pussycats and co-creating Sabrina the Teen-age Witch. The book is called Innocence and Seduction: The Art of Dan DeCarlo. I knew Dan personally. We were friends until he passed away in 2001. I was also a fan and there were no good books on Dan’s art. I wanted to create something that didn’t exist yet.”
The Art of Dan DeCarlo book by Bill Morrison
“A few years later, I collaborated with Jane Wiedlin, co-founder of The Go-Go’s. In 2010, we did a comic book called Lady Robotika which was published by Image. The concept is based on Jane as a cyborg space hero.”
“In 2015, I wrote and illustrated Dead Vengeance for Dark Horse Comics. It’s a tribute to the gritty 1940’s pulp era and takes place in Detroit.”
Dead Vengeance by Bill Morrison
“Near my end at Bongo, Matt was working on a new show (what later became the show Disenchantment) and I was talking to the businesspeople telling them I’m looking for something creatively challenging. They said Matt wants to do a new company, comic, show, etc, but he’s not quite there yet. But we do want to develop a comic reader app for mobile phones and iPads, so I did that.”
“I designed comic reader apps. Here I am, devoted to printed comics, and I had to develop and promote comics on electronic devices. Had to learn the guided view mechanics of reading a comic online, panel to panel scrolling, etc. To do this I had to download digital comics and study them. I started taking them on trips with me and realized that you can still have your physical collection at home but also embrace digital comics as a convenience. I started promoting the app, called The Simpsons Store, then the Futuramaland comic reader.”
The National Cartoonists Society
Bill Morrison (National Cartoonists Society)
Founded in 1946, the prestigious National Cartoonists Society is the world’s main professional organization for people working in cartoons and comics. To be admitted membership, published cartoonists must send in samples of their work. Once vetted, they can become Artist members. Bill joined NCS in the mid-90’s and served as President from 2015-2019.
“I was a casual member for years. Then served on the board for Jeff Keane (Family Circus), then continued as VP on the board of Tom Richmond (Mad Magazine cartoonist). Then I became president.”
National Cartoonists Society 27 Club
“It was a lot of work but very rewarding. It’s mind boggling to think I’m part of that lineage, a fraternity of my heroes. It’s very difficult to get people to join clubs nowadays as regular dues-paying members. I’m glad that I was able to help come up with some good ideas to move NCS forward.”
“Sergio Aragonés, Steve McGarry, and I were discussing effective strategies for reaching out to cartoonists and making it easy for them to join NCS. We came up with The 27 Club, where they don’t pay the $180 annual fee, and any cartoonist under 27 years old can join for only $27/yr. Jason Chatfield, who served as my VP and is now the president, continues taking it on. I love the NCS. We have the Reuben Awards every year for the Outstanding Cartoonist of the year. And last year we had our first annual online convention, which was great and well-received.”
MAD Magazine
MAD Magazine has been around since the Atomic Fifties, 1952 to be exact. This legacy institution had the foresight to hire Bill Morrison as Executive Editor in 2017.
“When DC Comics moved from New York City to Burbank, California, the MAD guys didn’t want to go. Finally, the publisher at DC worked out something with Warner Bros where the MAD Magazine offices could stay in NYC, but it was agreed that once they found someone to take over MAD, it would move to Burbank.”
“Then they hired me, and I had to hire a full staff, except for one guy who did decide to move from NY. I had done some freelance jobs for MAD in the past and now here I was overseeing all creative aspects of the magazine. We had good people, especially the art director, Suzy Hutchinson. I’d look at everything, make notes, some minor changes, etc. I loved working there.”
Bill Morrison with Alfred E. Neuman (art by Tom Richmond)
“We were given a really tough assignment, which was to take a magazine read by mostly white males (ages 11-16 and 45-60), most of whom subscribed and they wanted us to expand the readership to women, other ethnicities, and other age-ranges, while not losing our current subscribers. We succeeded in getting subscription numbers up, had expansion ideas that were ambitious but doable, talked about the possibility of live comedy shows at the Hollywood American Legion Post 43, simulcasting, taking it on tour, new merchandise, etc.”
“We were getting great positive feedback. I’m connected with hardcore (and therefore critical) MAD fans who told us we had struck a great balance. But corporate decisions beyond my control caused MAD to go to a reprint format.”
Bill’s Influences & Collections
Detroit artist Bill Morrison at his home studio (photo by: Ryan M. Place)
“I’m real big on Batman art and toys, non-superhero stuff like horror (especially Universal Monsters) and sci-fi, teen humor (any era but mostly 50’s 60’s). I typically go for eras and artists over genres. My favorite eras are 50’s-60’s.”
“Some favorite artists are Dick Sprang, Bob Oksner, Sergio Aragones, Dan DeCarlo. Growing up, some favorites were Neal Adams, Bernie Wrightson, Jim Steranko.”
It Rhymes with Lust (1950) cover art by Matt Baker
“Another favorite artist is Matt Baker, but his art is so expensive. He did the great cover for It Rhymes with Lust (1950) which many people consider to be the first-ever graphic novel.”
“Fine art, I like Salvador Dali, John Singer Sargent, M.C. Escher, Alphonse Mucha…though some might consider him more of an illustrator. Comedically, I’ve been influenced by Jerry Lewis, Woody Allen, Steve Martin, Mel Brooks, and more recently by Melissa McCarthy and Tina Fey.”
“To this day, I’m constantly discovering new influences. I also like the painter Norm Saunders, illustrator Wally Wood, Will Eisner, Robert Crumb, etc, too many to list!”
Mars Attacks art (card 32) by Norman Saunders (1962)
Upcoming Projects
Bill Morrison holding a giant eyeball bowling ball (photo courtesy of Bill Morrison)
“I’ve been doing stuff for the fine art print market. And I’m doing some animation development projects and helping producers visualize their concepts.”
Final Thoughts
Bill at the drawing board, Bongo Comics (photo courtesy of Bill Morrison)
“At Comic Con (SDCC) one year, maybe ‘94-95, right after a speculator boom, when the industry took a turn downturn and was downsizing and consolidating, some publishers were shutting down, things at the time were looking down not up. The great Will Eisner walked by the Bongo Comics booth and I asked him his thoughts about the doom and gloom end-of-the-industry rumors. He said ‘I’ve seen this happen five or six times since the 1930’s. Comics is a language and a medium that people love. It might change shape, but graphic storytelling is an artform and is always going to exist’ and I thought that was tremendously uplifting and insightful and I try to always keep that in mind.”
“My advice to aspiring creatives is to always be open to opportunities you didn’t necessarily anticipate. For example, I never thought I’d be a writer, art director, editor. But I said yes, I was open to it and ended up discovering that I love those roles. Talented young people tend to focus on one single thing only and might invariably miss out on other areas of rich potential. Sometimes you just gotta say yes and then figure it out. If you don’t like it, you can always stop doing it and do something else until you find the things you’re great at and love doing.”
Atomic Battery Studios (Bill’s official Facebook page)
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