Detroit artist Bill Morrison at his home studio (photo by: Ryan M. Place)
Bill Morrison is a tremendously talented artist and writer.
A child prodigy in art and drawing, he could draw better at age three than I can at age thirty-six. His competency across a broad range of specialties and his career trajectory are jaw-droppingly impressive as he continues upping the ante by challenging himself with new and different projects.
He lives in a lovely stately historic home in St. Clair Shores, Michigan, which backs up to the vast and beautiful Lake St. Clair.
Bill lives with his wife Kayre (pronounced ‘Care’), two dogs Gidget and Ripley, two cats Ziggy and Freddie, and a world-class collection of comics, collectibles, and artwork. His home studio is a delightful wonderland of creativity, pop culture inspirations, and gobs upon gobs of wickedly good Bill Morrison original art.
Detroit artist Bill Morrison at his home studio (photo by: Ryan M. Place)
I’m here chatting with Bill. He was both brave enough to let me into his home and kind enough to answer my 10,000 rambling questions.
As a lifelong fan of The Simpsons and Bill’s work, I’ve owned several of his comics, watched several of his shows, and for years had the amazing full cast of The Simpsons poster on my wall that Mr. Morrison did.
Meeting him was an honor and I can tell you that he is a thoroughly cool dude.
The Simpsons kitchen sink poster art by Bill Morrison
Published by Hero Collector, it’s a treasure trove of trivia masked as intentional continuity errors that are artfully designed to test your mental abilities of recognition and recall.
And now, ladies and gentlemen, Mr. Bill Morrison!
Bill on The Beatles
Nerd Search: All You Nerd is Love: A Yellow Submarine Puzzle Book by Bill Morrison
“I’m a huge Beatles fan. My involvement with creating The Beatles books goes back to 1998 when Dark Horse Comics asked me to do a graphic novel for the 30th anniversary of Yellow Submarine. The deal unfortunately fell through midway. However, in 2018, I ended up doing a 112-page graphic novel adaptation of The Beatles Yellow Submarine for Titan Comics.”
“Titan Comics is based in London. They published our Simpsons stuff for Bongo in the UK. Initially, the licensing agent for The Beatles merchandise was interested in having me link up with Titan for the graphic novel. Then they came to me with a second project because they needed a pre-approved artist and put me in touch with Hero Collector, which is owned by Eaglemoss.”
“Hero said they have a series of books called Nerd Search where each scene has purposely incorrect information & items that the reader has to find, clues to solve, and at the end you get all the answers and rate yourself. I had a great time doing the book and I’m looking forward to seeing what the fan reaction is.”
“I’ve been a lifelong Beatles fan. Favorite song is Hey Bulldog. Favorite album is Rubber Soul. And I listen to The Beatles Channel on SiriusXM all the time.”
“I saw ‘A Hard Days Night’ (1964) at the drive-in when I was five, sitting in the back of the station wagon. Back then everyone was playing Beatles records.”
“The first album I had was Alvin and the Chipmunks Sing the Beatles Hits, then I got into the Saturday morning cartoon (1965-67), and saw Yellow Submarine (68) the first time it aired on TV in 1970.”
Beatles Yellow Submarine graphic novel by Bill Morrison
“I remember in high school there was a Broadway show called Beatlemania (1977-79) which was really popular and created a resurgence of interest in The Beatles. By that time, I was doing artwork and t-shirts.”
“At high school, my friend Steve Colwell and I started a small t-shirt business selling shirts of rock stars. We passed an order sheet around to everyone at school and they would place orders for our shirts.”
“My sister actually got to see The Beatles live in 1966 at Olympia Stadium in Detroit. My dad drove them and sat in the parking lot. The Beatles only played for a half hour, but they had several other opening bands, which was common at the time. Dad was smoking a cigarette outside the car when the big garage door on the side of the stadium rolled up. A big black limo pulls out as he hears the kids leaving. Suddenly the crowd spots the limo, and this horde of Beatles-crazed fans starts running towards him. My dad is between The Beatles and the kids. He says he had to jump onto a lamp post to avoid being trampled!”
The Early Years (or who is Bill Morrison and why am I in his house?)
Bill Morrison as Batman (photo courtesy of Bill Morrison)
“I’m an artist, writer, collector. I like working at my home studio where I use mostly traditional tools of the trade, some digital. I sketch with a blue pencil, use graphite and ink for comics, acrylic for painting, brush painting or airbrush, depending on the texture I’m trying to achieve. As for writing, I frequently jot down random notes in a book, otherwise I type in Microsoft Word.”
“My passion, thankfully, is my career and I don’t really have any other hobbies or interests beyond it. I love collecting toys, comics, art, but that all pretty much relates to my job. My wife and I like Art Deco, NY World’s Fair memorabilia, books (especially books on comics, comic collecting, illustrating, graphic novels).”
“My most marketable ability as a commercial artist is I can pick up other artist’s styles very quickly, which is very helpful in animation. I need a few practice sketches to find the rhythm, then I have it.”
Bill Morrison with Casper doll (photo courtesy of Bill Morrison)
“I was born January 15, 1959, and grew up in Lincoln Park, Michigan, about ten minutes south of Detroit. My dad is from the Hocking Hills, Ohio area and my mom is from Wyandotte, Michigan. Her father was Judge Arthur Decker, who as a young man, was a prize fighter nicknamed Kid Decker. My parents have always been very supportive of my artistic ambitions.”
“I have four living siblings: Alice, Donna, Sue, and Janice. My brother Don just passed away recently. Two of my sisters live here in Michigan, and two live elsewhere. My wife Kayre is also from Lincoln Park. Yes, we started dating in high school, and we recently moved back to Michigan to be closer to our families. This fulfills the mission of my youngest sister Alice, who lives in Novi, and has been trying to re-gather all of us for years.”
“Growing up, my older sister Sue was artistic, and she taught me how to draw at age three. She sat me down at the kitchen table and taught me how to draw a stickman. She drew a figure and told me to copy it. Then she left, came back in ten minutes, and says I had “vastly improved” on the drawing. She got real excited, thought I was a natural talent. She was always keyed into what I was into. Early on I would emulate her character drawings of Snoopy, the Wolfman, etc, whatever my mania was at the time”
Detroit artist Bill Morrison at his home studio (photo by: Ryan M. Place)
“In 1977, I graduated Lincoln Park High School and immediately enrolled in Detroit’s College for Creative Studies. I started off wanting to be a comic book artist but learned I’d have to go to NYC to establish myself. I love New York now, but back then the idea of living there sort of terrified me. I had a teacher Gary Ciccarelli for airbrush class. He was really into the whole West Coast airbrush scene, which was highly glamorized, stylized, lot of palm trees and neon. And he turned us onto stuff I hadn’t been exposed to.”
“I graduated CCS in 1981 and got a job at Artech, Inc. in Livonia doing technical drawings for the automotive industry. I would be in a big room with 15 artists. The guys in the other room would look at a blueprint and sketch it out in 3D, then they would send it to us and we would refine and perfect it. We did mostly engine stuff, mechanics manuals & parts catalogs, cut-away paintings of diesel fuel pumps, etc.”
“In 1982, I married Karen “Kayre” DeLosier, the love of my life, and we lived in Plymouth, Michigan for a bit near Plymouth Road and Haggerty, before moving to the West Coast. Moved to Beverly Hills briefly, then Sepulveda (which became North Hills), then Simi Valley.”
L.A. in the ‘80s: a town awash in neon and perms and mohawks, oh my!
Bill Morrison with Roger Rabbit (photo courtesy of Bill Morrison)
Bill was employed as a professional illustrator at B.D. Fox and Friends Advertising from 1982-86, which is where he first met legendary cartoonist, Matt Groening, who was just an unknown scribbler at the time. After that, Bill was at Willardson & Associates. During this time, he also worked on iconic movie posters like the famous Little Mermaid (1989), The Land Before Time (1988), Oliver and Company (1988), all sorts of Disney movies, of which he said his favorite poster is The Prince and The Pauper (1990).
“My first job in Hollywood was doing movie posters at B.D. Fox and Matt (Groening) was a freelance writer there. B.D. Fox was a boutique ad agency for the entertainment industry. A co-worker, Mili Smythe was an art director there and she was friends with Matt, they’re both from Portland, and she introduced us. Mili told me about Matt’s comic strip, Life in Hell.”
“Occasionally she would ask us for input on things like childhood songs to give to Matt, who would then put the song references in the comic strip. At work, Matt would pitch tag lines for posters, but we didn’t really become good friends until The Simpsons.”
The Prince and the Pauper (1990) poster art by Bill Morrison
“I designed the posters for horror movies House (85), Blood Diner (87), and I was the in-house illustrator doing rough sketches and comps for films like The Return of the Living Dead (1985). Art directors would come to see me with ideas they needed me to draw up. For the Return of the Living Dead poster, I don’t know who did the final painting but I remember being surprised that Bill Stout didn’t do it. He was a well-known poster artist, and he designed the zombies for the film”
“In 1986, I was invited to work at an illustration studio owned by David Willardson, the California airbrush artist, called Willardson & Associates. We did all sorts of advertising for all different products, mostly photo realistic work but glorified, Nestles Quick, Maxell Tape, etc, and one of the jobs was for Disney. It was a re-release of Cinderella, they wanted a one-sheet poster. I did a teaser they liked, then another one, and another one, then anytime Disney released an animated film into theaters. I did Little Mermaid, Oliver and Co, Rescuers Down Under, Roller Coaster Rabbit, Prince and the Pauper (a Mickey Mouse featurette), Peter Pan, Jungle Book, Bambi, Lady and Tramp, Fox and Hound, etc.”
“I did The Land Before Time movie poster for Amblin Entertainment. I only did the characters, not the background. This was in the pre-photoshop days and I’m at the studio and I get this big painting delivered. They said we need you to re-draw the dinosaur characters and paste them over the existing ones. I did it on one-ply Strathmore paper, which was tricky to paint on because it’s so thin. Then cut out the outline perfectly with an x-acto knife then painted the edges with a brush. It’s very hard to match outline colors perfectly. Then I took spray mount and permanently sprayed them onto this guy’s painting, which seemed kind of unethical but I had to do it.”
The Simpsons & Matt Groening
First signing with Matt: from L to R are Matt Groening, Steve Vance, Bill Morrison (photo courtesy of Bill Morrison)
Bill joined The Simpsons crew in 1990 and played a seminal role in the global expansion of the franchise. He was doing illustrations for 20th Century Fox and creating all sorts of art for merchandise, sketches, t-shirts, posters, etc, while simultaneously art-directing other merchandise artists at Klasky Csupo Animation Studio.
“In 1987, The Simpsons made their global debut on the Tracey Ullman Show. It was one of the animated bumpers they did. Then it morphed into the December 1989 Simpsons Roasting on an Open Fire holiday special episode, then the show officially premiered February 1990. It was an immediate blockbuster hit.”
Simpsons Yellow Album art by Bill Morrison (image courtesy of Bill Morrison)
“I knew Matt (Groening) from our time working together at the ad agency a few years prior. He brought me into The Simpsons creative family, and I started doing character drawings for merchandise. I created the merch style guide, which is for companies who license the brand. If a licensee takes out a license, they get a style guide of images they can use. Some licensees pay extra for custom artwork. I also did almost all of the video game packaging in the early days, along with calendars, books, and more.”
“I didn’t have anything to do with the characters beyond what they looked like until we did the comic books. Sometimes the stories in Simpsons Comics necessitated creating new characters. For Radioactive Man we got to create a broader cast of characters because they didn’t exist on the show. Radioactive Man’s origins are similar to the Hulk. Fallout Boy’s origins are similar to Spider Man. It’s mostly parody and satire. At one time there was talk of doing a Radioactive Man cartoon show but the idea was shelved when Futurama came out. I would love to see the idea get revived and think it could be a big hit.”
Simpsons Comics & Stories # 1 art by Bill Morrison
“In April 1991, Simpsons Illustrated launched and the series ran for ten issues. It had a comic section, and at the end of the second year, Groening and Editor Steve Vance wanted a gimmicky annual issue, so we decided let’s do a comic book. We named it Simpsons Comics and Stories and it came out in February 1993.”
“It was such a big hit that it gave Matt the confidence to start Bongo Comics, so we did. Starting a comic was a dream come true. We started it in November 1993. I served as Art Director, Steve Vance was the editor and his wife Cindy was colorist and letterer. After the first year the Vances left, and I became the Creative Director (Editor and Art Director.) I was directly involved in some way with every issue (writing, penciling, inking, supervising, art direction, etc). My favorite character to draw is probably Radioactive Man.”
“Matt and I are still good friends to this day.”
The Simpsons episode: A Serious Flanders (November 2021) poster art by Bill Morrison
“In terms of The Simpsons tv show, my favorite episodes are Radioactive Man, Black Widower (great art direction), and many of the episodes from the Conan O’Brien era (1991-93). Also, I love the recent two-part episode “A Serious Flanders” for which I created an advertising poster.”
Bill also did the cover artwork for The Simpsons DVD’s.
And Bill won several Eisner Awards for Simpsons Comics (2000), The Amazing Colossal Homer (1994), and Radioactive Man.
Roswell Little Green Man, Futurama, and more!
Roswell Little Green Man art by Bill Morrison (image courtesy of Bill Morrison)
“In 1996, I produced my own comic series for Bongo called Roswell, Little Green Man. Although Roswell loosely takes place in the late 1940’s, it was my love of 50’s sci-fi films that inspired it. The first story deals with giant ants, harkening back to Them! (1954 sci-fi movie). The series was nominated in four different categories for the highly coveted Eisner Award. We ended it because we started a little show called Futurama and I didn’t have time to work on the show, along with my Bongo duties, and also my own comic.”
“I was the Art Director on Futurama from 1998-2003. I assisted in the creation of the cast of characters with Matt Groening. Matt was the creator of the show and Futurama was done by The Curiosity Company, Matt’s own production company.”
“We did four seasons, 140 episodes. It was on Tuesday nights when it first premiered, and Matt didn’t like that. He told Fox execs to put it on Sunday nights 8:30 p.m. right after The Simpsons. They wouldn’t do it. Finally, they put it on Sunday’s but at 7:00 p.m., which was too early. Futurama is a workplace adult comedy, it’s about adults, romances, and it was inappropriate to put on then. Plus, at that time slot, if sports games ran longer than anticipated, which they frequently do, they had to cut portions of the episodes or not even air the episodes.”
Futurama art by Bill Morrison (image courtesy of Bill Morrison)
“I loved Futurama, especially Leela, and I helped design many of the weirder characters before Matt pitched the show. Matt would always do a final cut and tweak it. We’d be at his studio, he would give me a paragraph on a character, I would do drawings, then show him, it sparked him visually, then he would do a drawing, I would refine it, etc, it was a collaboration. I always felt my biggest contribution to the show was sometimes showing Matt what he didn’t want because it would help him decide which way to go with a character. It’s very difficult to create unique and original characters. Having some input from friends is valuable, the visceral reaction is valuable.”
