Deon will be located on Russell Street at Alfred Street from 11am-3pm during Bookfest. Please bring money to tip him. Paper money, small bills are appreciated.
Considered a Detroit street legend and one of the top street performers in the Midwest by many, the musically gifted Deon Forrest, has built a reputation for doing his own thing.
Self-taught and ambidextrous, Deon “plays the pots” on the streets of Detroit, most notably drawing massive crowds in the neighborhoods of Eastern Market, Greektown and Downtown.
Videos of Deon have gone viral numerous times. Some of the videos online have over 60 million views. He was featured on the Jimmy Kimmel Show and some fans of his work include Eminem, Janet Jackson, Post Malone, Jermaine Dupri, and many others.
Deon’s sense of rhythm, timing, theatrics, audience engagement and overall musicianship are what sets him apart from the competition.
Big Sean’s Detroit 2 album cover (featuring Deon Forrest on the front cover)
Let’s hear from Deon directly:
“I love Detroit. Straight up. I grew up on the streets, didn’t have nothing. Then In 2008, I got shipped here and lived in a group home in Southwest Detroit at Fort and Schaefer. I got myself together in Detroit. I found out who I was in Detroit, this city made me who I am.”
“At that time, nobody knew who I was. I didn’t even know who I was. I didn’t know what I wanted to be or what I really wanted to do. But I knew I needed a hustle. Couldn’t let my kids stay on the streets and I didn’t want to beg for money, so one day I’m at my friends and being a percussionist, I’m always tapping on stuff, and I’m getting into the rhythm and right then and there I realized Deon you’re going to be a street performer.”
“I started off as a techno drummer without the speaker. Now I got a TopTech Audio speaker specially rigged on wheels. Built my pots because I wanted to do something unique and different. And now I got a whole mobile orchestra! My kit includes: piano, pots, slider, etc. I use ten pots and one cymbal. The buckets provide the bass. My favorite drumsticks are the plastic-tipped marching band Vix Stix (aka: Vic Firth).”
“My style is like Daft Punk mixed with Stomp (the British percussion group) and I can remix any song.”
Deon Forrest (aka: Greektown Hotbox) Detroit’s own world-famous street performer (photo Deon Forrest)
“The streets is like a big petri dish for testing your skills. To be a street performer, you have to battle underground to see who’s the best. I earned the title ‘King of Greektown’ because I’m 10-0. You set up near a big crowd and try to take the crowd. Whoever draws and keeps the crowd is the winner and you earn that spot.”
“I beat the five Chicago bucket drummers. We were rivals for a minute but now we’re cool. I outmaneuvered the marching band and they even had big bass drums. Also whooped a few horn players. I’ll go toe to toe with anybody on the streets. You play something? Bring it. Let’s see what you got. I’m in Eastern Market, Greektown, all over Downtown, come find me.”
“I play outside a lot of sports games, especially the Detroit Tigers and Detroit Red Wings, and outside live music venues, especially the Fox Theatre and Masonic Temple. The most money I ever made in a short time was I made $1,200 playing drums for about 1h30min. On a typical night, I average around $500.”
“I did a performance for Post Malone in Greektown. I played Martha Reeves birthday party. I’ve been in an NFL commercial with Barry Sanders. I’ve done all sorts of stuff.”
Deon Forrest (aka: Greektown Hotbox) Detroit’s own world-famous street performer and Detroit rapper Big Sean (photo Deon Forrest)
“One of my main inspirations is Michael Jackson. I also find some parallels between his life and my life. For instance, there was the Jackson Five. I used to perform on the streets with five people, including my man Miles Hubbell, but gradually the group started shortening until it was just me. Plus, how he did the moonwalk, I built a slider on my kit so I can kick the pot out and moonwalk it back.”
“Believe it or not, I only practice in my head. I get the music on my phone and listen to it. I have a special ability to instantly memorize music. I have a song of list of hundreds of songs in my head. I also do requests. My favorite stuff to play is pop, dance, techno, R & B, etc.”
“I love Detroit because there’s all kinds of wonderful and different people here. The best advice I can give y’all is just be who you are. Because whether you like it or not, the Real You’s gonna come out eventually. Just let it shine.”
“I’m a big basketball fan, would love to do something with the Detroit Pistons.”
“Currently, I’m building a special set. It’s a 360-degree chair that spins. I sit in the middle and there’s four different drumming stations where I can spin and play multiple, different songs interchangeably.”
Come check out Deon on the pots!
Deon Forrest (aka: Greektown Hotbox) Detroit’s own world-famous street performer (photo Deon Forrest)
Snoop Dogg and Tony Green (photo courtesy of Tony Green)
*special thank you to Dominic Riggio (Mess Bucket Comics) for introducing me to Tony Green*
Detroit, Michigan! A surfeit of wonderful characters and talented musicians regularly emanate from this city like mystical vapors, spreading transformable currents of raw talent, tendrils of undulating electricity, that levitate the membrane with a new form of sentience.
Also known as Tony Green, T-Money Green, TMoneyG, T-Green, T. Green, etc. Born and raised and holding it down for the city, Tony has been playing the bass with his distinct tone and timbre for over five decades. His style is immediately recognizable and has been influential on a global scale.
Detroit’s Tony Green of The Dramatics (photo courtesy of Tony Green)
An oft unacknowledged musical prodigy, Tony toured with soul R&B group The Dramatics for two decades, then worked with Pfunk’s George Clinton, then shot out to the West Coast to help create the G-Funk sound by working with Dr. Dre, Snoop Dogg, and Death Row Records in the early to mid 90’s.
Tony is a producer and ASCAP award-winning composer. In addition to playing with countless fellow high-level musicians over the years, he has created community by introducing many musicians to each other. The scope and depth of his true-life story has been largely unacknowledged until recently when Detroit author Jackie Wallace wrote a book about his life called Behind The Wall.
At this exact moment, I’m sitting inside Tony’s living room at 7 Mile and Livernois on Detroit’s Upper Westside. Present are Dr. Gail Soo Hoo (the Flute Doctor), Tony’s brother Will, and Zeus, the popcorn-eating Presa Canario puppy.
Tony has a gold record on the wall, an upside-down bass in his hand, and that exciting glint one gets when pulling out the treasure map to a constellation of thoroughly fascinating life stories.
Alright, all you boppers out there in the big city with an ear for the action. Sit back, relax, and listen to these tales true and gems uncut from Detroit’s own Tony Green.
Tony Green gold record for The Dramatics ‘Do What You Want to Do’ (photo courtesy of Tony Green)
Dialogue from Tony:
Tony Green: The Early Years
Detroit bass legend Tony Green thinking hmmm…… I will become a bass prodigy! (photo courtesy of Tony Green)
“Jackie is a great friend, and we covered a lot in the book but there are still so many aspects to my hustle.”
Detroit bass legend Tony Green’s book Behind the Wall by Jackie Wallace (photo courtesy of Tony Green)
“You know how many great musicians and performers have been in this house (Monica Street, Detroit), man? Ron Banks, the lead singer of The Dramatics, sat right there about 50 years ago, and asked my mama if I could go on the road with them. And before that we had tons of great jazz players over here. A lot of me has never been publicly explained but that’s about to change right now. Let’s get into it.”
“I was born September 22nd, 1956, at Selfridge Air National Guard Base in Harrison Township, Michigan. My grandparents were from Calhoun, Mississippi. My biological parents were Rene Shaw and Roy Edward Green. My dad Roy was in the US Air Force in Vietnam (1965-75) and received two Bronze Stars for bravery.”
“Growing up, all my toys were tents, canteens, all army-type stuff. He lived in Roseville but also stayed in Los Angeles and San Antonio when he was home on leave, so when I spent time with him in the summers, we were in all those cities. He unfortunately died at the young age of 42 from the lingering effects of Agent Orange. His wife, my stepmom Ruth, used to torture me emotionally & physically.”
“My biological mom Rene was a pro bowler. She had over 100 trophies. She bowled at the Bowl-O-Drome (Dexter ave, Detroit), W-Y 7 bowling alley (Wyoming ave, Detroit), Thunderbowl (Allen Park; world’s largest bowling alley), Garden Bowl (Woodward ave, Detroit; world’s oldest bowling alley), all over the place, even out of state. I remember as a kid we sometimes used to take the little guy off the top of the trophies and put him on a necklace chain. I love bowling, my mom and I used to play on leagues together.”
Detroit jazz bassist William Austin
“I lived with my mom Rene and my stepdad William Austin. We originally lived at Elmhurst St and Dexter Ave in Detroit. Then in 1964, we moved here to 7 Mile and Livernois, which was a predominantly Jewish neighborhood at the time. Growing up, all my friends were Jewish. I went to Pasteur Elementary (19811 Stoepel St), Hampton Junior High (3900 Pickford st) and Mumford High School (17525 Wyoming ave).”
“But it was here in this house, man, that my love for music happened. I grew up hearing so much great jazz music live at the house and down the street at Baker’s Keyboard Lounge (Detroit; world’s oldest jazz club) that I almost feel guilty that other people didn’t get to experience that growing up.”
Detroit jazz bassist William Austin playing with Lionel Hampton (photo courtesy of Tony Green)
“It was an amazing group of jazz musicians here at our house. Sonny Stitt, Lionel Hampton, Esther Philips, Gloria Lynn, Jack McDuff, Earl Klugh, Yusef Lateef, Spanky Wilson, the female pianist Terry Pollard, Marcus Belgrave, Wendell Harrison, etc, all used to play downstairs jam sessions here in the basement. It was typically before a set they would be playing at Baker’s or they’d be in town for the weekend and drop by. We used to have BBQ cookouts eating my stepdad’s BBQ and my mom’s famous mac and cheese. Had the hi-fi going in the living room. Used to have a piano in the basement (my 5yr old brother Ricky would play; also my other brother Will Austin III plays guitar). Nobody was drinking alcohol, just playing jazz music. Man, those were the days.”
“My stepdad Will was a phenomenal jazz bassist. William Austin was originally from St. Louis and was self-taught on the bass. He toured with Barry Harris, Sonny Stitt, played a residency with Yusef Lateef at Klein’s Showbar (8540 12th st, Detroit). Eventually, most of the Detroit guys left for New York to work, so my stepdad, who was in the military, played bass in the US Air Force Band.”
“William Austin (February 22, 1932 – April 28, 2020). RIP. Until we meet again.”
“Other than the music, the family, and the great food, we didn’t have shit growing up. My Grandma would put a quilt around a rock and we’d play catch with it. That’s the kind of toys we had. Poverty in one regard, but rich in another. Rich in spirit and laughter and the memories.”
“My mom and her six sisters raised us. A lot of my influences came from home, my aunts, and my first cousin Felix Washington who later played in the band Bostonian with me. But lemme tell you. Growing up in Detroit in the 1960’s and 70’s was the bomb! I love music. We grew up listening to the Rolling Stones, The Beatles, Motown. It was a great city to grow up in, safe to walk around, no cellphones.”
Detroit bass legend Tony Green (photo courtesy of Tony Green)
“Marvin Gaye lived on our corner (3067 W. Outer Drive, Detroit) and he used to throw the football to us. Real cool dude. Originally, Berry Gordy the guy who ran Motown Records, had bought the house for his sister Anna Gordy who was married to Marvin. They did the photos for the What’s Going On Album (1971) in the backyard. One of Marvin’s good friends, Lem Barney, the Detroit Lions football player, used to be over there at his house all the time hanging out.”
“Marvin lived next door to The Temptations road manager (19371 Monica St, Detroit) he’d let us sneak downstairs to look at the famous 5-mike microphone stand and the Temptations uniforms.”
Marvin Gaye in Detroit (photo courtesy of Azalia Hackley)
Tony Green becomes a Bass Prodigy
Detroit bass legend Tony Green with The Dramatics (photo courtesy of Tony Green)
“It all started when I went to a talent show at Mumford High School in 1969-70. The very talented Reggie McBride played there, he went on to play with Elton John and a bunch of people. Gene Dunlap was on drums. Amazing the amount of talent from Detroit. The Clark Sisters. James Jamerson Jr was at Mumford but barely showed up. Anyway, when I saw Reggie kick out the jams on the bass, I knew I wanted to be a bass player.”
“My first bass was a Fender, like Jimi Hendrix. I got another Teisco bass from Federals department store (8 Mile and Dequindre, Detroit) when I was 14 years old. I play the bass upside down. My E string is at the bottom. And those old Fender basses are heavy. Later, my bass was a Spector and much lighter.”
“I don’t have any particular brand affinity. I’ll play any bass. I’ve always taken whatever bass I have to Tim Flaharty who used to run Music Castle (Woodward and 13 Mile, Royal Oak), now I take it to his house.”
Detroit bass legend Tony Green’s early band Roadwork (photo courtesy of Tony Green)
“In 1971, I started playing in bands at 15 years old. My first band was Funk Enterprise, which was a mix of black and white guys, we would play hall parties.”
“Then I played in Eternity. My friend Greg Phillinganes played the keyboards and the moog in Eternity. He later worked with Stevie Wonder, Lionel Ritche, Eric Clapton, Phil Collins, he was Michael Jackson’s musical director. Eternity also featured Kerry Campbell (sax), Sidney Chaney (drums), Greg King (trumpet) and Larry King (sax).”
“I kept getting kicked out of bands because I didn’t have equipment. My uncle eventually co-signed for me to get an amp for my bass.”