“In 2000, I did a six-issue mini-series for Bongo called Heroes Anonymous. My editorial assistant at the time was Scott Gimple and I invited him to work on it with me. It’s about a support group for superheroes. We had it in development at the SyFy Channel for a while. Scott had moved on to Disney where he was working on a show called Fillmore, which was a safety patrol played as a 70’s cop show. He had an agent at this point who wanted him to go out and pitch ideas for shows that he owned. Since we co-created Heroes Anonymous he called me and we started pitching it to networks and the SyFy channel took an option. Scott and I worked together on the story for the pilot and Scott wrote the script. I was going to be on board as a producer. The network would give us notes on the script, and at first they were good notes. But eventually the notes got silly and were making the script worse. Finally, it got to the point that their suggested improvement notes were too embarrassing to seriously consider. We chose not to renew the option when it came up. Scott did okay though, he’s now the showrunner on The Walking Dead.”
“After that, I was lucky enough to be able to do my first book, which was a career retrospective on Dan DeCarlo, one of my favorite comic book artists. Dan is best known for drawing Archie comics and creating Josie and the Pussycats and co-creating Sabrina the Teen-age Witch. The book is called Innocence and Seduction: The Art of Dan DeCarlo. I knew Dan personally. We were friends until he passed away in 2001. I was also a fan and there were no good books on Dan’s art. I wanted to create something that didn’t exist yet.”
The Art of Dan DeCarlo book by Bill Morrison
“A few years later, I collaborated with Jane Wiedlin, co-founder of The Go-Go’s. In 2010, we did a comic book called Lady Robotika which was published by Image. The concept is based on Jane as a cyborg space hero.”
“In 2015, I wrote and illustrated Dead Vengeance for Dark Horse Comics. It’s a tribute to the gritty 1940’s pulp era and takes place in Detroit.”
Dead Vengeance by Bill Morrison
“Near my end at Bongo, Matt was working on a new show (what later became the show Disenchantment) and I was talking to the businesspeople telling them I’m looking for something creatively challenging. They said Matt wants to do a new company, comic, show, etc, but he’s not quite there yet. But we do want to develop a comic reader app for mobile phones and iPads, so I did that.”
“I designed comic reader apps. Here I am, devoted to printed comics, and I had to develop and promote comics on electronic devices. Had to learn the guided view mechanics of reading a comic online, panel to panel scrolling, etc. To do this I had to download digital comics and study them. I started taking them on trips with me and realized that you can still have your physical collection at home but also embrace digital comics as a convenience. I started promoting the app, called The Simpsons Store, then the Futuramaland comic reader.”
The National Cartoonists Society
Bill Morrison (National Cartoonists Society)
Founded in 1946, the prestigious National Cartoonists Society is the world’s main professional organization for people working in cartoons and comics. To be admitted membership, published cartoonists must send in samples of their work. Once vetted, they can become Artist members. Bill joined NCS in the mid-90’s and served as President from 2015-2019.
“I was a casual member for years. Then served on the board for Jeff Keane (Family Circus), then continued as VP on the board of Tom Richmond (Mad Magazine cartoonist). Then I became president.”
National Cartoonists Society 27 Club
“It was a lot of work but very rewarding. It’s mind boggling to think I’m part of that lineage, a fraternity of my heroes. It’s very difficult to get people to join clubs nowadays as regular dues-paying members. I’m glad that I was able to help come up with some good ideas to move NCS forward.”
“Sergio Aragonés, Steve McGarry, and I were discussing effective strategies for reaching out to cartoonists and making it easy for them to join NCS. We came up with The 27 Club, where they don’t pay the $180 annual fee, and any cartoonist under 27 years old can join for only $27/yr. Jason Chatfield, who served as my VP and is now the president, continues taking it on. I love the NCS. We have the Reuben Awards every year for the Outstanding Cartoonist of the year. And last year we had our first annual online convention, which was great and well-received.”
MAD Magazine
MAD Magazine has been around since the Atomic Fifties, 1952 to be exact. This legacy institution had the foresight to hire Bill Morrison as Executive Editor in 2017.
“When DC Comics moved from New York City to Burbank, California, the MAD guys didn’t want to go. Finally, the publisher at DC worked out something with Warner Bros where the MAD Magazine offices could stay in NYC, but it was agreed that once they found someone to take over MAD, it would move to Burbank.”
“Then they hired me, and I had to hire a full staff, except for one guy who did decide to move from NY. I had done some freelance jobs for MAD in the past and now here I was overseeing all creative aspects of the magazine. We had good people, especially the art director, Suzy Hutchinson. I’d look at everything, make notes, some minor changes, etc. I loved working there.”
Bill Morrison with Alfred E. Neuman (art by Tom Richmond)
“We were given a really tough assignment, which was to take a magazine read by mostly white males (ages 11-16 and 45-60), most of whom subscribed and they wanted us to expand the readership to women, other ethnicities, and other age-ranges, while not losing our current subscribers. We succeeded in getting subscription numbers up, had expansion ideas that were ambitious but doable, talked about the possibility of live comedy shows at the Hollywood American Legion Post 43, simulcasting, taking it on tour, new merchandise, etc.”
“We were getting great positive feedback. I’m connected with hardcore (and therefore critical) MAD fans who told us we had struck a great balance. But corporate decisions beyond my control caused MAD to go to a reprint format.”
Bill’s Influences & Collections
Detroit artist Bill Morrison at his home studio (photo by: Ryan M. Place)
“I’m real big on Batman art and toys, non-superhero stuff like horror (especially Universal Monsters) and sci-fi, teen humor (any era but mostly 50’s 60’s). I typically go for eras and artists over genres. My favorite eras are 50’s-60’s.”
“Some favorite artists are Dick Sprang, Bob Oksner, Sergio Aragones, Dan DeCarlo. Growing up, some favorites were Neal Adams, Bernie Wrightson, Jim Steranko.”
It Rhymes with Lust (1950) cover art by Matt Baker
“Another favorite artist is Matt Baker, but his art is so expensive. He did the great cover for It Rhymes with Lust (1950) which many people consider to be the first-ever graphic novel.”
“Fine art, I like Salvador Dali, John Singer Sargent, M.C. Escher, Alphonse Mucha…though some might consider him more of an illustrator. Comedically, I’ve been influenced by Jerry Lewis, Woody Allen, Steve Martin, Mel Brooks, and more recently by Melissa McCarthy and Tina Fey.”
“To this day, I’m constantly discovering new influences. I also like the painter Norm Saunders, illustrator Wally Wood, Will Eisner, Robert Crumb, etc, too many to list!”
Mars Attacks art (card 32) by Norman Saunders (1962)
Upcoming Projects
Bill Morrison holding a giant eyeball bowling ball (photo courtesy of Bill Morrison)
“I’ve been doing stuff for the fine art print market. And I’m doing some animation development projects and helping producers visualize their concepts.”
Final Thoughts
Bill at the drawing board, Bongo Comics (photo courtesy of Bill Morrison)
“At Comic Con (SDCC) one year, maybe ‘94-95, right after a speculator boom, when the industry took a turn downturn and was downsizing and consolidating, some publishers were shutting down, things at the time were looking down not up. The great Will Eisner walked by the Bongo Comics booth and I asked him his thoughts about the doom and gloom end-of-the-industry rumors. He said ‘I’ve seen this happen five or six times since the 1930’s. Comics is a language and a medium that people love. It might change shape, but graphic storytelling is an artform and is always going to exist’ and I thought that was tremendously uplifting and insightful and I try to always keep that in mind.”
“My advice to aspiring creatives is to always be open to opportunities you didn’t necessarily anticipate. For example, I never thought I’d be a writer, art director, editor. But I said yes, I was open to it and ended up discovering that I love those roles. Talented young people tend to focus on one single thing only and might invariably miss out on other areas of rich potential. Sometimes you just gotta say yes and then figure it out. If you don’t like it, you can always stop doing it and do something else until you find the things you’re great at and love doing.”
Atomic Battery Studios (Bill’s official Facebook page)
“The only true currency is that of the spirit.”-Ken Kesey
Furthur.
Ken Babbs. What a guy! This soon to be 85-year-old Merry Prankster lives on a 10-acre farm in the small, rural town of Dexter, Oregon along Lost Creek, a tributary of the Willamette River.
Babbs is still a Prankster and still boldly subjecting his endurance to unique irritations like recently answering 100 questions from a plucky sprat wordsmith who’s pieced together a rickety quasi-mythic collage of the psychedelic 1960’s while basking in the dual luxuries of 20-20 hindsight and internet access.
Writer, humorist, humanitarian, musician, athlete, Midwest native, former chopper pilot in Vietnam, Babbs is a wonderfully multi-dimensional character who is best known for co-creating the now legendary phenomenon of The Merry Pranksters.
Ken Babbs (photo courtesy of Google Archives)
Led by literary college buddies Ken Kesey and his best friend and co-pilot, Ken Babbs, the Merry Pranksters were a core group of 14 people who helped give birth to the psychedelic counterculture in the mid-1960’s.
There was the Beat Generation, then the Pranksters, then the Hippies. Neal Cassady was the living link between the Beats and the Pranksters.
These cosmic jesters had japes aplenty. There was the core group and an extended family of peripheral associates. Just reading a list of Prankster nicknames will make you chuckle: Intrepid Traveler (Babbs), Swashbuckler (Kesey), Zonker, Hassler, Sometimes Missing, Gretchen Fetchin the Slime Queen, Captain Trips, Space Daisy, Mountain Girl, Barely There, Lord Byron Styrofoam, Doris Delay, Cadaverous Cowboy, Mary Microgram, Sensuous X, June the Goon, Marge the Barge, Dis-Mount, Mal Function, etc.
One of the most well-known adventures of the Sixties, the Merry Pranksters two month long, cross-country bus trip from June-August 1964 symbolized the searching, mind-expanding spirit of the Sixties and is the adventure that kicked off the Psychedelic Sixties.
They crammed into a psychedelically painted bus named ‘Furthur’ and filmed their zig-zagging journey from La Honda, California to “Madhattan” New York and back. Along the way, amid hallucinogenic hijinks, the Pranksters (and the bus) all blended into one rollicking amorphous organism spreading cheer, humor, kindness, and good-natured mayhem to the unsuspecting citizens of America.
Merry Pranksters (photo courtesy of Google Archives)
Fueled by orange juice laced with LSD (which was still legal until October 1966), the Pranksters would stop in various cities, dress up their alter ego’s in weird clothing, play music and join people in their fluffy cozy web of institutionally-induced conformity coma. Synchronizing into a communal group consciousness, the Pranksters unsnarled uptightness and gave joy to of all forms of exploration: neurocognitive, geographic, interpersonal, multi-media, etc.
After the bus trip, the Pranksters began throwing Acid Test parties in the Bay Area of California. At an Acid Test, you would drink LSD-laced kool aid, dance to the Grateful Dead playing music live, watch Prankster home movies and engage in assorted shenanigans amongst dayglo painted everything, strobe lights, and smiles galore. There would also be the liquid light show going on, using a technique pioneered by Prankster Roy Sebern (he was also the guy who named the bus Furthur), using an overhead projector with changing cellophanes and liquid oil.
The Grateful Dead started off as a Palo Alto jug band with Bob Weir on washtub bass and Jerome “Jerry” Garcia on the banjo. They were called Mother McCree’s Uptown Jug Champions, then they changed their name to The Warlocks and became the official Acid Test houseband before finally morphing into The Grateful Dead as electric rock & roll instruments transformed the musical landscape.
Everything the Pranksters stood for and promoted was geared towards generating fully joyful experiences. Blasting open those hidden vaults of your own mind, unlocking positive thinking, traversing new unexplored dimensions of your being, and accessing higher levels of reality beyond the usual mundane ordinary everydayness.
It had the flavor of a traveling circus of the mind and a sort of raw, universal quality to it. They personified the multi-colored living in the moment NOW spirit of the Sixties. Bold and inventive, the Merry Pranksters, were the ones who really, truly, unintentionally, popularized psychedelic culture on a large, global scale.
Prankster Acid Test (photo courtesy of Google Archives)
Babbs and company were the focus of ‘The Electric Kool-Aid Acid Test’ (published August 1968), a superb in-depth tale of the Pranksters written by journalist Tom Wolfe, who never rode on the bus himself.
Although the Pranksters were early LSD proponents, the role of drugs in general has been over-magnified. Yes, the late Sixties youth culture was drenched in LSD from a veritable free flowing melting neon tap of acid but what was really at the forefront was the powerfully deep yearning amongst young people to increase their mindfulness, kindness and creativity. A line from The Bardo Thodol says “Everything can be transformed to limitlessly positive configurations” and that ethos was one of the main driving forces of the counterculture.
The impossibility of distilling the Prankster experience into words creates a hilarious paradox. The more ultra uber transformatively fantastic something is, the harder it is to accurately describe.
But Ken Babbs, whom due to his historical figure status over the decades becoming an almost fictional comic book type character himself, is gonna give it a whirl.
KEN BABBS BIO
Gretchen Fetchin and Ken Babbs (photo courtesy of Google Archives)
“My family has been in Ohio for a long time. Our ancestry is English, Scottish, Irish, German. I have nine kids. Was married three times. Had four, four, and one.”
“I grew up 30 miles east of Cleveland in Mentor, Ohio on Lake Erie. Used to call it ‘minor Cedar Point on the lake’. They had a roller rink, bowling alley, dancehall where one side was underage and the other side was for drinking age. Going there only cost a dime!”
“Fortunately, my parents accepted me being a Merry Prankster. We were never on the outs. Although, I’m sure they often found themselves wondering what happened to this All-American Boy?”
“In the past 55 years, what questions haven’t I been asked? Have I had venereal disease?” (laughs)
Ken Babbs & Neal Cassady on the Pranksters bus c. 1964 (photo courtesy of Google Archives)
“Oh man, the way things have been going, things are so crazy, gonna get crazier probably. Question of what’s next? In terms of global scale, this is the absolute craziest I’ve ever seen things in my lifetime. This whole Covid pandemic lockdown isolation experience forces you to dip into your creativity.”
“There’s been such a huge change from the 1960’s to now. There’s more people and everything has expanded exponentially. I love watching the faces of the world. We may totally fuck up and destroy the Earth, who knows? Need to look to space to get a good perspective on life. Best thing we’ve done lately is we got a puppy 4-5 months ago. Taking care of this creature living with us has been tremendous.”
“San Francisco and the Bay Area in the 60’s were halcyon. Hard to describe, you had to be there for the experience. As things change in life, one day’s fad is another day’s antique. Shit happens but the 60’s live on.”
“The Pranksters, the Sixties, we’re talking about myth, which is made up of everybody’s contribution to the myth. You don’t want to refute anything, just add your own version. The Sixties will be a mountain of myth. 2,000 years from now some Homer-esque historian scribe will put it all together.”
Babbs comes to Detroit
Grateful Dead at Detroit’s Grande Ballroom (December 01, 1968)
“I’ve been to Detroit once.”
“I was in Ohio at my uncle’s and Jerry Garcia called me saying the Grateful Dead would be playing Detroit (December 1st, 1968 @ the Grande Ballroom). So I got in my car and drove up there. Great show, then we all partied at a hotel downtown afterwards with Jerry, Pigpen and the gang.”