Detroit bass legend Tony Green circa 1969-70 (photo courtesy of Tony Green)
“Then I started a band called Roadwork, which exists to this day. Our original lineup was Corey Heath (Drums), Dwayne Nunn (organ), Roc Williams (guitar), Robin Harriston and Brenda Joy (singers), Farley on trumpet, Lenny on sax, and yours truly on bass. The promoter Greg Willingham helped us book shows. He ran a company called Showbiz Kids, they booked teen gigs.”
“Back then, my bands played at The Sentinel (2211 E. Jefferson, Detroit), the Latin Quarter, upstairs at Chin Tiki’s (2121 Cass ave, Detroit), Ethel’s Lounge (7341 Mack ave, Detroit), various VFW halls and high schools, etc.”
17-year-old Tony Green joins The Dramatics
Detroit bass legend Tony Green with The Dramatics (photo courtesy of Tony Green)
“In 1974, my band Roadwork was playing Club Ocies (Fenkell and Cherrylawn, Detroit) when I got discovered by The Dramatics lead singers LJ Reynolds and Ron Banks. The club was a gangster-style club owned by a guy named Flukey Stokes, who also owned a poolhall down the street. I used to sell Ron weed and eventually he found out my bass abilities and they hired me on the spot.”
“When I first met him, Ron Banks lived at Plainview and McNichols. Later he moved to a house by the Detroit Zoo. He went to Northern High School and originally wanted to be a baseball player.”
“When I first joined, we used to play the 20 Grand Club (5020 14th st, Detroit) a lot. My first out of state show was the Circle Star Theatre in San Carlos, California, near San Francisco.”
“We had a 50-seat Trailways bus and would play for thousands of people nightly. Man, it was wild.”
Detroit bass legend Tony Green with The Dramatics (photo courtesy of Tony Green)
“In 1978, I helped The Dramatics write their only gold record, Do What You Want To Do. I wrote four songs on there.”
“Then Ron Banks and George Clinton (Parliament Funkadelic) and I co-wrote ‘One of Those Funk Thangs’, which was featured on Parliament’s Motor Booty Affair album. It went on to become one of the most sampled songs in hip-hop history.”
“A guy named Armen Boladian (Bridgeport Music) the so-called “sample troll” supposedly owns most of the copyrights to George Clinton’s songs, including that one.”
“The story is that George later signed the rights away to most of his catalog in 1983 to Bridgeport but who knows what happened.”
Detroit bass legend Tony Green with The Dramatics gold record (photo courtesy of Tony Green)
“From 1980-81, I was also doing stuff with a soul R&B group called Five Special. Me, Ron Banks, Darnell Kimbrough and Baby Ray Johnson put the whole process together.”
“The band was Bryan Banks (Ron’s brother), Steve Boyd, Greg Finley, Steve Harris, and Mike Petillo. These guys could sing. Me, Ron and Baby Ray Johnson (who went to Mumford with me) wrote Why Leave Us Alone. Together we three had a great chemistry for writing. I played bass, Ron sang, and Ray played the piano.”
“In 1980, I had formed a group that featured me, my first cousin Felix Washington (piano), and our friend Doug Poisson (drums and financier). We recorded a song called Keep the Groove. I named our group Bostonian. The band name came after the track was laid down.”
“We recorded that bad boy at United Sound Studios (5840 2nd Ave, Detroit), then made 600 records of it at Archer Recording Pressing Plant (7401 E. Davison, Detroit). A few decades later, that track became a major collector’s item and the centerpiece of Clap City Records (Clapton, East London, England).”
“1983, I recorded a track called When the Cat’s Away with a group called Five O’Clock. My cousin Felix had a groove, I wrote the words.”
“We went to a club called the Blue Chip Lounge (13301 W. McNichols, Detroit) and a group was singing there. They were good but had never recorded anything. So we did and A & B side single and before that we did Watch for the Morning.”
“In the 1980’s, I married Simone English (Bowden), a Detroit photographer. We moved out to Hollywood Hills, California. She was originally Ron Banks’ girl, but she liked me more.”
“That same year, 1985, Ron Banks and I were freebasing (smoking cocaine) at my apartment Vista del Mar (2071 Vista Del Mar st, Unit # 6, Los Angeles, CA). Suddenly, he started acting real weird. I opened a bottle of water for him and he looked at it and muttered ‘I can’t let you kill me like that’. I said ‘What are you talking bout Ron? You just saw me open a brand new bottle’. He got all weirded out and just walked out of the apartment. Bout 15 minutes later he comes back all bloodied. The front of him was shredded, there was blood everywhere, all over my gray carpet, it looked like a murder scene.”
“Apparently, he had scaled a barbed wire fence. He had to get 182 stitches. He almost died in my kitchen. I remember the ambulance tech said five minutes more, he would of bled out because he had severed a major artery.”
Detroit bass legend Tony Green and Dramatics lead singer Ron Banks freebasing cocaine in Los Angeles (photo courtesy of Google Archives)
“Not long after that, I had a heart attack. I was 29 years old. My enzyme levels were through the roof, they said I needed a triple bypass. While I was in the hospital, Ben Crosby, our manager and the owner of Ben’s Hi Chapparal Club (6683 Gratiot, Detroit), flew out to LA and unexpectedly visited me. He was like an angel at the hospital. You never know who your angels are gonna be.”
“While at the hospital, I wrote a song called I Love The Lord. I taught it to The Dramatics band, and we played it the week after in Toronto and got a standing ovation for it. I eventually recorded it with Huriah Boynton. Later, LJ Reynolds covered it on his gospel album.”
“So, yeah, eventually, I had to quit The Dramatics, man. All the cocaine flowing around everywhere all the time just got to be too crazy. Sugar Bear (Willie Ford) and everyone just getting too tore up and not playing enough music. So, in 1988 I moved back to Detroit for a couple years.”
Tony Green links up with Dr. Dre, Snoop Dogg, and Death Row Records
Dr. Dre and Detroit bass legend Tony Green (photo courtesy of Tony Green)
“In 1993, I was managing David Ruffin Jr. (D-Ruff). David is the son of The Temptations singer David Ruffin, who had recently passed away inside a West Philly crackhouse. I wanted to help out my man, so I hooked him up with opening for The Dramatics.”
“So, we’re out in California doing a show and a female fan sees us perform and invites us to come back out to LA soon. She lived in Los Angeles and claimed to know where all the new rappers hung out, some guys named Dr. Dre. Snoop Dogg and Warren G. She said we should drive out and she’d take us there.”
“So, in February 1993, D-Ruff (David Ruffin Jr.) and I drove out there. Our bright green beater ’72 Impala broke down in Arizona. On the way driving out to California, we listened to a cassette tape of Dr. Dre’s The Chronic for about 17 hours straight, kept flipping sides in the tape deck over and over.”