On The Art of Writing
Ken Babbs (photo courtesy of Google Archives)
“I used to write daily. Mostly journaling, thoughts, poetry. Still write frequently. My Vietnam novel Who Shot the Water Buffalo was published a few years ago. Also, recently wrote a big book called ‘Cronies’ which is about Kesey, Cassady, and Prankster adventures but can’t find a publisher for it. Might just self-publish.”
“I co-authored The Last Go Round with Kesey in 1994.”
“A recent chapbook, ‘We Were Arrested’ is about the April 23, 1965 bust at Kesey’s La Honda home. You can buy the chapbook on my Facebook page.”
Ken Babbs-We Were Arrested
“I have piles of manuscripts. No shortage of material. I will soon be publishing a book called ‘7 Poems of Ken Babbs’.”
“In terms of what I like to read, I’m mostly into fiction, works of imagination. At the time I graduated from Miami University in Oxford, Ohio in 1957, Kerouac published ‘On the Road’ and the free form jazz-like flow of his writing had a tremendous influence on me.”
“Plus, my mother was a librarian. My dad was a newspaper editor. I grew up in a literary household reading Faulkner, Hemingway. There’s a great book called ‘The Way West’ by AB Guthrie Jr. I also love fiction adventure stories, detective stuff. Michael Connelly does some great stuff. There’s so many great writers today.”
“Kesey and I both loved comic books. Our favorite character was The Spirit.”
“Comics are great. What we loved about Sixties Marvel comics was the heroes were always fighting against bad guys for noble ideals like rights and justice. Kesey and I had both been into comics since we were kids.”
“My dad thought comic books were trash, just a mind rotting waste of time. But not me, I loved them. Kesey even wanted to be a comic strip artist at one point.”
Experiences in Vietnam
Ken Babbs Vietnam (photo courtesy of Ken Babbs)
Babbs served in the US Marine Corps from May 1959-1963. He trained in Quantico, Virginia, then attended flight school in Pensacola, Florida where he learned to fly choppers. He moved to San Juan Capistrano, CA and was stationed at nearby Marine Corps Air Station El Toro in Irvine before shipping off to Vietnam. While in Nam, he flew a Sikorsky H-34D “Dawg” in the Delta and Da Nang and wrote a novel called ‘Who Shot the Water Buffalo’ which was finally published in 2011. You can buy it on his Facebook page.
“The entire experience I had in Vietnam was completely insane. It was still early in the war, I was flying the chopper, we were supplying troops. It was a beautiful country. Within a few weeks in country it was obvious that us being there was a ridiculous waste of time and resources.”
“The government always has to have an enemy that they can rouse the people against. Generals want to play with their toys, the big bombs and the fun guns.”
Vietnam domino theory (courtesy of Google Archives)
“In Nam they had the Domino Theory. First Vietnam will fall, then the Philippines, then Hawaii, then suddenly the dirty Reds will be in San Francisco having babies. The Red Horde will be at your door before you know it!”
“Still have my leather flight jacket.”
“The Pranksters and my Nam buddies never got together but I’ve had great experiences with both groups. Beautiful thing as you get older, all your experiences are the sum of who you are right now. Just incorporate those experiences into your being. We’re all material beings, we’re not angels. As such, we’re fucking up all the time. Over time, your fuck-ups become your best stories.”
Sikorsky H-34D in Vietnam
Babbs at Woodstock
August 15-18, 1969, the Pranksters attend Woodstock music festival along with an estimated 400,000 people at Max Yasgur’s 600-acre farm in Bethel, New York. Mistakenly anticipating violence and chaos, the police were shocked at how courteous and well-behaved the attendees ended up being. There were so many people that there was a perpetual 9-mile long traffic jam. Of the 5,000 reported medical incidents, 800 were drug related. Hog Farmer Wavy Gravy was the official head of security of “the please force.”
“Woodstock was pivotal. It was a wonderful, momentous scene and experience in American History. During times of turmoil, awful times, the magic and people living the good life, helping each other, keeps the American spirit alive. Woodstock was a celebration of collaboration among the peace-loving people.”
“I was hired by Wavy Gravy’s Hog Farm to help out. We took 4 buses and about 40 people from Ken Kesey’s farm in Pleasant Hill, Oregon and headed some 2,900 miles over to Woodstock in Bethel, New York.”
“Some of us Pranksters had our musical instruments. Across the hill from the main stage, we had the free stage. At one point I was on the main stage with the Grateful Dead. But mostly I was either helping out at the Freak Out tent or playing music on the free stage. I kept a very detailed journal of that amazing experience and should probably release it as a book.”
Memories of Ken Kesey
Ken Kesey on the Merry Pranksters bus (photo courtesy of Google Archives)
Ken Kesey and Ken Babbs were best friends. Kesey was a groomsman at Babbs wedding in 1959. Kesey then volunteered to take mind-altering drugs at the local Menlo Park VA hospital later that year. He didn’t know it at the time but this was part of the CIA’s clandestine MK-Ultra project. He fictionalized his experiences in the instant bestseller ‘One Flew Over the Cuckoo’s Nest’ (1962). Couple years later he moved to a large house (7940 La Honda rd, La Honda, CA) on 3 acres in the middle of a beautiful redwood forest. This became the HQ of the Merry Pranksters where spontaneous happenings would be attended by Hunter S. Thompson and the Hells Angels. In early 1966, Kesey was busted for marijuana, faked his death and became a fugitive in Mexico. He did time at a prison work farm called the Honor Camp (7546 Alpine rd, La Honda, CA) which was hilariously located only 1 mile SE of his house, practically in his backyard. After that he moved up to a farm in Pleasant Hill, Oregon and the rest is history.
“Oh, God, so many great times and fun memories of Kesey!”
“We met at Stanford University in the Graduate Writing program. We hit it off right away in grad school. He lived nearby on Perry Lane (9 Perry Lane, Palo Alto, CA), which was a collection of cottages. Block parties were frequent. Kesey was a social force. He’d written an entire novel called ‘Zoo’ before we even got to Stanford.”
Ken Kesey at a Pranksters Acid Test (photo courtesy of Google Archives)
“He had also been a wrestler at the University of Oregon.”
“One time he hurt his shoulder. He had shown me some wrestling moves and we both signed up to compete. They wouldn’t let him participate but I did and he became my coach and mentor for that experience. My first opponent was this big red headed guy. Kesey said ‘I’m gonna teach you a trick. This is called the Telephone Takedown. When the match starts, make a big noise and commotion, make it look like you’re answering an invisible ringing telephone. Then when the guy is confused, dive, flip and pin him’. So, I took Kesey’s advice. The match starts, I do what he said to do. The red headed guy looks at me, steps back, throws me over and pins me in two seconds flat. And the sonofabitch broke my tooth, I spit it out!”
“Kesey started off as a magician. He had a ventriloquist dummy named Blinky. In his hometown of Eugene, Oregon, he would do shows on Saturday’s at the movies. In between movies, he would come out and do his magic and ventriloquism and he was great, very captivating. He was also fond of sleight of hand coin tricks. He’d be expertly pulling coins out of people’s ears and noses.”
Ken Kesey (photo by Jerry De Wile)
“I remember in the 90’s when Kesey and I were traveling around the country performing our play ‘Twister’, Kesey would bring his ventriloquist doll Blinky out.”
“Kesey had a pet parrot named Rumiako. Man, that thing could crack macadamia nuts.”
“The story about Kesey’s involvement with the LSD test monkey’s is a bunch of bullshit. That was some guy down on the coast. Kesey was not involved with releasing them into the wilds of La Honda.”
Timothy Leary
Timothy Leary
During the Pranksters bus trip, they stopped at Millbrook in upstate New York, home of psychedelic Harvard exile Dr. Tim Leary.
“Leary had the flu, so we didn’t see him until leaving. He said he was sorry. We were on the same wavelength and we became really good pals shortly after that.”
Timothy Leary & Neal Cassady (photo courtesy of Google Archives)
Neal Cassady
Neal Cassady at the jukebox (photo courtesy of Google Archives)
Neal Cassady was a constantly on the go historical literary character who was intimately involved in both the Beat Generation in mid-1940’s New York when he linked up with Jack Kerouac and also the Merry Pranksters when he drove the Furthur bus in the mid-1960’s. From the mid-50’s onward, Cassady lived periodically in Los Gatos, CA until his mysterious death in Mexico in 1968, some 2,000 miles south of home.
“I first met Neal Cassady on the Prankster bus in 1964. Took a while for us to get acquainted. He called me a “tourist” (haha).”
Neal Cassady (photo courtesy of Google Archives)
“Super guy. He was the living link between the Beat Generation and the Merry Pranksters. He was a very rambunctious, energetic, knowledgeable person. Very intelligent. He was like our elder Uncle.”
“Cassady was also the very first sales clerk at the Hip Pocket bookstore. That was Ron Bevirt and Peter Demma’s store in Santa Cruz. Bevirt’s Prankster name was Hassler”
Hunter S. Thompson
Hunter S. Thompson circa 1967 (photo courtesy of Google Archives)
Hunter Thompson was the famous Gonzo journalist from Louisville. In the 60’s he lived at 318 Parnassus Ave, San Francisco. Over the years, his work has become tremendously influential, especially the seminal ‘Fear & Loathing in Las Vegas‘ (1971).
“Oh man, Hunter was a great guy. Lucky to get to know him. We need his acerbic wit today, right now.”
“One time in the early 70’s he wrote a story about the Marathon in Honolulu, for some running magazine. He couldn’t finish the article so the editors flew him to Eugene, Oregon and put him up in a motel. He had locked himself in a bathroom. Paul Perry got him out of there by calling me because Hunter had asked for me to get him some weed. Thompson comes out of there and lights a string of firecrackers right in the room. So I get him the pot, and he finished the article. He’s getting ready to leave. Kesey and I are outside in Kesey’s car, waiting. Then Hunter comes out. He’s standing by the car door in his white shorts, white shoes, white shirt. As we pull away, Kesey lights a long string of firecrackers and throws it at Hunter’s feet! He’s dancing around as we pull off laughing.”
Ken Babbs on The Merry Pranksters
Merry Pranksters bus Furthur (photo courtesy of Google Archives)
“The Merry Pranksters came together through divine planning. And the labels just happen. Deadheads are followers of The Grateful Dead. The Beats were named by John Clellon Holmes. The media came up with the label Hippies. I came up with the name Merry Pranksters spontaneously, naturally. This was not an intentional calculation whatsoever.”
“Early 1964, after hanging out at San Gregorio Beach, we were all back at La Honda around the campfire when I was goofing around and said: ‘Tis I, the Intrepid Traveler, who has come to meet his Merry band of Pranksters across the country in the reverse order of the pioneers. We won’t blow up their buildings, we’ll blow their minds!’.
“I’ve told that story about 6 million times. Good stories do not get old.”
“Initially, we were going to take my station wagon, a 1958 Ford, but instead we bought the bus right as our group grew, and we took the bus instead.”
Merry Pranksters on the bus. Ken Babbs (lower right, striped shirt). Ken Kesey (up top in the porkpie hat playing the flute) (photo courtesy of Google Archives)
“Kesey and I were tired of writing on the manual typewriter. We were tape recording. We’d lie on the floor at night and rap stories onto tapes. Problem with that method is afterwards you have to spend too much time listening to it.”
“Then (George) Walker bought a 16mm movie camera, so we started filming everything.”
“(Mike) Hagen saw the ad for the bus. It was located in Atherton. He and Kesey went to pick it up. Kesey sunk his money into the bus and the trip to Madhattan and back and the cost of filming the movie. Other than that, everyone chipped in what money they could and we did plenty of shows and performances which we got paid for.”
“On the trip, our very first prank was in Arizona. Barry Goldwater was a senator in Arizona and we drove through his hometown. Painted a sign ‘A Vote for Barry is a Vote for Fun!’ He was pro Vietnam. His actual philosophy was summed up in his phrase, ‘Nuke the Gook’.
Merry Prankster Mountain Girl (photo courtesy of Google Archives)
“Prankster nicknames were created in the moment spontaneously as the bus trip unfolded. Ron Bevirt became ‘The Equipment Hassler‘, which was just shortened to Hassler. This was because every morning he would be rooting around in a drawer for things.”
“The Prankster movie was about interacting. We’d stop at a gas station somewhere and people would flock to the bus. We’d get out with our musical instruments and movie camera and help turn it into a fun thing. This happened everywhere we went. NYC was the climax of the trip. It was like we were a moving theater and the random people we encountered were the audience, they didn’t have a choice.”
“We would balance intentionality and spontaneity. The intentionality is shooting the movie. Being spontaneous is having no script whatsoever. We were making it up as we went along.”
“The whole Prankster thing was about being open, friendly, creative, artistic, kind. Instead of participating in violence of any kind, take another path to keep the tranquility alive.”
Merry Pranksters bus with observation bubble (photo courtesy of Google Archives)
The Grateful Dead
UNITED STATES – CIRCA 1965: Photo of Grateful Dead when they started playing as the Warlocks (Photo by Paul Ryan)
“We became friends with them before they were even called The Warlocks.”
“They played our 1965 Halloween party at my house in Soquel. Wonderful group.”
LSD: The Merry Prankster’s Acid Test Parties
Merry Pranksters Acid Test handbill (courtesy of Google Archives)
The Merry Pranksters threw legendary LSD events from Fall 1965 to Spring 1966. This sort of gathering they dubbed an Acid Test, a reference to how a psychedelic chemical would test the strength and pureness of your being. An informal precursor to the official Acid Tests took place on Halloween night 1965 at Ken Babbs house ‘The Spread’ (Soquel Dr and Dover Dr, Soquel, CA). Then on November 27, 1965, the first official Acid Test also took place there. Since it was only advertised by limited word of mouth and a flyer at the local Hip Pocket Bookstore in Santa Cruz, the turnout was small compared to the thousands of attendees who would swarm future Acid Tests. The Pranksters went on to throw dozens of Acid Tests at various locations until the final Acid Test graduation at San Fran’s Winterland Ballroom on Halloween night 1966.
“Pranksters LSD was put into orange juice, kool aid, and let me see, oh yeah, elephant piss! (laughs).”
“LSD helped blow out the old imprints. You should keep the great ones but don’t get too hung up on old ideas. Make sure you let in some new stuff continually.”
“We took LSD in whatever form the doctor prescribed. We ate mushrooms. Nitrous might have even been popular but it wasn’t always pretty.”
Ken Babbs at the Merry Pranksters Trips Festival (photo courtesy of Google Archives)
“LSD was cheap enough back then, you could trade it for a pound of hash oil. Last time I took acid? 1866 or was it the Greco Roman war?”
“All psychedelics and drugs should be legalized.”
“The original Acid Test movie reels, the raw 45 hours of 16mm film are now in a vault in L.A.”
“Paul Foster, a fellow Prankster, created the acid test poster, it was printed at a local shop.”
Merry Pranksters Acid Test handbill (courtesy of Google Archives)
“Tom Wolfe the journalist was never on the bus. Great guy and great writer though.”
“His book Electric Kool Aid Acid Test was going to be made into a movie by Gus Van Sant but the project got shelved because a satisfactory screenplay never materialized.”
“We need Pranksters now. We need humor and off the wall happenings. The real battle is in minds between malevolent and benevolent thoughts, doing good or bad things. Don’t fight them. Just make a concentrated effort to grow your benevolent thoughts.”
Merry Pranksters Acid Test (photo courtesy of Google Archives)
Ken Babbs Final Thoughts
Ken Babbs with Kesey’s parrot Rumiako (photo by Jerry De Wilde)
What’s a good way to prank a Prankster?
“Ask him 95 ridiculous questions.”
General advice for young people?
“Follow your bliss. You need a daytime job to pay for your nighttime creative fun. As you go through life, make this your goal. Follow the donut, not the hole. Be kind.”
NOTE: this is a raw, unpolished timeline compiled from my research notes. I approach interviews like doing detective work and always try to assemble a timeline for story coherence. Thought I’d include it since it might be a helpful resource to others. Cheers! Ryan
January 14th, 1936-Ken Babbs is born in Ohio
1938-LSD synthesized by Dr. Albert Hoffman @ Sandoz Lab (Basel, Switzerland)
1939-Al Hinkle and Neal Cassady, both 12, meet in Denver at a YMCA gym circus class
April 19, 1943-Dr. Albert Hoffman unintentionally takes the world’s first acid trip
1946-47-Neal Cassady moves to NYC, meets Jack Kerouac
1949-Dr. Max Rinkel brings LSD from Sandoz Labs in Switzerland to the USA, Boston
1951-Dr. Nicholas Bercel, a neurophysiologist at the University of Southern California (Los Angeles) supposedly becomes the first American to experience LSD
1951-Dr. Humphry Osmond moves from London, England to Saskatchewan, Canada. He begins testing the therapeutic effects of LSD on schizophrenics and alcoholics at Weyburn Mental Hospital.
1951-Neal’s son John Cassady is born @ 29 Russell st, San Fran; Kerouac also lived here for a bit; Carolyn Cassady took the famous photo of them across the street
1953-CIA chemist Sidney Gottlieb buys the entire known world supply of LSD so the CIA can conduct mind-control experiments with it, thus kicking off the MK-Ultra Project
1953-City Lights books opens in SanFran, owned by Lawrence Ferlinghetti. A plucky young sci-fi novelist, Philip K. Dick, is a frequent customer.
Dr. Albert Hofmann (photo courtesy of Google Archives)
1954-Dr. Gottlieb starts Operation Midnight Climax where the CIA gives unsuspecting customers of prostitutes LSD inside a house (225 Chestnut Street, SanFran) so they can study their behavior
1954-68-the Hungry I nightclub in San Fran
1954-Neal Cassady buys house in Los Gatos (18231 Bancroft ave, Monte Sereno, CA). Lives here periodically until his death in 68. His wife Carolyn sells the house in 87 and it gets bulldozed.
1955-Babbs attending Case Tech school in Cleveland, then Miami University (Oxford, OH)
1955-Ginsburg reads Howl poem in San Francisco
1955-Baltimore, MD-Spring Grove State Psychiatric Hospital, founded in 1797, becomes early LSD experimental ground in Cottage 13, a small cottage on the property. Over 700 people are given LSD by Dr. Albert Kurland from 1963-76 when the program was “officially” running and was funded by NIMH. In 1968, Dr. Stan Grof arrived.
1957-Kerouac’s book On the Road comes out
1957-Dr. Humphry Osmond coins the term ‘psychedelic’
1958-Ferlinghetti’s book Coney Island of the Mind is published
1958-Ken Kesey and his wife Faye Haxby move to California
Fall 1958-Babbs gets a Woodrow Wilson Fellowship and enrolls at Stanford grad school writing program where he meets fellow outsider Ken Kesey at a cocktail party at professor Wallace Stegner’s house
1959-Pasadena, CA-Ken Babbs wedding. Ken Kesey is groomsman
Jack Kerouac (photo courtesy of Google Archives)
May 1959-Babbs enters the military; trains with USMC in Quantico, then Pensacola, FL flight school and learns to fly choppers
1959-Naked Lunch WSB
1959-Jerry Kamstra runs the Cloven Hoof Bookstore (Grant ave, SanFran)
1959-After being encouraged by Dr. Vic Lovell to sign up, Kesey volunteers at Menlo Park VA hospital (795 Willow rd, Menlo Park, CA) to take mind-altering drugs as part of MK-Ultra (financed by the CIA; they paid Stanford University; also supposedly tested LSD on monkeys). Kesey takes drugs under the supervision of Dr. Leo Hollister.
1960-Kesey lands job as psychiatric aid at the VA
1960-Cambridge, MA-Tim Leary and Richard Alpert conduct LSD experiments on themselves and others
1960-HST first encounters LSD in Big Sur but does not take any
1960-while working at Dow Chemical in Berkeley, a young Alexander ‘Sasha’ Shulgin has his first psychedelic experience in the form of a mescaline trip at Dow
1961-Springfield, OR-Ken Kesey, Ken Babbs, John Babbs all take IT-290 (aka: alpha-methyltryptamine)
1961-Ken Babbs moves to Ganado Road, San Juan Capistrano, CA. He’s stationed at Marine Corps Air Station El Toro in Irvine before shipping off to Vietnam.
1961-while living briefly in Paris, France, psychedelic researcher Dr. James Fadiman is introduced to psychedelics by friend Ram Dass when Dass, Tim Leary, and Aldous Huxley pass through town. Soon after this, Jim and Dorothy Fadiman become Perry Lane neighbors of Ken Kesey.
Ken Kesey one flew over the cuckoos nest 1st edition hardcover
Fall 1961-Kerouac writes novel Big Sur @ Ferlinghetti’s cabin in Bixby Canyon, Big Sur. Later, Kamstra writes The Frisco Kid here
September 1961-Cambridge, MA; Leary takes LSD for the first time via Michael Hollingshead
1962-Tim Leary’s Good Friday psilocybin experiment in Boston
1962-Kesey’s One flew over the cuckoo’s nest published; breakout success, instant bestseller
1962-under the supervision of Dr. James Fadiman, Stewart Brand (soon to join the Merry Pranksters) has his first LSD experience at Myron Stolaroff’s International Foundation for Advanced Study in Menlo Park, CA
1962-63-Babbs is USMC helicopter squadron in Vietnam (wrote novel Who Shot the Water Buffalo, unpublished until 2011); stationed down south in Delta, then north in Da Nang; he was flying a Sikorsky H-34D “Dawg”
Late 1962-Neal Cassady hangs out with Kesey in Palo Alto
1963-Babbs returns from Nam, hangs out at Kesey’s house (9 Perry Lane, Palo Alto) bongos and wine and pineapple chili. Pot wasn’t even on the scene yet
July 21, 1963-Perry Lane ends, bulldozed
1963-Leary fired from Harvard, moves to Millbrook
1963-Owsley synthesizes his own LSD in Berkeley. He then starts manufacturing homemade LSD via ‘Bear Research Group’
Merry Pranksters bus (c. 1964) Ken Babbs, Gretchen Fetchin the Slime Queen, Ken Kesey (photo courtesy of Google Archives)
November 22, 1963-JFK assassinated in Dallas
1964-Kesey publishes Sometimes a Great Notion
March 1964-sci-fi author Philip K. Dick takes LSD and says the experience transports him to Latin-speaking ancient Rome. He then writes the Three Stigmata of Palmer Eldritch during extended amphetamines binges at his house (3919 Lyon ave, Oakland, CA)
Early 1964-Kesey moves to La Honda (7940 La Honda rd, La Honda, CA) a large house on 3 acres in the middle of a beautiful redwood forest
1964-the Merry Pranksters are named by Babbs at San Gregorio Beach, CA. The Merry Pranksters form (core group of 14 people) = zapping the “squares” out of their conformity to the Establishment by using LSD, a day glo bus, music and laughter
Spring 1964-Prankster Hagen sees classified ad for 1939 International Harvester bus for sale by Andre Hobson in Atherton, CA. Kesey buys it for $1,200 with his ‘One flew over cuckoo nest’ money
June 17, 1964-the famous Furthur bus trip starts from Kesey’s house (La Honda, CA) to “Madhattan”; “Kesey wanted to see what would happen when hallucinogenic-inspired spontaneity confronted what he saw as the banality and conformity of American society”
June 29, 1964-Pranksters arrive in NYC. While in NYC, Neal Cassady introduces the Pranksters to Jack Kerouac and Allen Ginsberg at Chloe Scott’s apartment (Madison Ave and 90th St)
August 1964-the Furthur bus returns to La Honda
1964-San Francisco area-Pranksters help give birth to the counterculture
Ken Kesey and Neal Cassady on the Merry Pranksters bus
1964-HST first reports on the Hell’s Angels
August 2nd, 1964-Gulf of Tonkin incident in Vietnam
October 1964-the Hip Pocket Bookstore opens (1500 Pacific Ave, Santa Cruz) Run by Ron Bevirt (aka: Prankster Hagen) and Peter Demma. Neal Cassady is the stores first sales clerk.
February 21, 1965-Owsley’s home/LSD lab (1647 Virginia st, Berkley, CA) raided by police
March 30, 1965-Owsley creates first big batch of LSD
April 12, 1965-Tim Scully first takes LSD. Shortly afterwards, Owsley hires him as a roadie for The Warlocks (whom in a few months become The Grateful Dead). After that, he becomes Owsley’s lab assistant in Point Richmond.
1965-Roy Sebern, Prankster affiliate and artist, invents the liquid light show
April 23, 1965-Kesey’s La Honda estate raided by Agent Wong (Willie Wong, SF Chinese narc) but the Pranksters had a few days heads-up and ended up pranking the cops. Kesey and 13 other Pranksters arrested
May 1965-HST first article on Hell’s Angels appears in The Nation magazine
1965-Wes Wilson creates the world’s first psychedelic concert poster (San Francisco)
Hip Pocket Bookstore (1500 Pacific Ave, Santa Cruz, CA) opened 1964
1965-Lafayette Hills, CA-While working for Dow Chemical in Berkeley, legendary chemist Alexander ‘Sasha’ Shulgin synthesizes MDMA at his recently built home laboratory.
1965-Vietnam big surge US troops 500,00 (Marines to north, Army to south)
July 1965-Dow Chemical Company (Midland, MI), the makers of saran wrap, score a $5 million dollar Department of Defense contract to become the US military’s only supplier of Napalm. Until 1969, they manufacture Napalm-B, a jellied mix of gasoline, benzene, polystyrene.
Aug 7, 1965-La Honda party w/ HST and some 40 Hells Angels; “amusingly incongruous cast of characters, a microcosm of an unsustainable social movement”; also present were Neal Cassady, Allen Ginsburg; 100 people total, all on LSD, HST’s first LSD experience; Lord Byron Styrofoam (aka Sandy Lehmann-Haupt) the KLSD radio station DJ, “800 micrograms in your head”
August 13th, 1965-Jefferson Airplane debut at The Matrix (3138 Fillmore st, SanFran)
August 24th, 1965-The Beatles first take LSD together @ Zsa Zsa Gabor’s house (2850 Benedict Canyon rd, Beverly Hills, CA) with Peter Fonda, David Crosby, and others
September 02, 1965-The Beatles concert @ SanFran Cow Palace (bad vibes, Pranksters leave early, return to La Honda to see 400 people there and Owsley, the world’s greatest acid chemist)
September 5th, 1965-the word “hippie” first appears in print in the San Francisco Examiner
October 15, 1965-Kesey and the Pranksters @ the Vietnam Day Committee protest @ University of Berkeley, Sproul Hall Plaza, some 15,000 people. Paul Krassner’s first encounter with the Pranksters
October 31, 1965-Babbs says that an informal Acid Test party, a precursor to the official Acid Tests, takes place during a Halloween costume party at his house “The Spread” (Soquel dr and Dover, Soquel, CA) on 400 acres
Merry Pranksters Acid Test LP
November 21, 1965-Lysergic A Go Go @ AIAA Aviation Academy Auditorium (7660 Beverly blvd, LA) event put on by Hugh Romney (aka: Wavy Gravy) and Del Close for 500 people
November 27, 1965-Soquel, CA-Babbs house ‘The Spread’ first Acid Test; advertised at the Hip Pocket Bookstore; Pranksters home movies, Cassady, Ginsberg
2nd test = December 4, 1965-San Jose Acid Test @ Big Nig’s house= The Warlocks first performance as the Grateful Dead; took place right after the Rolling Stones played San Jose Civic Auditorium
December 10th, 1965-Bill Graham takes over The Fillmore (1805 Geary blvd)
3rd test = December 11, 1965 = Muir Beach, CA feat. Grateful Dead, strobe lights; 300 people; Hell’s Angels, Owsley has LSD freakout, claims he goes into “parallel time dimension” with Count Cagliostro
December 18, 1965-acid test @ the Big Beat (998 San Antonio rd, Palo Alto)
January 1966-October 1967-Ron and Jay Thelin run the Psychedelic Shop (1535 Haight, SF)
January 8th, 1966-Fillmore acid test. Paul Krassner attends.
January 15th, 1966-Portland, OR acid test
January 19, 1966-Kesey arrested again for weed. Busted on Stewart Brand’s rooftop (Vallejo Street @ Grant St, North Beach, SanFran). Kesey along with Mountain Girl busted for only 3.54 grams of marijuana.
Merry Prankster Stewart Brand
January 21-23, 1966-Pranskters put on the Trips Festival, a 3-day long Acid Test @ Longshoreman’s Hall SanFran (considered the first true hippie festival/official gathering?) Babbs does the sound system and builds scaffold control tower; 10,000 attendees drinking LSD punch; Stewart Brand, Bill Graham
January 23, 1966-Kesey moves into Babbs house, The Spread, in Santa Cruz where he plans to, rather than do 5 years in prison, fake his death and become an outlaw in Mexico. Mountain Girl, Lee Quarnstrom, Ron Bevirt, Space Daisy, also move in.
January 31, 1966-Kesey’s abandoned vehicle is found in Orick, California. Inside is an 18-page long suicide note reading “O Ocean, ocean, ocean, I’ll beat you in the end”
February 04, 1966-Kesey becomes an outlaw in Mexico
February 1966-Ken Babbs becomes unofficial leader of the Pranksters. The Pranksters acquire the Sans Souci (saan soo see) old mansion in Stinson Beach. They have acid test at nearby Sawyer’s Church in Northridge.
Feb 12, 1966-Watts Acid Test (either 13331 S. Alameda or 9027 S. Figueroa, Compton, CA) 200 people; 30 gallon plastic trash can full of “Electric Kool Aid” (coined by Wavy Gravy), Grateful Dead
March 1966-Pranksters take the bus to Mazatlán, Mexico to visit Kesey. They do several small Acid Tests in Mexico. Kesey sneaks back into USA via Brownsville, TX.
1966-Mountain Girl has child with Kesey & also marries and separates from fellow Prankster George Walker. She later marries Jerry Garcia.