Dr. Dre’s tape The Chronic
“True to her word, the female fan took us to Glam Slam West (333 S. Boylston St, Los Angeles), a nightclub owned by Prince. While we’re in there, sure enough, D-Ruff notices all the rappers.”
“David goes over and introduces himself, then me, and we meet Snoop Dogg, Warren G, and The D.O. C. All the guys were real cool and they told me that Dr. Dre was looking for a bassist.”
Detroit bass legend Tony Green with Snoop Dogg and Death Row Records (photo courtesy of Tony Green)
“About a week later, Dr. Dre and I connected and met in the studio. Fortunately, when we met Dre, we took our lady’s brand new ’93 Benz to the meeting. Turned out that Dre had the exact same one but a convertible. Had we taken our beater, we wouldn’t have gotten the gig.”
“We met atThe Village recording studio (1616 Butler ave, Los Angeles, CA) where Dre had recorded The Chronic in April 1992.”
“He wanted to know how I good I was, so I played about 20 different bass lines in two minutes to his song ‘Nuthin’ but a G Thang’ and he just went wild and offered to hire me at $700/wk to play bass and D-ruff at $250/wk to sing. Every Friday I would get a check from him.”
“Dre would be drumming, he’d give me his drumbeats and I had to layer them with my bass lines. We did this at The Village recording studio.”
Snoop Dogg and Detroit bass legend Tony Green (photo courtesy of Tony Green)
“I became the band director and bass player for Death Row Records. I did the bass on Snoop Dogg’s Doggystyle album and tons of songs.”
“I created the ‘Gin and Juice’ bassline for Snoop right on the spot.”
“The Doggystyle album was recorded at multiple studios: Larrabee West (8811 Santa Monica Blvd, West Hollywood), Larrabee North (4162 Lankershim blvd, North Hollywood), The Enterprise studio (4620 W. Magnolia, Burbank), and the Village and possibly others.”
“To finish the album, we all stayed in the Larrabee North studio the last 48 hours straight for a marathon session. We ate good, laughed a lot and pushed through. When that album came out, it was the first debut release to enter the Billboard charts at # 1. The album release party was in November ’93 on a 165-foot yacht in Marina del Ray. I decided not to go, which turned out to be a good idea, because it got chaotic.”
“I also played bass on some tracks for DJ Quik. We recorded those at Skip Saylor’s Studio in Los Angeles.”
Detroit bass legend Tony Green and Dr. Dre (photo courtesy of Tony Green)
“At one point, Dre had on ankle tether and couldn’t leave his house, so we partied over there a lot. His house was in a beautiful gated sub called Mountain View Estates in Calabasas, California.”
“We recorded there too, he had an SSL 24-track mixing board and full in-house studio. Wild parties nonstop, lots of weed smoking, I’d be cooking shrimp on the grill. Warren G and his uncle Wron G were also real cool and would be hanging around but Warren, although he was Dre’s stepbrother, was signed with Def Jam not Death Row.”
“I hooked Death Row up with a lot of talented people. My wife Simone became the official Death Row photographer.”
“Dre needed a guitarist, so I introduced him to Detroit guitarist, Ricky Rouse. Back in the 60’s, a young 7-year-old Ricky played guitar while 11-year-old Stevie Wonder played piano, the guy is an incredibly talented guitarist. He had also done some disco songs with Bohannon. Ricky went to Norhern High School in Detroit but dropped out in ’72 to tour with Undisputed Truth.”
“Eventually, Snoop found out I had been in The Dramatics and wanted to meet them, so I made it happen, which helped reignite the career of The Dramatics.”
“On the spot, I called LJ Reynolds for Snoop. LJ answers saying ‘Mr. Green, I heard you hit the big time’ and I handed Snoop the phone, Snoop says ‘Is this really LJ Reynolds? Can you sing Key to the World?’ so LJ busted it out and Snoop went wild.”
“This led to them collaborating on the song Doggy Dogg World on Snoop’s album Doggystyle. The music video for that was fun as hell, too. We had all the Blaxploitation stars there: Pam Grier, Rudy Ray Moore, Ron O’Neal, Fred Williamson, and Huggy Bear and Rerun (Fred Berry) from Soul Train.”
LG Reynolds, Huggy Bear, Pam Grier, and Detroit bass legend Tony Green (photo courtesy of Tony Green)
“And here’s a fun fact for you: Snoop Dogg’s dad, Vernell Varnado, was my mailman in Detroit! For years, he used to bring me my ASCAP royalty checks.”
“In 1985, Snoop lived here in Detroit with his dad (11398 Whitehill St, Detroit) and Snoop worked at the McDonald’s on Greenfield and 8 Mile.”
“Dr. Dre had never met George Clinton. So one day, George was in Studio B at The Village, and Dre wanted to meet him. I told him I knew George like a father and Dre seemed skeptical, so I walked down there and peeked in the room. As soon as he sees me, George says ‘I knew somebody had permission to be funkin’ like that!’. I tell him about Dre, George asked me “they got anything down there?” (drugs). I say no. George had mostly been living at his farm in the Irish Hills (Brooklyn, Michigan) smoking crack in a house owned by Armen the sample troll. So, I walked George down the hallway and hooked up Mr. Parliament Funkadelic himself with Dr. Dre and the rest is history.”
Detroit bass legend Tony Green and Pfunk’s own George Clinton (photo courtesy of Tony Green)
“In 1994, I produced two songs on the Above the Rim soundtrack. It was the track CPO’s Just So Ya No. The co-producer on it was Carl “Butch” Small. The other one was Mi Monie Rite by Lord G. Butch’s son DJ Los did the beat for Lord G. Butch was another Detroit guy I brought to Death Row. Butch was a master percussionist with The Dramatics.”
“Overall, I mean Dr. Dre is a genius. You have got to give the dude credit for that. Because of him, I played bass on the Arsenio Hall Show, MTV, Saturday Night Live, the Magic Johnson Show, etc. Also, every single record that Dre has done has gone either gold or platinum. Eminem, who Dre sponsored and nurtured, has gone Diamond six times, making Eminem the number one most awarded musician for singles in RIAA history.”
“My bass is on Gin and Juice, the Regulate G-Funk Mix, California Love, Murder Was the Case, the Dogg Pound, Lady of Rage’s Afro Puff, and a lot more man.”
“I also played the bass for Shaquille O’Neal’s single Biological Didn’t Bother (Remix) that was produced by Warren G.”
Shaquille O’Neal & Detroit bass legend Tony Green (photo courtesy of Tony Green)
“In 1995, I played the bass on Coolio’s song Rollin with the Homies. It was featured on the soundtrack to Clueless.”
“Coolio was a cool dude. RIP. Another one gone too soon.”
“We did Da Five Footaz-Walk Away. It was on the Jason’s Lyric soundtrack.”
“As for 2Pac, I never actually met 2Pac but my basslines are on California Love.”
“However, I did meet Biggie Smalls (the Notorious BIG) once. It was about 1995, I met Biggie at DTW (the Detroit Airport). He was a big and tall dude. Real cool guy, we talked about the music industry and Detroit. Biggie loved Detroit (‘my Detroit players’).”
The infamous Death Row chair from Suge Knight’s office at Can-Am
“At one point, I was in Kingston, Jamaica helping the billionaire Josef Bogdanovich produce reggae artists like Lady Saw. Joe is a reggae fanatic who runs a company called DownSound Entertainment. His grandparents were Croatian immigrants who founded StarKist Tuna.”
“Joe is also an executive producer who also helped save Reggae Sumfest, the largest reggae event in the Caribbean.”
“After Death Row, I went on tour with my man Warren G from 1996-98. Warren is another great guy. He and Snoop and Nate Dogg are from Long Beach. We used to record at Warren’s house sometimes in Lakewood, just outside Long Beach. He started his own label, G-Funk Records, that was distributed by Def Jam.”
“When I went on tour with him, we did the Spring Break parties in Lake Havasu, then went on an overseas tour. Germany, Switzerland, France, went to the top of the Eiffel Tower. My favorite was Japan. I had gone there twice with The Dramatics, then came back with Warren G. He was huge in London, and we did the MTV ‘Live in London’ show.”
“At the Billboard Music Awards, me, Warren G and Nate Dogg had “Big Mike” as a security guard. He later became an actor. His real name was Michael Clarke Duncan. He was in the Green Mile, Slammin Salmon, Armageddon, etc.”
“Big Mike had been working for Vassal Benford, a Detroit keyboard player who moved to LA in the late 80’s. Unfortunately, Big Mike is gone now. RIP.”
Michael Clarke Duncan, aka bodyguard Big Mike (photo courtesy of Google Archives)
“Warren’s manager was his uncle, Wrong G (Ron Griffin). Wron G was 6’4” tall former special ops US Marine Corps soldier and the real deal. He never took off his sunglasses and he wore a long coat like Shaft.”
“Couple years ago, in 2020, Snoop Dogg came to Detroit. Where T Green at? We went and hung out with him at the Fillmore (2115 Woodward Ave, Detroit) for a few hours after the show. We all smoked blunts and talked about the good old days. A video of him and I singing there went viral on Instagram.”
“Yep, our music has rattled a lot of trunks over the years, man. Rattled a lot of skulls and bank accounts, too.”
The Detroit Legacy
Detroit bass legend Tony Green (photo courtesy of Tony Green)
“I came back to Detroit. Started laying down some tracks at a favorite studio of mine, Sound Suite Studios (14750 Puritan ave) which had been open since 1975. It closed around 2000. We had also recorded the Five Special album here. I did a lot of recording here over the years.”
“I signed a deal with Bellmark Records to produce my album Organized Kaos Hour 1. It’s a series that I’m still working on.”
“I played bass for two tracks on Robbie Robertson’s album Music for the Native Americans.”
“Around about 1995 or so, I let Sick Notes (Dewitt and Pep) record at Sound Suite. They ended up writing two songs for Eminem.”
Detroit bass legend Tony Green (photo courtesy of Tony Green)
“In 2001, we did an album with Westbound Records called Hyped Up Westbound Soljaz. It was for Pfunk and George Clinton. The Westbound label was started in 1968 by Armen Boladian. There was another album called The Streetz are Paved with Green that I cut for Westbound but it was never released.”
“Also in 2001-2002, I was in the Eminem movie 8 Mile but unfortunately my scene got cut.”
“I played bass for Detroit rapper Big Herk’s Rock Bottom crew.”
“The Detroit rapper Mersiless Amir is featured on my new album along with several other amazing artists.”
Detroit bass legend Tony Green (photo courtesy of Tony Green)
“Then in 2010, I met the yin to my yang. Dr. Gail Soo Hoo, aka: the Flute Doctor. She had been first chair at Northwestern High School, which is saying something because several phenomenal musicians came outta there, including Ray Parker Jr. (1971 grad; he did the Ghostbusters theme song).”
“2016, we did Slight Return (Mark Kassa’s band) with George Clinton.”
“I used to record at Studio A (5619 N. Beech Daly, Dearborn Heights) when my engineer Steve Capp was there. Now he’s over at 54 Soundrecording studio (Ferndale) so I’m over there now. 54 Sound is owned by a great guy named Joel Martin. Eminem and The Bass Brothers also record there.”
Dr. Gail Soo Hoo aka: the Flute Doctor (photo courtesy of Tony Green)
Tony Green The Man
Detroit bass legend Tony Green (photo courtesy of Tony Green)
“Some bands and musicians I’m a fan of are Jimi Hendrix (purple haze, changes), Chick Corea, Elton John, Grand Funk Railroad, Graham Central Station, WDRQ radio, etc. I love Anita Baker’s album Rapture. I love Chris Squire’s bass talents on Roundabout by Yes.”
“Some of my personal favorite bass players are Larry Graham, Stanley Clarke, Victor Wooten, and the Detroit bassists James Jamerson (my all-time fav), “Fast Eddie” Watkins Jr (he got started on The Temptations 1973 album Masterpiece), Ralphe Armstrong, and Lamont Johnson.”
“My partner McKayla Prew (talented new singer) and I run Hyped Up Live Sessions, which is a monthly livestream music jam that we record live at my studio inside the Russell Industrial Center (1600 Clay St, Detroit).”
Detroit bass legend Tony Green and Snoop Dogg hanging out in Detroit (photo courtesy of Tony Green)
“The Dramatics singer LJ Reynolds is still alive. We still talk and collaborate regularly. LJ rehearses every Wednesday in my studio at the Russell.”
“Right now, I have what I call The Vault, which is a collection of over 2,000 songs (including 200 reel-to-reel masters) that I’ve created in my lifetime. Some of these are on my new album Organized Kaos Hour 3, check it out.”
“I’m actively working on a follow-up book about my life, which is being written by Detroit author Jenn Goeddeke.”
“As for the bass? Why is the bass important? Well, many great groups are driven by the bass and drums. A good bass player will let the song breathe and flex. And you got to have stage presence, meaning make your lives performances interesting, don’t just sit there staring down at your shoes.”
“My advice to young aspiring musicians is to keep in mind that most of the music industry is about who you know. So get out there, network, make connections, and always try to help other people. But just remember to give proper credit where credit is due. And don’t listen to your friends, just keep playing the music you like and honing your talent every single day. And above all, never wish you were somebody else. Always stay true to you internally eternally.”