1966-Grateful Dead and Mountain Girl move to 710 Ashbury, SanFran
Summer 1966-1969-Lithuanian Leon Tabory takes over ownership of ‘The Barn’ in Scotts Valley from Big Daddy Nord. The Barn was a well-known beatnik, Prankster, hippie community gathering place located off Highway 17, just north of Santa Cruz. The Barn address (Granite Creek road and Santa Village Dr, Scotts Valley, CA).
July 24, 1966-Pranksters Lee Quarnstrom and Space Daisy (aka: Judith Ann Washburne) are married at The Fillmore. The best man is Julius Karpen.
September 1966-The Oracle newspaper begins
Merry Pranksters Trips Festival 1966 (photo courtesy of Google Archives)
October 1966-Prankster affiliate Julius Karpen becomes the manager of rock band Big Brother & the Holding Company for one year.
October 6, 1966-LSD becomes illegal in the state of California (note the overtones of 666)
October 20, 1966-Kesey arrested on freeway in San Francisco
October 31, 1966-final Acid Test graduation @ Winterland Ballroom (SanFran) strange end to the Pranksters acid tests. The group gradually go their separate ways afterwards, periodically hanging out.
January 14, 1967-The Human Be-In @ Polo Fields (Golden Gate Park, SanFran) 30,000 people
Jan-Feb 1967-Tom Wolfe’s first articles on Pranksters run in New York Magazine
1967-Ken Babbs moves to Oregon
1967-Owsley living and making LSD at 2321 Valley st, Berkeley, CA
1967-Hugh Romney (aka: Wavy Gravy) starts the Hog Farm (West Conover St, Sunland-Tujunga, CA). This is a 33 acre commune in the hills above Los Angeles. To find it on a map, use the address 9401 Tujunga Valley st, Shadow Hills, CA. In 1969, the Hog Farm moves to Llano, New Mexico.
Feb 1967-HST book Hell’s Angels published
March 1967-Prankster Denise Kaufman (aka: Mary Microgram) joins all-female rock band The Ace of Cups. She does vocals, guitar, harmonica.
Merry Pranksters Acid Test Graduation (photo courtesy of Google Archives)
March 16, 1967-Houston acid test @ Rice University. Teacher and novelist Larry McMurty was a Stanford Univ pal of Kesey’s.
May 26, 1967-The Beatles release Sgt. Pepper album
June 16-18, 1967-Monterey Pop Fest in Monterey, CA (feat. Hendrix, the Who, Shankar, Joplin, etc)
June 23, 1967-Kesey goes to work farm for 5 months for marijuana charge. This is the San Mateo County sheriff’s Honor Camp (7546 Alpine rd, La Honda, CA). 11 acres. Former Boy Scout camp in the Santa Cruz Mountains above Pescadero Creek. It is hilariously located only 1 mile SE of Kesey’s house.
Summer 1967-San Fran-Summer of Love-“flower children followed by the sharks; Bay Area wasn’t kind of place we wanted to be around anymore”
1967-Lenny Bruce protégé & quasi-Prankster affiliate Paul Krassner founds the Yippies (Jerry Rubin, Abbie Hoffman)
1967-Tim Leary moves to Laguna Beach to live with the Brotherhood of Eternal Love (250 Woodland Dr)
1967-Quasi-Prankster affiliate Norman Hartweg car accident in Las Vegas, leaves him a wheelchair-bound paraplegic. He spends 1yr in hospital in Ann Arbor, Michigan, then stays in Ann Arbor until moving back to LA in 1977. Norman’s father, Dr Norman E. Hartweg, was curator of reptiles at the University of Michigan, he was an international expert on reptiles.
October 21, 1967-Washington, DC-a group led by Abbie Hoffman attempt an exorcism of The Pentagon. They sing and chant, trying to get it to levitate so they can perform an aural exorcism
November 1967-Rolling Stone magazine begins
Merry Prankster The Hermit (photo courtesy of Google Archives)
November 1967-Kesey gets out of work farm after 5mnths and moves to Kesey Farm (64acres) in Pleasant Hill, Oregon
November 27, 1967-The Beatles release Magical Mystery Tour album
December 1967-William Leonard Pickard moves from Cambridge, MA to Berkeley, CA and gets a job at UC Berkeley inside Latimer Hall at the Department of Bacteriology and Immunology
December 1967-Owsley’s LSD lab raided in Orinda, CA; Owsley arrested; the Brotherhood of Eternal Love takes up the mantle of LSD production
Feb 1968-Neal Cassady dies mysteriously some 2,000 miles south of La Honda, CA in San Miguel de Allende, Mexico
1968-Sausalito, CA-William Mellon (aka: Billy) Hitchcock introduces the Brotherhood of Eternal Love to chemists Nick Sand and Tim Scully
August 1968-Tom Wolfe publishes book ‘The Electric Kool-Aid Acid Test’ detailing the fascinating exploits of The Merry Pranksters
September 1st, 1968-Stewart Brand (Prankster) publishes the first Whole Earth Catalog
Late 1968-the hippie scene starts getting ugly as the Haight-Ashbury neighborhood turns seedy and violent after an influx of street predators move into the neighborhood
October 24, 1968-Congress passed Staggers-Dodd Bill, effectively criminalizing the recreational use of LSD-25. LSD is made illegal in USA
Electric Kool Aid Acid Test (1968) Tom Wolfe first edition softcover
November 05, 1968-Nixon elected President
December 9th, 1968-the Mother of All Demos introduces email, hypertext, and the computer mouse via Prankster Stewart Brand and computer scientist Douglas Englebart at San Fran’s Brooks Hall, Civic Center Plaza. Stewart was at SRI HQ in Menlo Park working one of the computers
March 1969-LSD chemists Tim Scully and Nick Sand make the famous Orange Sunshine acid at their farmhouse (Mitchell Lane west of Baldocchi Way, Windsor, CA). They make 3 pounds (4.5 million hits) of Orange Sunshine LSD
July 20, 1969-NASA on the Moon
August 9-10, 1969-Charles Manson’s cult the Family kills 5 people
August 15-18, 1969-Pranksters attend Woodstock, along w/ an estimated 400,000 people
September 1969-The Beatles breakup
October 21, 1969-Kerouac dies
December 6, 1969-Altamont Free Concert (Grateful Dead hire Hell’s Angels as security, one of whom stabs a man to death)
1970-LSD declared Schedule One controlled substance in USA
Charles Manson and Sharon Tate (photo courtesy of Google Archives)
1971-Prankster Mountain Girl (Carolyn Garcia) and Jerry Garcia move into the Sans Souci mansion (18 Avenida Farralone, Stinson Beach, CA)
1971-Mark McCloud’s house (3466 20th st, SanFran) becomes an LSD museum called the Blotter Barn. He has over 30,000 blotter works of art here.
Nov 1971-HST publishes Fear & Loathing
1972-Watergate
1973-Pigpen dies
1973-Nixon creates the DEA
November 1973-Billy Hitchcock rats out the Brotherhood of Eternal Love
1974-81-Babbs involved with Spit in the Ocean publication
1975-Vietnam War ends
1975-One Flew Over the Cuckoo’s Nest movie released starring Jack Nicholson
Jerry Garcia (photo courtesy of Google Archives)
1978-Mountain Girl finally officially divorces George Walker
1982-Owsley moves to Australia
1983-Babbs editor of The Bugle (Eugene, OR zine)
1984-Kesey’s son Jed dies in car accident
1985-Prankster Stewart Brand & Dr. Larry Brilliant co-found The Well. Larry, a native Detroiter, is the guy who delivered a Native American baby on Alcatraz Island in 1969 during the Indians of All Tribes Occupation of Alcatraz. And then in 1975 he led the UN effort that successfully eradicated smallpox in India (eradicated globally by 1980).
1994-Norman Hartweg dies
1994-Kesey and Babbs co-author The Last Go Round
1995-Jerry Garcia dies
1997-Kesey sells his La Honda house
1999-Babbs plays Frankenstein in Twisted, a play he co-wrote w/ Kesey
2001-Kesey passes away
Merry Pranksters Roy Sebern liquid light show
2001-Jim Irsay (owner of Indy Colts fb team) buys original Kerouac scroll for $2.45mil
2001-Sandy Lehmann-Haupt dies
2003-work camp where Kesey served time is permanently closed
2003-Paul Foster dies
2005-HST suicide
2005-Ken’s son Zane Kesey pulls the original Furthur bus out of the swamp at Kesey’s Oregon farm
2008-Dr. Albert Hoffman dies at the ripe ole age of 102
2010-George Walker published a chapbook
2011-Babbs book ‘Who shot the water buffalo’ published (thanks to Sterling Lord)
2011-Owsley dies
2012-Ken Babbs brother and noted fly fisherman John Babbs (his Prankster name is ‘Sometimes Missing’) passes away
Dec 2018-Al Hinkle (92; San Jose) dies; he was with Kerouac and Cassady in the On the Road story in the 1949 Hudson Commodore; Al was a brakeman and conductor with Southern Pacific Railroad for 40yrs
Dec 2018-Babbs publishes chapbook ‘We Were Arrested’ (talks about 14 Pranksters busted for pot at Kesey’s house; and the first acid tests)
July 2019-Paul Krassner dies
October 2019-Chloe Scott passes away. She was a Perry Lane neighbor of Ken Kesey’s. The Merry Pranksters stayed a night at her cousin’s apartment in New York in 1964 where they met Jack Kerouac.
February 2021-Lawrence Ferlinghetti passes away at 101 years old
Ken Babbs business card (courtesy of Ken Babbs)
Ken Babbs (photo courtesy of Google Archives)
Ken Babbs (photo courtesy of Ken Babbs)
Merry Prankster George Walker (photo courtesy of Google Archives)
Ken Kesey (photo courtesy of Google Archives)
Merry Prankster Neal Cassady circa 1964 (photo courtesy of Google Archives)
Haight Ashbury poster (courtesy of Google Archives)
The Warlocks (photo courtesy of Google Archives)
Pigpen of the Grateful Dead (photo courtesy of Google Archives)
Merry Pranksters Acid Test handbill (courtesy of Google Archives)
Merry Pranksters Ken Kesey, Lee Quarnstrom, Neal Cassady (photo courtesy of Google Archives)
Merry Pranksters Watts Acid test (courtesy of Google Archives)
Ken Babbs (photo courtesy of Ken Babbs)
Turn on tune in drop out Leary (Courtesy of Google Archives)
Mountain Girl’s Merry Prankster Acid Test diploma (courtesy of Google Archives)
October 1966, Ken Kesey outside the Warehouse, Harriet Street, South of Market, San Francisco, California (photo by Ted Streshinsky)
Ken Kesey and Mountain Girl (photo courtesy of Google Archives)
Neal Cassady (photo courtesy of Google Archives)
The Grateful Dead in San Francisco (photo courtesy of Google Archives)
Merry Pranksters first official Acid Test November 27, 1965 (courtesy of Google Archives)
Ken Kesey (photo courtesy of Google Archives)
Ace of Cups business card (courtesy of Google Archives)
The Beatles (photo courtesy of Google Archives)
Neal Cassady mugshot (photo courtesy of Google Archives)
Timothy Leary poster by Brotherhood of Eternal Love (courtesy of Google Archives)
Ken Kesey (photo courtesy of Google Archives)
Keseydelics (courtesy of Google Archives)
LSD chemist Owsley & Grateful Dead’s Jerry Garcia
Grateful Dead concert poster (photo courtesy of Google Archives)
Barry Goldwater (“A vote for Barry is a vote for fun!” (photo courtesy of Google Archives)
Gretchen Fetchin at La Honda circa 1965 (photo courtesy of Google Archives)
Ken Kesey’s La Honda estate (photo courtesy of Google Archives)
Haight Ashbury circa 1967 (photo courtesy of Google Archives)
Hunter S. Thompson (photo courtesy of Google Archives)
Ken Kesey mugshot (photo courtesy of Google Archives)
Ken Kesey farm in Pleasant Hill, Oregon (photo courtesy of Google Archives)
Ken Kesey graffiti mural (photo courtesy of Google Archives)
downtown San Francisco circa 1960’s (photo courtesy of Google Archives)
Merry Prankster Mountain Girl (photo courtesy of Google Archives)
Merry Prankster Paul Foster (photo courtesy of Google Archives)
Neal Cassady sorta kinda resembling Dennis Hopper (photo courtesy of Google Archives)
Merry Pranksters at Millbrook. Ken Babbs is the shirtless weirdo (photo courtesy of Google Archives)
Timothy Leary’s Millbrook estate (photo courtesy of Google Archives)
The Realist (courtesy of Google Archives)
Merry Prankster George Walker (photo courtesy of Google Archives)
Merry Pranksters poster (courtesy of Google Archives)
Merry Prankster Zonker (photo courtesy of Google Archives)
Merry Pranksters Trips Festival
Ken Kesey (photo courtesy of Google Archives)
Hunter S. Thompson the edge (courtesy of Google Archives)
LSD chemist Tim Scully (photo courtesy of Google Archives)
Jack Kerouac’s original manuscript of ‘On the Road’ (photo courtesy of Google Archives)
Owsley Stanley (courtesy of Google Archives)
The Doors psychedelic poster (courtesy of Google Archives)
Timothy Leary (photo courtesy of Google Archives)
LSD cologne (photo courtesy of Google Archives)
Thelin Psychedelic Shop (photo courtesy of Google Archives)
Albert Hofmann blotter acid LSD
Roy Sebern, Merry Prankster (photo courtesy of Google Archives)
Trips Festival advertisement (courtesy of Google Archives)
Ken Kesey circa 1957 (photo from The Eugene Guard newspaper in Eugene, OR)
Timothy Leary trippy gif (courtesy of Google Archives)
The Diggers funeral notice for the death of the hippie (October 1967, San Francisco) image courtesy of Google Archives
Hells Angels annual party (c. 1971)
Grateful Dead-trip or freak (c. 1967)
The Barn (Scotts Valley, CA) c. 1966-69
Spit in the Ocean literary journal by Ken Babbs (photo courtesy of PBA Gallery)
Wavy Gravy’s Hog Farm (photo courtesy of Google Archives)
The Grateful Dead Book (1973) Hank Harrison (image courtesy of Abebooks)
Aerial photo of MSU (photo courtesy of: Michigan State University)
Michigan State University is a sprawling and beautiful campus of leafy trees, ubiquitous green & white team colors, and intriguing experiences, such as visiting the World’s Largest Library Comic Book Collection.
Located in East Lansing, about 1hr 30mins west of Detroit, the school was founded in 1855 as a prototype land-grant university and renamed MSU in 1964.
MSU currently sits on 5,200-acres dotted with 566 buildings. Over 50,000 students attend here. There are 27 resident halls and over 900 registered student groups on campus. Yes, this place is massive. It’s one of the largest universities by population in the USA.
MSU’s Nuclear Physics graduate program ranks # 1 in the nation. Magic Johnson & Sam Raimi attended MSU simultaneously in the late 1970’s. Fun factoids abound.
I’m here visiting the MSU Library, the building which contains the main portion of the comic collection.
Red Cedar River (photo by: Ryan M. Place)
You park on the north side of Spartan Stadium in Lot # 62 W (99 Red Cedar Road, East Lansing). You ‘pay by plate’ by the hour. Then, use the footbridge to cross the beautiful Red Cedar River and enter the library doors straight ahead.
As the world’s largest library/academic comic book collection, the MSU Comic Collection is a true world resource.
Sure, Mile High Comics in Denver has a self-estimated eight million comic books in three warehouses and a single individual, Bob Bretall, in Mission Viejo, California has over 105,000 comics.
But the MSU Collection is catalogued, indexed, available to the general public free of charge and managed by comic book expert, Randall W. Scott.
Randall W. Scott, or “Randy” as he prefers to be called, is an MSU Special Collections Librarian, Comic Art Bibliographer, and head curator of the MSU Comic Art Collection. Working here almost 50-years, Randy has one of the greatest jobs on the planet: reading and archiving comic books.
Yes, a state university had the foresight to bankroll Randy’s unique expertise and thus, help fund a world-class collection of pop culture artifacts in the form of comics books. We’re so jelly. Randy, I want your job.
MSU’s Comic Book Curator and Head Honcho: Randy Scott
Randall W. Scott, aka: Randy, head of the MSU Comics Collection (photo by: Ryan M. Place)
“I’ve always enjoyed comic books. I like the format of blending words and pictures. I also read a lot of books without pictures. Mainly, I like thinking about how the literary form of comic books works and is evolving. Comic books are different from every other kind of storytelling. And I like the theoretical questions associated with comics and collecting comics.”
“I grew up on a farm in Alpena County in a little town called Hubbard Lake. I like to practice reading in other languages like French, German, Spanish. My foreign language level is fair. But my level of reading comics is pretty good.”
“In the late Sixties, I migrated to Lansing and attended MSU while working at Curious Book Shop, a used & rare bookstore run by Ray Walsh. I was Ray’s first employee and the comics buyer there back when Curious had an upstairs that was all comics. Stan Lee did a signing there once! I met Ray while we were both students at MSU. He was famous for riding his bike around campus in a trench coat.”
The Paper (image courtesy of: Michigan State University)
“As a student here at MSU, I worked as a writer and editor on an underground paper aptly called ‘The Paper’ and toward the end of its lifespan, it became absorbed into SDS, Students for a Democratic Society. There was a national movement for underground papers at that time. Detroit had The Fifth Estate, Ann Arbor had The Sun and so on. In June 1969, we had a convention in Chicago where SDS split and The Weathermen became one of the splits, so I briefly became an original Weatherman before it became the Weather Underground.”
“I have a B.A. from MSU and an M.S. in Library Science from Columbia with a concentration in cataloging and indexing.”
“I started working in the MSU Library back in 1971. I had various jobs, including being a preorder typist, whereby I would send out orders to jobbers to order books. I started cataloging the Comic Art Collection in 1974 when I developed a system for indexing and cataloging them and I’ve been here ever since.”
“In 1975, a high-school student stole our Amazing Spider-Man # 1 comic book. We knew who it was but couldn’t prove it. Today, in good condition, that comic is worth around $100,000.”
“After that happened, I decided to take on the job of looking after the Comic Collection, during my lunch hours, as a volunteer.”
MSU Comic Collection: At 350,000 items, it’s the World’s Largest Library Comic Book Collection
MSU Comic Collection (photo by: Ryan M. Place)
Randy and I head downstairs, one floor below the Reading Room.
The Comic Collection is housed in long rows of electronic Spacesaver mobile storage units. The lights are on 120-second timers, thus, if there’s no movement for 120 seconds, the lights go off.
“We have the main core of the collection here. Then we have about 700 shelves of international comics at an offsite, remote storage warehouse.”
Russell Nye: Creator of the MSU Comic Collection
Russell B. Nye circa 1978 (photo courtesy of: Michigan State University)
“The MSU Comic Collection started in 1969-70 when MSU professor Russell Nye donated 6,000 comic books, mostly 60’s-era Marvel superhero comics, to the university.”
“Around 100 of the comics were his, the rest were from some of his senior students who donated their collections to him for his new Pop Culture course.”
“Nye taught in the English department from 1941-79. He was an early proponent of Pop Culture Theory and I had him as a teacher. Nye was a gentleman, always wore a suit, taught 19th century American Literature and had an inquiring mind.”
“At the time, comics were deemed ‘inappropriate material’ by academia. However, Nye was respectable, he had also won a Pulitzer Prize in 1945, so they couldn’t deny this pop culture scholar’s donation of comics.”
Comic Buyer’s Guide issue # 1 (1971) image courtesy of: Michigan State University
“Comic books had already been around for over 100 years and it took them that long to get academic recognition. I did Independent Study with Nye and wrote a paper called ‘Comics in Libraries’ where I argued for their inclusion.”
“Prior to this, academic libraries had been reluctant to collect and study comics, which they foffed off as ‘subliterature’. It was revolutionary times. The spirit of the time was to open things up and do what hadn’t been done before.”
“Nye wasn’t thought of as a radical but being a proponent of putting comic books in libraries was definitely a radical idea at the time. It’s hard to fathom now because it’s more commonplace. Now over 50 libraries have permanent comic book collections.”
It’s a Midwest thing: Michigan and Ohio Lead the Charge
Bowling Green University’s Popular Culture dept. (image courtesy of Bowling Green University)
“Ohio’s Bowling Green University started a Pop Culture department around the same time. The Journal of Popular Culture started in 1967 at Bowling Green and was edited by Ray Browne. They now have the Browne Popular Culture Library, which is the world’s largest collection of pulps, dime novels and ephemera.”
“In 1977, Lucy Caswell started the Billy Ireland Cartoon Library & Museum at Ohio State University, which is now the world’s largest repository of original cartoon art.”
“It was a Midwest thing. We started putting comic books in libraries, then NYPL followed suit after a few years and now it’s a global thing.”
“In 1978, the Russell B. Nye Popular Culture Collection was officially titled as a branch of the Special Collections. This collection includes the Comic Art Collection, 10,000 volumes of sci-fi (mostly monographs), probably 5,000 books, magazines & fanzines, and loads of Popular Fiction (ie: dime novels, pulps, detective, westerns, etc).”
MSU Library’s Carolyn Blunt (c. 1973)
A Taste of the Goodies
Young Allies # 1 (1941) photo by: Ryan M. Place
“The hardest part of being a Comics Librarian is cataloguing. Cataloguing is a daily, ongoing process. On January 1st, 1981, we stopped using the filing index card system.”
“Every year we get deliveries of 12 to 20 boxes of comics sent via UPS. Gerber invented mylar comic sleeves. I order these babies 5,000 at a time. Cataloguing all this stuff takes time.”
“We have 7 copies of the original Obadiah Oldebuck here, the first comic ever created.”
Obadiah Oldebuck, the first comic book ever printed (photo by: Ryan M. Place)
“We have all sorts of comics: Young Allies # 1(1941), Walt Disney Comics and Stories No. 1 (1940), Wonder Woman # 1 (1942), R. Crumb’s Zap # 1 (1967), etc.”
“We have about 600 Underground comics, 10,000 volumes of Manga, 1 million comic strips donated by Dick Webster, and large holdings of Eclipse, Marvel, DC, Fantagraphics.”
“We have the King Features proof sheet collection from NYC (1930’s-1990’s).”
Rodney Ford scrapbooks (photo by: Ryan M. Place)
“We have 530 scrapbooks of daily newspaper strips. They came all at once from Rodney Ford in Sacramento, California. Over 100 titles from the 1920’s-1970’s. He made the scrapbooks meticulously by hand.”
“We have 17,000 Golden Era comics (1938-52), the first 1,000 of which came from Jim Haynes, a Connecticut racetrack owner who grew up in Port Huron, Michigan.”
“We have the Lexikon der Comics, the only copy in North America. It’s a German language encyclopedia of comics.”
“The list goes on and on. MSU has a tradition of keeping the best two copies of each item. Our triplicates we give to the MSU Surplus Store to be sold, and proceeds of these sales come directly back to the library to continue supporting the collection.”
Lexikon der Comics: German language encyclopedia of comic books (photo by: Ryan M. Place)
MSU’s International Comics @ the Remote Storage Warehouse
MSU International Comics inside Remote Storage warehouse (photo by: Ryan M. Place)
After touring the main collection, Randy drives us to an offsite warehouse in Lansing, about 15 minutes away from the main library. The facilities coordinator, Josh Maki, lets us in.
The warehouse is divided into two massive rooms.
One room contains international comic books on 10 and 12-foot-high steel shelving. The other room is a high-density storage bay of 800,000 books and bound journals. Big blue-box air scrubbers clean the air.
This is but one warehouse in a complex of warehouses. The others are: Folio, Special Collections and RSA. The comics warehouse is RS-F and called ‘remote storage’. Spread across the complex, there are around 1.7 million items.
MSU Remote Storage warehouse (photo by: Ryan M. Place)
“Here we have about 700 shelves of international non-American comics from all over the world. For instance, we have 1,800 comics catalogued from India alone.”
“We have shoe boxes full of two million daily comic strips, plus big boxes of proof sheets, Sunday sections, etc.”
“The most we ever paid was $130,000 for 13,000 European comics in the 1990’s.”
“We get about one international visitor per month, mostly from Europe and Asia.”
“When visiting, please remember that international comics must be requested at least three full days in advance.”
Funding: Where does the money come from?
“I get a little slice of the annual MSU Library book budget. I also have a couple of endowments which provide funding. Our total annual budget is around $40,000.”
“In regard to acquisitions, I have a Collection Development statement that I follow when we want to acquire new material for the collection.”
In addition to the budget Randy receives from MSU, generous supporters also lend a hand by giving funds in support of this collection.
For more information on ways you can support the collection, contact:
MSU Special Collections Rare Book Collection (photo by: Ryan M. Place)
Established in 1962, the MSU Special Collections department contains 450,000+ printed works, several manuscript and archival collections, a huge stash of ephemera, and more.
Randy Scott at work in the MSU Library basement (photo by: Ryan M. Place)
“Well, I’ll need to retire one day, I suppose.”
“My replacement will need to be enthusiastic about comic scholarship, knowledgeable in the field of comics books and care deeply about growing the collection and understanding how important it is.”
“The MSU Comic Collection is always open to donations of comic books. If you or someone you know wants to donate their collection, they can email or call the MSU Libraries’ Development Office.”
“Personally, I think it would be cool if the library put a little more recognition into the comics, such as the graphic novels. We have a ton of graphic novels, including the first-ever, Will Eisner’s ‘A Contract with God’ from 1978.”
Randy Scott at work in the MSU Library basement (photo by: Ryan M. Place)
MSU logo (image courtesy of: Michigan State University)
Ryan’s Final Thoughts
Having toured the collection multiple times, I feel it necessitates its own building.
Due to the size, importance and future growth potential of the collection, MSU should consider centralizing the entire collection under one roof exclusively.
You could also add a museum component to this, complete with display cases, regular events and periodic in-person signings.
Ryan’s Recommendations on Visiting the MSU Comic Collection
While visiting MSU, you might want to make time to check out the following:
1.) Brody Square (241 Brody West) campus food hall
Brody Hall (photo by: Ryan M. Place)
Brody Hall (photo by: Ryan M. Place)
Park in the Kellogg Conference Center parking garage (219 S. Harrison Rd.) for $1.50/hr. Walk directly across the street to Brody. Up on the 2nd floor is one of the most ingenious campus food hall concepts ever created.
Brody features 9 to 12 food stations. For $10.00 per person it’s all you can eat, all day long. And yes, this is open to the general public.
They have a wondrous array of food featuring things like:
Burritos, sushi, spicy crab soup, Cajun fish with mashed potatoes and gravy, Hudsonville ice cream (get the Cake Batter with chocolate syrup), 15 breakfast cereals, pepperoni pizza, vegetable spring roll, miso soup, mango slush drink, pasta with spinach and alfredo, breadsticks, and more.
Also impressive is their automated tray system. You walk over to a moving wall of empty metal racks and slide your tray in and it disappears into the back for the cleaners. Every university in the country should replicate this food hall model.
MSU Dairy Store grilled cheese (photo by: Ryan M. Place)
Park out front at the meters. 8 minutes per quarter or use your credit card.
This is an ice cream parlor open to the general public and run by the MSU Department of Food Science. All the ice cream is made right here at MSU. You can even buy half-gallon tubs!
I recommend trying a double scoop of the Sesquicentennial Swirl and Dantonio’s Double Fudge.
Also try the Grilled cheese on sourdough with a cup of soup.
Park directly behind the store. $2.25 for 90 minutes maximum.
Opened in 1969, this is a used & rare bookstore with a large sci-fi section.
The store is owned by Randy’s friend Ray Walsh. Ray has done a tremendous number of good things for the book community over the past several decades.
Ray puts on the annual Michigan Antiquarian Book & Paper Show. You can usually find Ray himself a half mile down the road, running his other bookstore, Archives Book Shop (519 W. Grand River).
George Hagenauer is a funny guy. He is the man of a million, brilliant, chattering tangents, weaving in and out of multiple stories simultaneously like a Benzedrine-crazed Grand Theft Auto driver, yet he never loses the threads. His stories and thoughts are engrossing, they envelop your curiosity.
George is also a walking encyclopedia of comic books, comic art, illustrations, books, pulps, and obscure knowledge.
He owns about 2,500 pieces of original comic art and illustrations. He currently has 1,500 pieces online at Comic Art Fans. In addition to this, he owns the art for two complete 1915 animated cartoons, which he has started restoring, and he owns 5,000+ books and probably tens of thousands of comic books.
We frequently hang out at my favorite drinking establishment in Michigan, The Corner Brewery in Ypsi, where you can find me holding court at least once a month. George, wearing a Hulk t-shirt & bike helmet, will bike up to The Corner on his dad’s old 1936 bicycle from his house a few blocks away and we’ll drink dark beer and talk comics and books for hours.
George Hagenauer (photo by: Ryan M. Place)
Right now, we’re at George’s house in his basement. I’m sitting in a comfortable old rocking chair. George has famous Chicago author (who was born in Detroit) Nelson Algren’s stained-glass lamp hanging over his favorite reading chair. Beyond that are bookcases overflowing with brainfood, mounds of treasures, stacks of rare papers, long boxes of comics, framed original art, heavy-duty locked fireproof filing cabinets, etc, everywhere.
George notices me admiring a piece of art at the foot of his stairs.
“Dick Sprang, the Batman artist, an old friend, did that. He was a great guy and quite talented. Recently, I did a statistical analysis of my art collection and came to the conclusion that I have 10 different collections of artwork. The core of my personal favorites are: Chicago history, the history of mystery, paper giveaway premiums, pre-code comic book covers, pulp art, etc.”