Cafe D’Mongo’s Speakeasy 10-year Anniversary Party
Thursday, June 29, 2017
5:30pm-11pm
Café D’Mongo’s Speakeasy is the Rick’s Café of Detroit. Humphrey Bogart ran Rick’s Café in Casablanca and his equally dapper counterpart Larry Mongo runs Café D’Mongo’s in Detroit.
The only difference is that Larry is a real-life character. And a real character, indeed! He’s one of a kind. Larry Mongo is a living piece of Detroit history and we are honored and thankful to have The Mongo family here helping to electrify the fabric of Detroit.
Detroit author & journalist Charlie LeDuff & Larry Mongo (photo by: Ryan M. Place)
Widely regarded as one of the top bars in the United States, Café D’Mongo’s Speakeasy officially opened in June 2007 and over the past ten years, has morphed into one of Downtown Detroit’s premier iconic bars. Almost every major visiting celebrity who comes into town drops by D’Mongo’s and the place absorbs a veritable ton of local and international visitors every weekend who overflow the bar.
A timeless quality distinguishes all great things and Café D’Mongo’s offers the world a certain Detroitness which cannot be duplicated, something timeless and classic. Perhaps it’s the interior, the live music, the phenomenal drinks, the outstanding service, the great people you meet there, the fact that Larry is a hands-on owner who leads from the frontlines and is always at the bar with a friendly smile.
History of Café D’Mongo’s Speakeasy
Cafe D’Mongo’s Speakeasy (photo by: Ryan M. Place)
Squeezed between a concrete parking structure and a circa 1937 shul, the building currently housing Café D’Mongo’s Speakeasy used to be owned by the Greek Seros family. It was the Seros Chili Restaurant from 1918-1980’s.
Seros Chili Company (1439 Griswold, Detroit) c. 1920
“Seros Lunch originally opened here in 1918 then it was the Seros Chili Company in 1920. The owner was James Seros and his spot was nationally famous for their chili con carne. It was a Seros place until the 1980’s.”
Cafe D’Mongo’s used to be occupied by Seros Lunch
“In 1985, I purchased the restaurant and on June 4th, 1987, opened ‘Cafe Joseph’. In the early 90’s, Cafe Joseph was transformed by my son Jerome Mongo, into an after-hours club called the ‘Wax Fruit Rhythm Café’.”
“At the time, seldom known rappers like Eminem, Kid Rock, Esham and others used to perform here. In December 1993, Jerome opened the famous rap music spot ‘The Hip Hop Shop’ on 7 Mile Road with Maurice Malone and eventually closed Wax Fruit.”
Larry’s son Jerome Mongo
“The current incarnation of Cafe D’Mongo’s Speakeasy was opened in June 2007 by me and my lovely wife Dianne. Some local nearby residents of Capitol Park, Sarah Kubik and Margaret Cassetto talked me into re-opening. They lived in some lofts nearby and finally convinced me. I’m glad they did.”
Café D’Mongo’s Speakeasy’s Internationally Famous Drinks
Larry Mongo & Quentin Tarantino hanging out at Cafe D’Mongo’s Speakeasy
Café D’Mongo’s Speakeasy is famous for inventing two hugely popular drinks:
the 1439 (Captain Morgan’s rum and Faygo’s Rock N’ Rye) and The Detroit Brown (Crown Royal, splash of bitters and Vernors Ginger Ale).
“Quentin Tarantino has publicly stated that Café D’Mongo’s 1439 Griswold drink is his favorite drink of all-time. We introduced Quentin to Faygo Rock N’ Rye and sent him home with a case of it.”
Faygo Detroit!
“And just recently, Afar Magazine voted Café D’Mongo’s Detroit Brown the #1 cocktail in the world.”
“In 2014, Esquire TV featured us on ‘Best Bars in America’ and we’ve had a number of television shows in here.”
Café D’Mongo’s Speakeasy’s Internationally Famous Food
Andrew Zimmern and Larry Mongo at Cafe D’Mongo’s Speakeasy
“Our food is real popular too. We’ve got unique food but it’s a limited rotating menu. Andrew Zimmern featured us on his show ‘Bizarre Foods with Andrew Zimmern’ on the Travel Channel. He had our peking duck on there. Sometimes I’ll even get in the kitchen and make Sloppy Larry’s and other stuff.”
“We used to have Esteban Castro making his famous guacamole at Esto’s Garage, a pop-up kitchen here. Now we have Eugene on the grill and Sanford “Rembrandt” Nelson making some delicious and unique grilled cheese creations. Eugene is the chef and Rembrandt creates the menu.”
Café D’Mongo’s Speakeasy is a Hot Spot of Celebrity Sightings
Larry Mongo and Ryan Gosling hanging out at Cafe D’Mongo’s Speakeasy
Café D’Mongo’s Speakeasy is a popular hangout spot for celebrities such as:
Quentin Tarantino, Ryan Gosling, Michael Bay, Sir Richard Branson, Sam Raimi, Charlie LeDuff, Anthony Kiedis, Bruce Campbell, Sixto Rodriguez, Marcus Samuelsson, Seth Ferranti (author of 20+ books, co-producer, co-writer of the White Boy Rick documentary) and hundreds of others.
Café D’Mongo’s Slate of Annual Parties
Dianne & Larry Mongo, husband and wife team of Cafe D’Mongo’s
Café D’Mongo’s Speakeasy hosts some famous annual events:
“Our best know annual parties are: Brazilian Carnival, the Jewish Purim, Detroit Tigers Opening Day Party the first Friday in April, Dia de los Muertos, Halloween and New Year’s Eve.”
Live Music
Carl the Human Jukebox, leader of Carlo & Company, the Cafe D’Mongo’s house band
“We have live classic rock and soul music from Carl & Company, the Cafe D’Mongo’s house band. The group is fronted by Carl the Human Jukebox. When he plays stuff like James Brown-I Got The Feeling, the whole place starts jumping, everyone laughing and grooving, in-the-seat dancing, banging on glasses with spoons. It’s a fun time.”
The Interior
Cafe D’Mongo’s artifacts
“The interior of Cafe D’Mongo’s is famous for being a one-of-a-kind Detroit history museum. The walls are adorned with rare vintage photographs and ephemera and odd trinkets. Michael Jackson’s jumpsuit hangs from the ceiling. The Detroit artifacts and memorabilia are rare, historical museum-worthy pieces. We are installing The Place Case curio cabinets full of rarities donated by Ryan Place soon above the bar, so stay tuned for more good stuff.”
The Mongo Family History
old Detroit map
“My family used to be slaves a long time ago. In 1906, the Mongo family moved from Kershaw, South Carolina to Detroit. The four Mongo men came here after one of them murdered someone. Sonny Boy was able to escape after Grandma dressed him as a little white girl in black mourning clothes. She told Sonny Boy to tell everyone he was a girl and that he was going up north to claim a dead body for burial.”