George Hagenauer holding original art for Phillip K. Dick’s ‘Gannymeade Takeover’ (photo by: Ryan M. Place)
“My wife Mary Ellen and I moved to Ypsilanti in 2017 to be closer to our daughter Megan and our granddaughters. Freelance work helps supplement my Social Security. I’ll be doing a ‘History of Mystery’ exhibit this October at the Kenosha Public Museum in Kenosha, Wisconsin and to prepare for it, I’ve been reading a mystery novel every other night.”
“Current interests for me are wide-ranging, depending on mood. For instance, right now I’m really into French crime novels of the early 20th century. Also, silent films and 1930’s cinema. In terms of comics, I’m digging on some European stuff like Corto Maltese (1967, Hugo Pratt), Modesty Blaise, and Garth (the British comic strip from Frank Bellamy). I’m from Chicago and Chicago fandom in the 50’s and 60’s wasn’t superhero, it was heavily skewed toward EC, horror, crime, sci-fi, which is also what I like.”
BIOGRAPHY: The Guy Behind The Guy, Behind The Guy
George Hagenauer (photo by: Ryan M. Place)
Born in 1950, George grew up on the South Side of Chicago. George lived in Roseland (South Side Chicago), then as an adult, Ravenswood (North Side Chicago).
From 1968-1972, he attended Northwestern University, graduating with a degree in journalism and political science. While at Northwestern, he set up an Ivan Illich Learning Exchange, one of the first in the USA. This was a program geared toward school reform, deschooling, and non-institutionalized independent learning. It came about because George’s friend knew Ilitch personally. He was considered the bridge between South American leftwing radicalism and the USA school reform movement.
That was followed by 10 years starting and running a city-wide adult literacy program in Chicago and then 25 years with 4-C, a nonprofit program which provides support for early childhood education programs in many counties near Madison, Wisconsin.
Daredevil Battles Hitler #1 (1941) image courtesy of HA.com archives
George has always been a comic fan and collector and in 1976 he was part of the team that started the Chicago Comicon until it was bought by Wizard World.
In 1990, he moved from Chicago to Madison, Wisconsin, where he lived before moving to Ypsi. During this time, he wrote over 200 columns on original art for the Comic Buyer’s Guide.
“Also in the early-to-mid 90’s, I wrote some non-sport trading cards, including the infamous Eclipse True Crime cards, the set of Serial Killers and Gangsters. I collaborated with Max Allan Collins on it. Max is a MWA Grand Master mystery writer. He did ‘The Road to Perdition’, which later became a movie starring Tom Hanks that they filmed in Chicago and Grand Haven, Michigan. I did research for Max’s historical novels and he asked me if I could help with the trading cards, I said sure. So, I did the Gangster cards and the ladies did the Serial Killer cards. We also co-wrote a book on ‘The History of Mystery’ and a book on ‘Men’s Adventure Magazines’. Both were nominated for best mystery non-fiction with the Men’s Adventure book winning!”
George Hagenauer holding original Kelly Freas drawing ‘Dukes of Desire’ from 1967 (photo by: Ryan M. Place)
“I’m a member of the Comic and Fantasy Art Collectors Amateur Press Association (the CFA-APA), which while having the amusing title of “amateur”, actually over 40% of the current membership are professionally published nationwide.”
“In addition to being a comic & pulp reader, I’ve been a heavy reader of books in general my whole life. Books are tools. I buy books because they’re useful for building knowledge.”
“As for my heritage, my Mom was 3rd generation American of Swedish descent. My Dad was 4th generation American of German, Austrian, Irish, Bohemian and Scotch descent.”
George Hagenauer III: The Early Years
“I’ve been collecting books and comics since I was 10. I was into adult sci-fi before I was reading Superboy!”
“In the mid-1950’s, my parents didn’t want me reading super-hero comic books, so my dad would bring me Boys Adventure Series books featuring Tom Swift inventing the motorcycle and things like that. Books he read as a kid. They were available in used bookstores for a quarter as opposed to the new versions which were a dollar or more. That got me into a host of used bookstores at a very young age.”
“My first actual experience with comics was my dad reading me at age 4 or 5 ‘Uncle Scrooge McDuck’ by the great Carl Barks for Dell Comics. It was written for kids but had many subtle adult undercurrents. You could find them at dime stores or glorious Skid Row book stores for a nickel each.”
“Uncle Scrooge is this amazing satire on American Capitalism, published under the Disney imprint by Dell Comics via Whitman Publishing out of Racine, Wisconsin. Barks worked in manual labor jobs before being a cartoonist, so his work often features characters with great, real-world perspectives.”
“Dell Comics oddly tend to be ignored by most collectors. I collect them heavily. In the 1940’s-50’s they were extremely subversive. Dell was doing stories like Donald Duck selling furnaces for Uncle Scrooge to Cambodians, Little Lulu early proto-feminist comics (Now Girls Allowed) and even Tarzan’s promoting positive race relations (Brothers of the Spear).”
Mad Magazine’s Free Fall Ferris circa 1956 (image courtesy of online archives)
“Then, I discovered Mad Magazine. Free Fall Ferris by Wally Wood, one of the cartoons therein, was brilliant. So, as a youngster, I was periodically exposed to Uncle Scrooge and Mad Magazine, which is an odd combination and probably explains a lot about who I am. Tales Calculated to Make you Mad”.
Chicago’s 3 Skid Rows in the 1960’s
Skid Row Chicago (photo courtesy of George Hagenauer’s archives)
“One thing that frequently brings back a lot of memories is remembering seeing books on North Clark Street when I was a kid. At age 10, my dad would give me a $1.00 and send me to Skid Row for books. ‘Here’s a dollar, go to Skid Row,’ he’d say.”
“Books were 15 cents to 20 cents on Skid Row. Early wacky Roy Rockwood steampunk stuff from 1905 and Carl H. Claudy, got me into sci-fi. Then, I started going to the library, reading Heinlein, Asimov, Dick, etc. Back then librarians were worried about what you were reading. Now, they’re just worried if you’re reading or not! On Skid Row, I was finding used copies of John Campbell’s Astounding sci-fi magazine for pennies.”
“Chicago had three Skid Rows at that time: North, South and West. The North Skid Row area was loaded with bookstores all run by incredibly eccentric human beings.”
“You’d be stepping over rummies in doorways to go buy your comics. Pimps, hookers, drug dealers, junkies and a 10-year old George Hagenauer. $3.00 would buy me 60 comics on Skid Row! You just couldn’t beat the prices, it was worth dodging the shady characters and obsessively watching your back. I was buying early Marvel Comics off the stand for cover prices. Some of those comics in high grade are worth tens or hundreds of thousands of dollars more nowadays. Unfortunately, mine all went when they hit $10 because they paid for my first quarter in college in the late 60’s!”
Chicago Skid Row: Acme Books and ABC (photo courtesy of George Hagenauer’s archives)
“South Skid Row was along South State Street and had the YMCA Hotel where Chicago’s monthly comic convention was held starting in the late 1960’s. I always wanted a Gustave Dore’ 1883 folio edition of ‘The Raven’. When I was 9 years old, I saw they had a stack of 10 in this used bookstore in the Loop on the south side of the river. At the time they were $8 each! Way more money than I could afford. Today, I think they are still way more money than I can afford. West Skid Row ran along West Madison Street. Today it is the site of Oprah Winfrey’s studio – back then it was where mass murderer Richard Speck was caught in 1966.”
“I spent most of my time on North Skid Row. It ran along Clark Street had four used book stores run by possibly the most eccentric group of book dealers ever known. This was part of the old “Hobo Bohemia” neighborhood where hobos slept after jumping off in the Downtown Chicago Trainyards. The neighborhood ran from Clark Street to Bughouse Square. Across from a residential hotel (i.e. partial brothel) inhabited by a host of seedy characters, you had Acme Books (414 N. Clark Street). with ABC Magazines next door. On the same block you also had Gallery Books.”
“My favorite store was ABC Books and Magazine Service. ABC sold a lot of racing forms as well as almost any other magazine published since the 1800’s. The building dated back to right after the Chicago Fire and was heated by a potbelly stove. Whatever was unsaleable went into the stove for heat! If you went after books on the top shelf (10 feet up) you had to brush off the soot.”
“Acme Books had a Superman #1 in their window for $100. And Green Lantern #1 and Batman #1. Acme was run by Noel Roy, a man who looked like popular Marvel supervillain, the Red Skull. After his wife died he was assisted by Sam La Chappelle, a redhead girl with a bouffant hairdo who attracted and maintained the attention of a lot of predominately young male collectors.”
Acme Books (Skid Row, Chicago) featuring Sam La Chapelle (left) and Noel Roy (right). “They sold comics, books and had a heavy-duty safe full of rare books. Those comics up front, which were considered ‘secondary’ at the time, would be worth a lot today!”-Hagenauer (photo courtesy of George Hagenauer’s archives)
“Gallery Books was the most legitimate looking of the three, with first editions by Hemingway and the rest lining the walls. When Weird Tales left Chicago for NYC, Tony the owner of Gallery Books, bought their files and had multiple mint copies of every issue for sale. Tony had an apartment in the back of the store. Most of the bookdealers sold pornography either under the table or more openly. In the case of Tony, he traded porn to various pickers for 1st edition Hemingway’s and real treasures.”
“In the early 1960’s, I’m at Gallery buying nickel comics and while I didn’t know it at the time, the boxes were atop a low flat file filled with original Brundage pastels. Margaret Brundage was a cover artist for Weird Tales (1931-39). She and her husband met at the Dill Pickle Club, a radical Bohemian club created in a stable during Prohibition just off Bughouse Square. Bughouse Square was a free speech center. Anyone could pull up a soapbox or stand on a park bench and speak or rant about any issue. The Dill Pickle brought that atmosphere inside with Hobos hanging out with major Chicago writers.”
Weird Tales (1934) featuring Conan. Art by Margaret Brundage. (Image courtesy of Hagenauer’s archives)
“Margaret’s husband was a Wobbly (IWW union) organizer and the first cover image ever of ‘Conan the Barbarian’ is a portrait of her husband, the Wobbly organizer! He was active in the Sixties Counterculture, the Hobo College Movement and the Anarchist Press in Rogers Park. She played a key role in developing the South Side Community Arts Center in Chicago African American Bronzeville neighborhood. The center is still there serving the community.”
“Out of all the characters though, there’s one guy who particularly stands out. On a scale of 10 for eccentric bookdealers, Bill Ostfeld of William Ostfeld Rare Books, sometimes located on North Clark Street skid row (depending on if he was keeping up on his rent) would be a 12 . He was notorious. The photo of him here is from an article in Genesis where he claims to have given Hugh Hefner the idea for Playboy and that Hefner owed him for an umbrella he borrowed!”
Wiiliam Ostfeld, notorious Chicago book dealer. (photo courtesy of George Hagenauer’s archives via Genesis)
“At one point he had a Superman # 1 from 1939 hanging in the front window of his shop for only a cool $25.00. Bill liked to play the game of ‘how much can I get out of the store before its padlocked?’ Bill could be a difficult guy. He even threw a book at my head once. Once comics became collectible, he was known to sell the same collection to multiple mail order dealers in other states often right before he changed locations. Ozzie dealt porn openly.”
“Beyond Skid Row, I always loved going to the Harding Museum as a kid. It was this cool Gothic stone castle on Lake Avenue in Hyde Park, a glorious medieval fantasy mansion full of suits of armor and weird trinkets. Unfortunately, the place closed in 1982 and everything was ultimately transferred to the Art Institute of Chicago.”
Detroit Triple Fan Fair (1964-77)
image courtesy of DTFF archives
Detroit has an enduring legacy of great shows. For example, September 4th-7th, 1959 the 17th World Science Fiction Convention was held at the Fort Shelby Hotel in Downtown Detroit. The toastmaster was Isaac Asimov with the assistance of Robert Bloch!
But what really put Detroit on the convention map was Detroit Triple Fan Fair.
Started in 1964, the Detroit Triple Fan Fair was the first regularly held comic book convention in the United States.
Jerry Bails, the Father of Comic Book Fandom, moved to Detroit in 1960 to teach at Wayne State University. Jerry lived on Brooklyn Street at the intersection of Plum Street. Plum Street was Detroit’s psychedelic Haight-Ashbury-esque neighborhood in the Sixties.
Jerry Bails and wife in Detroit (photo courtesy of Inter-Fan)
Jerry Bails also got a young George Hagenauer into collecting original art. In the pre-internet days, nobody knew the full extent of what existed. Jerry decided to create a database of all the comics in existence with credits, when possible, for artists and writers. In 1967 he did this through his fanzine and offered prizes for the most data entries on comics not in the Bails collection. George entered the contest and won a piece of free art. The Bails database ultimately morphed into the Grand Comic Database currently maintained by MSU.
In 1964, the Detroit Triple Fan Fair (DTFF) Convention was started by Robert “Bob” Brosch (of Allen Park) and Dave Szurek (of Detroit’s Cass Corridor; a monster magazine enthusiast). The DTFF featured 3 fandom realms: comic books, science-fiction and film.
In 1965, Jerry Bails took over DTFF with the help of native Detroiter, Sheldon ‘Shel’ Dorf who came onboard and helped expand it. He had studied briefly at SAIC (School of the Art Institute of Chicago) and moved back to town. The Fair swelled to massive attendance.
In 1970, Shel moved to San Diego and immediately started the San Diego Comic Con. Still running to this day, the SDCC attracts 160,000 attendees.
The Detroit Triple Fan Fair lasted until 1977.
Genesis of the Chicago ComiCon
Chicago ComiCon
“In 1972, Nancy Warner, this Chicago antiques dealer, started a show called the Nostalgia Con. After a couple years, she grew weary of it and in 1975 sold the show to Joe Sarno. In 1970, Joe had bought one of Ostfeld’s closed bookstores, then he opened his own shop in 1973, the Nostalgia Shop on Lawrence Avenue.”
Joe Sarno’s Nostalgia Shop in Chicago (image courtesy of Sarno Fanpage)
“Joe Sarno was the nexus point for everything relating to comics in the city of Chicago. He had started a comic club in his basement on the North Side (Pulaski and Lawrence Avenues) and had 30-50 people there. A guy named Dave Denwood later let them use the community room at Northwest Federal Savings & Loan Bank on West Irving Park Road, so they moved the get-togethers there and they grew tremendously. Joe was a dual-fandom guy, he loved sci-fi and comic books. Everybody liked him, no one ever had a problem with him.”
Stan Lee (left) and Joe Sarno (right) at the first Chicago Comicon (image courtesy of Sarno Fanpage)
“So, Joe took over the con from Nancy. Joe then called Ross Kight, Larry Charet, Mike Gold, myself and some others. From 1972-2002, Larry Charet ran Larry’s Comics (1219 W. Devon Ave, Chicago). Anyways, Ross later bailed, the rest of us hung on and we held the first Chicago Comicon on August 6th-8th, 1976 at the Playboy Towers Hotel. Admission was only $2.50! We had about 2,000 attendees and Stan Lee and Jeanette Kahn as guests. The Chicago Comicon ended up becoming the second largest convention in the USA, behind the San Diego Comic Con.”
“In 1997, Wizard World came in. They bought the Chicago Comicon, rebranded it toward their magazine and turned it more into a media con.”