Kershaw, South Carolina
“Sonny Boy was my Grandpa’s brother. My Grandpa was Benjamin Mongo and they had to come to Detroit after they had to use capital punishment to fight an injustice that was used against them in the South. We also bought all the land we were slaves on.”
Dianne’s ancestor Mary Ann Shadd
“Now, my wife Dianne, she’s Canadian. She comes from the first settlement for black runaway slaves called North Buxton. Her great grandparents have a statue on the other side of the tunnel, George and Alice Shreve.”
“Dianne is also a descendant of Mary Ann Shadd. Her family were free blacks in 1850 and went to Canada. Dianne can trace her bloodline back to the 1700’s. During the Revolutionary times, one of the soldiers came from England. He was 14 years old and wounded. Dianne’s family took him in, took care of him, nursed him back to health. He ended up staying and marrying one of the girls.”
Dianne’s ancestor George Shreve
“Dianne’s aunt is Artis Lane, a famous sculptor from North Buxton. Artis did a bronze portrait of Rosa Parks, sculptures of many U.S. Presidents and more. I’m very proud of my wife and her heritage.”
How Café D’Mongo’s Speakeasy Started
Larry’s happy birthday cake
“Café D’Mongo’s started as a chain of hair salons called D’Mongo’s Hairstyling. We used to cut Coleman Young’s hair, too. His barber chair is here at the bar on display.”
“When I got married in 1968, my wife Dianne wanted me to take her last name. We were both rebel kids, our families were close for generations. I kept my name but we decided to make our own family name. So we decided we needed a new shared name. We took the ‘D’ from Dianne and my last name ‘Mongo’ and created ‘D’Mongo’s. It was a private joke for years until I named the bar after it.”
“Dianne is British Methodist, she prays for me every day! Here’s another fun fact: Dianne made me get baptized before she married me. I took my friends, eight of us went and got baptized. After I told her we went and got baptized for her, she said ‘Lord, if they die now, at least there’s a chance!’”
“Then in 1975, Dianne become a master barber and in 1977 the very first D’Mongo’s Hair Salon opened (19985 Livernois, Detroit). I was a journeyman tool & die maker at the time but helped run the business of the hair salon.”
Café D’Mongo’s Speakeasy Was Originally Called Café Joseph
Dianne and Larry c. 1987
“Back in the day, there was this gay guy named Joseph and he belonged to a political group. He was the secretary, the gopher, and so forth until a new regime took over and they kicked him out just for being gay. But what they didn’t know is that he grew up with me in the old neighborhood. He was a neighborhood kid and we grew up together, I owed him a loyalty. He came to me, told me what happened and I sat down with him and said that I didn’t have a name for my new club that I was about to open. And I told him that I was gonna name the club Café Joseph in honor of him but I told him ‘you gotta go gangster.’”
“He was the host at the door, he’d look at me and get all fragile when the same people who kicked him out of their club showed up at my bar. They kicked him out, so I kicked them out of mine. I had the connections they needed, so they kept trying to come back. So about 1-2 years pass, the club is getting a bigger reputation and Joseph asks me if we can start letting them in. I say ‘tell all your friends they can’t get in unless they Mother with them’. So these guys actually brought their Mom’s down with them and we let them in. Then life changed for Joseph.”
“As straight guys, we never disrespected gay guys, we just let them do they thang. But when the straight square guys saw Joseph being hugged and shaking hands by street guys, his prestige rose to the top and he was grateful and a changed man.”
The Mongo’s & The Purple Gang Connection
The Purple Gang (Detroit) c. 1930
“The real money was in bootleg whiskey. My family used to run liquor with Abe Bernstein and The Purple Gang and the Bronfman family of Montreal. My grandpa and the underworld side of Dianne’s family worked with Abe in the bootleg business.”
“My family made a fortune. The code word in all the Mongo clubs was ‘Black and Tan’. Prohibition ironically created radical integration. It was hardcore right-wing Christians against all the people who drank alcohol. So, all the different types of people who loved liquor banded together and became friends.”
Larry Mongo & DeVon Cunningham
“85-year old DeVon Cunningham is a local Detroit artist and a very good friend of mine and he comes in here frequently. He was also personal friends with Abe Bernstein, boss of the Purple Gang. He has some of his art at the Smithsonian and he did many of the art pieces you see hanging in Café D’Mongo’s.”
Larry is Proud to Be Jewish
Larry Mongo
“I was a Jew before I knew I was a Jew. The Jewish culture had me. I really knew I was a Jew when I moved to Detroit! My value system, my beliefs, everything about me is Jewish. I grew up in a Jewish neighborhood in Oak Park and when I moved to Detroit, some of the old gangsters used to laugh but they kept me around to learn and told the young guys to stick with me.”
“It’s not an accident that I’m next to the Isaac Agree Synagogue. We’re glad to be here and if I see anybody else try to spray paint the synagogue like when I caught those kids on the roof, there’s going to be hell to pay.”
The Dan Gilbertification of Downtown Detroit
Detroit is great!
“I’ve seen the Dan Gilbert effect. It is a positive business-generating effect and it’s also good for the spirit of the people of Detroit. Quietly among the black people, I call Dan Gilbert “Moses”. He’s leading us out of the darkness in terms of encouraging us to invest in Detroit. Chuck Forbes saved Detroit’s Theater district and Dan Gilbert is saving Downtown. People are in better moods, they’re moving into downtown, Midtown, Corktown, etc.”
“The millennial pollinators, the creative class, showed the world that people can live in Detroit. It started with gay women moving into illegal lofts. They paved the way, then gay men who partied, then straight men and women followed suit. Now it’s a good mix of everybody down here. Creative pollinators made it possible for people to feel safe again in Detroit.”
Larry’s Greatest Happiness: Boosting Other People’s Standings in Life
Christine Passerini (Cafe D’Mongo’s Manager) and Chris Krsteski (Cafe D’Mongo’s bartender)
“My greatest happiness is helping boost other people up to a greater potential in life. I’m a big believer in innate human potential.”
“Courtney Henriette who now owns the Katoi restaurant, created the Detroit Brown drink here at Cafe D’Mongo’s around 2008. She didn’t know how to make drinks at the time and she made it for a customer on a whim. The man said ‘this isn’t what I ordered but I like it. I’d like another.’ Suddenly, that very night, other people started ordering it and we had a runaway hit on our hands.”
“Esteban Castro has his own food truck now. Esteban came in as a customer and we let him run his pop-up kitchen Esto’s Garage in the back here. I let him do it for free until he got enough money together to get his own truck.”
Carl & Company, the Cafe D’Mongo’s house band
“Carl the Human Jukebox was down on his luck. He was homeless and singing Beatles songs outside of Grand Trunk Pub. I offered him a job. Then a dentist gave him a free set of false teeth. And now he lives in his own place, man!”
“Chris Krsteski the bartender got hired thru Chucky Patch, a local entertainer with a guitar. We love Chris, he always works hard.”
Sheila Edwards, the retired Cafe D’Mongo’s gatekeeper
“Sheila Edwards, the white-haired guardian at the gate of entry, retired recently. She was great and we now have her doppelganger at the door.”
Christine Passerini the manager of Café D’Mongo’s Speakeasy
Larry Mongo and Christine Passerini
“I met Christine in 1990. She just moved to Detroit from Sharon, Pennsylvania. She came to sell me some candles in this very club. I got a big order. Then, two days later I got shot in my stomach, long story.”
“Two months later, I’m out of the hospital and looking thru my notes and one says Christine delivery. So I called her and apologized. She offered to pay for the candles after I told her I got shot. I told her I would pay for them and asked her to meet me in my office at the Himmelhoch building. First thing she asked me was ‘how does it feel to be shot?’ I said ‘you don’t want to be shot’ and we quickly became good friends.”
“I had a chain of eight hair salons at the time and she became a contractor for us. There’s a lot of money in black hair care and manicures so Christine became a licensed manicurist. We had an opening at the Millender Center, she took over there and runs it to this day. She started at Café D’Mongo’s because we were short of help one day. Christine came to the rescue and has been helping out ever since. She’s amazing, she does everything, a true Jill of all trades. We are very fortunate to have her.”
4 Fun Tales from Larry
Larry is a fascinating storyteller and the essence of Larry and Café D’Mongo’s are best illustrated in a series of four anecdotes and tales from The Life of Larry. He has many, many more amazing stories. This is just a small sampling.
Tale # 1: Larry Once Had an Opportunity to Bankroll Eminem
Eminem when he opened up for Wu-Tang Clan (c. 1997)
“Back in the day, my son Jerome and his son Claudio were friends with Proof and Eminem. Proof was cool, always called me Mr. Mongo. Eminem used to rap at Wax Fruit sometimes and one day Jerome brought Marshall to me. He said ‘Dad, this guy’s gonna be the next Elvis’. I took one look up and down at that little white boy and didn’t think that his rapping career was ever going to be a moneymaker. Man was I wrong!”
Eminem during his Lincoln High School years in Warren, Michigan (c. 1987)
“We had the original rapper anyway, back in 1964. His name was Butterball, he was a DJ on Inkster 1440 AM radio. Butterball was the first rapper I ever heard. Wade Briggs was Butterball Jr, it was a guy before him even.”
Tale # 2: Michael Jackson’s Jumpsuit is Hanging in D’Mongo’s
Michael Jackson
“Michael Jackson was the kindest, warmest human spirit I ever met, an angel. He wasn’t a child molester but he was a fool for trying to be a good guy to devilish people. I knew him thru the Berry Gordy family when I was living at Indian Village Manor and we became friends when we were trying to do a casino with Don Barton. He gave me his jumpsuit as a gift.”
Tale # 3: Larry took Henry Marzette to DuMouchelle’s
Henry Marzette
The film ‘American Gangster’ is based on the life of Detroit cop & drug kingpin, Henry Marzette.
“I took Henry Marzette to DuMouchelle’s auction house in downtown Detroit once and it changed the black underworld when it came down to furniture. When they realized that furniture and lamps had names like Tiffany and Hunzinger and that it was worth millions, they listened.”
“About six months later, all of them were subscribing to Architecture Digest and buying high-end stuff. They started using the word Henredon. They learned what a Patek Phillipe watch was. Their eyes opened and their world changed. Oriental and Persian rugs started going in their houses. They learned that investments come in different forms, not just money. White culture is white art. Their art is their culture.”
Tale # 4: Larry’s friend George Murphy once had an Opportunity to Bankroll prince
Prince
“Around about 1976 or 1977, Quentin Perry who ran Taurus Productions, brought Prince to the Palms Theatre in downtown Detroit, the place is now called the Fillmore. We had a private session with Prince because they wanted us to invest money in him and bankroll his breakthrough.”
“Now at the time, you gotta understand that Prince was a nobody, none of us had ever heard of him or seen him or knew anyone who knew anything about him. Prince comes out on-stage in pantyhose, high heels, bouncing around. We laughed like idiots and walked out like idiots too. We all told Quentin he was crazy and thought Quentin might have been down low gay himself for suggesting this guy. We thought Prince would never make money. We thought wrong and regret it to this day.”
A Tribute toBenjamin “Benji” Mongo (1948-1982)
“Benji was my big brother who I love very much. We were completely loyal brothers to each other. He was a big influence on me growing up. He was an Original, the Miles Davis of the underworld, a rare person. He was like no one else.”
The Future of Café D’Mongo’s Speakeasy
Michelle Waters, Larry Mongo, Ryan M. Place
There’s a Jean-Paul Sartre quote scrawled on the tiny bathroom wall here, “Existence precedes essence”. Only at Café D’Mongo’s would you find such an existential proposition in the bathroom. And as you can surmise, Larry is a wild fascinating character with a big heart and a lot of true friends. Go to Café D’Mongo’s and if you’re lucky, he might regale you with tales of his life.
The future of Café D’Mongo’s includes:
Installation of a series of display cases colloquially referred to as ‘The Place Case’ that will feature many rare Detroit artifacts donated by curator Ryan Place.
Rooftop patio dining sometime in 2018.
Possibly applying for a State of Michigan historical marker for the building.
Possibly installing an old school neon sign on the front exterior of Café D’Mongo’s.
Cafe D’Mongo’s Speakeasy
“What I love about this club is that from the very beginning, we opened up with a fun crowd of oddballs, people who are not a part of normal society, you know, creative misfits, the entertainment types.”
“People should know that Café D’Mongo’s Speakeasy is the Toronto of the USA in terms of diversity. The love for diversity here is tremendous. We welcome all kinds of people through our doors every week. We tell people, if you have prejudices, leave them at the door because you will be mixing and having fun with all types of people here.”
“We’re a bunch of misfits that fit together,” says Christine Passerini, “And we were the first bar Downtown to stock Faygo Rock n’ Rye and the first ones to have mismatched glasses.”
“My wife Dianne and I love Detroit. We are lifetime members of the Detroit Yacht Club and members of the Detroit Athletic Club. We love everyone down here and hope you can come check out Café D’Mongo’s Speakeasy. Thank You to everyone!”
Larry Mongo on the cover of Grand Circus Magazine
D’Mongo’s Speakeasy
1439 Griswold Street
Detroit, MI 48226
Eugene in the kitchen @ Cafe D’Mongo’s
Hours
Thursday 5:30pm-11pm
Friday 5pm-1:30am
Saturday 5pm-1:30am
Larry Mongo honored with a mural inside the Fisher Building
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