Hagenauer: Collector Stories
George Hagenauer (photo by: Ryan M. Place)
In addition to his basement of treasures, George has a packed off-site storage unit (essentially an adjunct library) tucked behind a green steel roller shutter door, full to the brim of comics, books, ephemera, etc, all stored on shelves he put together of scrap wood and discarded pallets.
“My rule of thumb is only very rarely have more than one copy of anything. The few extra ones I have, must go. Also, anything that I lose interest in has to go. This is especially true as I age, given there is no one in the family who wants most of this stuff. The new house is a lot smaller, so the storage locker is designed as a reference library for the books I use in historical research but no longer have space for in the house.”
George Hagenauer (photo by: Ryan M. Place)
“One of the sad things I have had to do is help several widows of friends of mine figure out how to dispose of their late husbands’ collections. If you want to maximize value, that is not an easy thing to do as often it means dividing the collection up and selling it in different venues. Most auction houses do well with some material but not great with others. A lot of dealers I know buy material at auction for resale. So, figuring out what the best strategy is to dispose of a collection, can be an interesting puzzle.”
“Helping my friends’ widows caused me to think about an exit strategy. I mean, one friend’s rather large and complex collection took something like 12 years for the family to sell. So, right now, I’m working on an exit strategy, which is why I’m restoring the cartoons and doing the museum exhibit among other things.”
George Hagenauer (photo by: Ryan M. Place)
“I’m a reader. I also collect artwork. Everyone is a temporary custodian of their possessions. You really don’t truly “own” anything, you’re just a temporary steward until you die. Art is another way to connect to the stories, authors and books that you enjoy as you can see the art daily on your walls. I display artwork at libraries and museums. I’m curating the upcoming ‘The History of Mystery’ exhibit at Kenosha Public Museum using mystery and detective related art to tell the story of the development of the mystery genre in America in all its different media. I want to turn it into a low-cost touring exhibit. To do that I need a sponsor to cover the costs of the framing material.”
“In 1968, I went to college, got rid of stuff, then immediately re-accumulated 1969-72. When you get into collecting, when you’re active and knowledgeable, you start running across lots and collections.”
Detective Comics #2 (1937) image courtesy of HA.com archives
“One tragic example is Richard Martin Fletcher. He was a comic artist from 1936-64. He died and his family wanted to sell his house and studio, which was inside of a shed on the property. They told the workers to tear down the studio and trash whatever was inside. They found $1 million worth of comics congealed in barrels of water where the roof had leaked. So, yes, he had amassed a fortune but it cruelly, ironically, paradoxically, was utterly ruined in the end.”
“It’s pretty fun amassing too, though. One particularly memorable haul I had was when I used my relatively inexpensive clarinet and saxophone as collateral for a stack of Golden Age comics. This was at Kings Three Antiques in South Evanston, Illinois, which was a rathole antique store that had uncharacteristically incredible finds like hand-carved Polynesian deflowering tools in the main display case, pieces of Samurai Armor, and amazing early Japanese carvings.”
Military Comics #9 (1942) image courtesy of HA.com archives
“As a collector, you also come to enjoy the various shops and their owners. For instance, all the used book dealers in Cleveland would close mid-day and play poker and drink. The game floated between their stores. It would be at hosted by John Zubal at Zubal Books one day, then by Mark Stueve at Old Erie Street Books the next. Zubals is still there but Erie is no more. Old Erie Street Books (2128 E. 9th St, Cleveland) 1976-2018 R.I.P.”
“Another great place was Renaissance Books in Milwaukee. They used to have a 5-story warehouse, built in the 1880’s, it was a quarter of a block of unpriced books 5-stories tall. The books were unpriced, they’d price them at the counter. Incredible selection of stuff. Renaissance is still around, but only inside the Milwaukee Airport and Southridge Mall. The main store closed in 2011.”
Hagenauer on the Art & Business of Collecting
George Hagenauer (photo by: Ryan M. Place)
“I have always tended to collect more to read than to have an amazingly nice condition copy of something. Also, working my whole life in community-based non-profits, I have never had a lot of money to spend. So, if I can accumulate all this stuff, anyone who puts the time in and learns a lot about the areas that interest them can do it as well.”
“And because of the internet, this is probably the best time to collect books and other material related to them. Though frankly you often will do better buying at shows. I once did an article for the Comic Buyer’s Guide on one visit to a big comic con. I didn’t have to pay admission because I was doing a panel discussion so there was minimal overhead. I had saved up about $200 and bought a lot of material at the con. With a few exceptions (about 20-25 dime novels circa 1900 I got for a dollar each) all of it could be found online for about the same price. But buying online in most cases meant shipping costs. When I compared the buys at the show to buying online, the show was 40% cheaper. I also like the social aspects of shows talking to dealers and other collectors.”
George Hagenauer (photo by: Ryan M. Place)
“Still it helps to consider all costs when looking at buying something. When looking at realized prices at auction it also helps to take into account seller, grading and buyer’s fees. That $100 item at a major auction house may have netted $65 to the seller, $80 on eBay etc. If you decide you want to later auction it, you need to take that into account. I saw a highly successful businessman, the type of who makes money daily in big deals, very savvy in that world, buy a high-end piece of comic art and lose $8,000 on it due to first selling it too quickly at auction and not taking into account the various rules that can help you or hurt you at auction. In any area there is a lot of knowledge that needs to be developed, you can’t just hop in at the high-end and expect to make a killing.”
“Dealers will sometimes take into account the costs involved in selling online when pricing for shows, resulting in cheaper prices at shows”
“A key aspect of the internet is that is has made a large amount of material not scarce. I like to collect Yellow Kid buttons, which are pinbacks from the 1890’s of the first successful comic strip character in the USA. It used to be you would see one or two a year at $15-25 each. If I had the cash, I would pick one up. Now any week you can find a dozen or more on eBay going for under $30. If I had the cash or the inclination, I could double the number of buttons I now own. To the average person these are scarce. To those of us who collect them they are now oddly common. When I wear the buttons to shows, most people have no idea who the Yellow Kid is.”
George Hagenauer displaying his Yellow Kid buttons (photo by: Ryan M. Place)
“In some areas, prices have dropped even lower with the rise of the internet. Dime novels are usually 100+ years old and quite scarce. They usually go for a lot less than pulps or comics. I periodically pick up issues at shows or online for $5 or less. No one knows the characters, the text is small, and now if you want to just read them, digital copies are online for free or on discs with hundreds of issues on one disc for less than $10.”
Yellow Kid Button (image courtesy of online archives)
“In contrast, there are plentiful copies of first appearances of popular comic book characters that have appeared in the last 25 years that are going for far more money than a really scarce surviving dime novel. People know the comic book character but don’t know the dime novels. Scarcity often takes a back seat to demand.”
“As digitization and copies proliferate online, prices shift around on older books, often with dust jacket-less copies dropping in value. That makes it a really neat time to start collecting as a wide range of books become far more affordable. I have a friend and his wife who are into mysteries. Retired and with limited space they only buy paperback versions but look for the earliest editions possible. He tends towards hardboiled, she towards more conventional mysteries. They are having a great time collecting and reading on tight budget. Whatever area of paper that interests you, there is probably a way to start collecting it today.”
George Hagenauer’s copy of The Challenger, a rare 1946 comic book about backing socialist coups in Greece (photo by: Ryan M. Place)
“The other interesting aspect of this is often the cheapest prices are at specialty shows. The dealers have less overhead than a store, but the key thing is the amount of material available. I bought a lot of mystery books, all early vintage paperbacks from the 1940’s & 1950’s, at last year’s Windy City Pulpcon for $1 each. They were solid reading copies. Some specific books I needed and didn’t get there, I bought online or at DreamHaven Books. Online was usually the most expensive option due to shipping, though some titles still came in at only $2-3 a book with free shipping.”
“What kills areas of collecting is lack of new blood, an inability to attract younger members/collectors, which is why many collectibles flatline over time. For the new collector or the uninitiated, it is often hard to figure out value. A lot of people steer clear of collecting comic art because of perceived high prices. What gets covered and promoted in the press are the top dollar prices for the high end or high-grade collectible material. Comic art is a good example. You’ll hear about the Steve Ditko Dr. Strange page that went for $66,000. If you are into Dr. Strange or Spider-Man, you don’t hear about the fact you can pick up published pages from more recent issues for $75 or get drawings done by some current artists for far less than that. As a result, new collectors feel they cannot even start. And yes, if you want some specific artists and characters, you can’t start unless you are rich. But if you want a nice piece for your wall they are out there for sale or trade. This weekend, for example, I got two original published cartoons by a major Pulitzer Prize winning editorial cartoonist for $20 each, which is about equivalent to the cost of a current graphic novel, for each one. And that was at a major online auction house who has had record prices on comic art. ”
Black Cat Mystery #50 (1954) image courtesy of HA.com archives
“I have a portrait from The Life of Pancho Villa by the great illustrator Wallace Smith from 1918-ish, I bought it online, it’s a fascinating piece. The artist is relatively unknown, an associate of the Brundage’s at the Dill Pickle Club and it’s an historic piece. Interests like this in more off-trail areas, you can find stuff cheaper, undervalued or misidentified. Your collection is an extension of who you are, it becomes a part of your identity.”
“And that is true about almost any area of book of paper collecting. The shows, the online auctions or sales platforms like www.ABEbooks.com are out there to browse. There are tons of neat material to find and be interested in. You just need to spend a little time hunting for it and that is part of the fun. That and for me the social aspects getting to know other collectors, is the best part.”
George Hagenauer holding original art Life of Pancho Villa from 1918 by Wallace Smith (photo by: Ryan M. Place)
“In Ypsilanti, there is a group of comic book fans that are meeting in a microbrewery once a month to socialize about comics, network and do a little trading. Ann Arbor has a group forming. I am surprised more of that is not happening in other areas like mysteries, militaria, romance novels, children’s books etc. Being social is not just posting online, being social is getting together with others with similar interests. That is why I love shows like the Detroit Festival of Books and the Windy City Pulp & Paper Convention. Lots of interactions and lots of learning from other people.”
“And the learning, the intellectual activity is what I really enjoy. Collect what you really truly find interesting and find other people who are interested in the same stuff. Link up with like-minded people. Don’t buy purely for investment. Buy for enjoyment for yourself and others. The ultimate goal of all collecting is that so other people can enjoy your collection.”
One fun aside: BILL HELMER IS FAT FREDDY
Bill Helmer (photo courtesy of Adam Gorightly)
“Decades ago I made contact with a guy named Bill Helmer in my neighborhood in South Evanston, Illinois who wanted to sell or trade a pile of Golden Age comics.”
“Bill had moved to Chicago in 1969. He was a key editor at Playboy Magazine at the time. This was back when Hef lived at the original Playboy Mansion in Chicago. I periodically helped Playboy with graphics research for years.”
Bill Helmer’s card (image courtesy of Adam Gorightly)
“Helmer had a pile of EC Comics and other obscure Golden Age Comics at his house, a Thompson sub-machine gun and a Japanese helmet with a skull on a shelf. His knowledge of Prohibition-era history is unparalleled. Among other things Helmer founded the ‘John Dillinger Died for Your Sins Society’. He has been the major influence on most research done on the Capone and Depression era bandit gangs. So, I bought some comics and got to know him.”
“During and after college Bill shared an apartment with Gilbert Shelton who did the Furry Freak Brothers, whom he knew from Texas, when Gilbert was doing Wonder Warthog, in 1966 at the University of Texas in Austin.”
Fat Freddy (based on Bill Helmer) from the Fabulous Furry Freak Bros.
“Bill, Gilbert and this other guy moved to NYC, these 3 guys were roommates and they became the inspiration for the Furry Freak Bros. In the comic, Bill became Fat Freddy. Gilbert painted amazingly good cover recreations of EC Comics on the ceiling of this apartment. Bill had photos of the ceilings with the Jack Davis style rotting corpses and Graham Ingels’ ghouls. It was pretty wild.”
Comic Miscellanea
Obadiah Oldbuck (printed in Germany, circa 1837, the world’s first comic book)
“Some of the oldest comic books are from Germany and Switzerland.
One of the oldest comic books, I believe, is Obadiah Oldbuck, printed in Germany in 1837 and later reprinted in America.”
George Hagenauer’s This Magazine is Haunted #13 (1953)
“A cool comic you should take a look at is ‘This Magazine is Haunted’ (1951-53) from Fawcett Comics in NYC. Great supernatural comic from Sheldon ‘Shelly’ Moldoff. I have some original artwork and comics from Shelly. The original Fawcett archives were divided up between 3 dealers. I knew all 3 of them. The warehouse was sold off in the 1980’s. Moldoff designed the original concept but lots of artists worked on the comic. I own a small painting of the host, Doctor Death, done by Shelly years later.”
George Hagenauer’s painting of Doctor Death (from ‘This Magazine is Haunted’) done by Sheldon ‘Shelly’ Moldoff
George on Living in Ypsilanti
George Hagenauer (photo by: Ryan M. Place)
“Ypsi is such a cool city! The social aspects here are incredible, the people you talk to are amazing.”
“Washtenaw Community College is an amazing resource especially for seniors like me, who can attend classes free if they are not filled. I took a photoshop class so I could work on graphics. This knowledge is helping me do restoration work on two animated films from 1915. It’s amazing to see figures move on the screen after being lost for over 100 years.”
“Ypsilanti is one of the most intellectually stimulating communities I’ve ever been in. I love all the fun, random conversations. You run into people and start talking and it becomes something magical and interesting.”
George Hagenauer (photo by: Ryan M. Place)
“Plus, many cool spots are here like The Corner Brewery, Hedger Breed’s White Raven Books, Cross Street Books, Sidetracks, Dolores Mexican Restaurant, Cultivate Taphouse, etc. It’s an incredible concentration of cool shops and places. One of the last bastions for viable antique stores.”
“Also, fun fact, Perry Preschool in Ypsi is historical in terms of early childhood education. They did a historic study here from 1962-67, which showed how important early education is for human growth and development.”
“My barber, Alex Fuller, has a literacy program inside his barbershop! That’s investing in your community. And there are barbers across the city especially in the black community who are doing the same thing. I don’t worry about waiting when I go to the barber because there are so many neat books to read.”
“Ypsi, there’s some incredibly good stuff happening here.”
The Ypsilanti Comic Roundtable
George Hagenauer (photo by: Ryan M. Place)
“The Ypsi Comic Roundtable is a group of people including myself, Ryan Place, James Arnoldi and about 12 others who meet the first Thursday of every month from 6:30pm-10pm at the Ypsilanti Alehouse and…you’re invited to join us!”
“James Arnoldi started it in November 2018 and it’s an interesting example of what people should be doing more of.”
“The YCR is just people interested in comics, getting together in-person to talk comics and trade/sell comics over beer. This would be a good model for book collecting groups as well. Start small, very focused, with discussion groups. Much like tidepools by the ocean, it’s where life starts.”
Contact George
*If you’re interested in buying/selling anything, especially comic and illustration art, comic books, pulp art, rare movies from the silent era and 1930’s, etc. or for information about the Ypsi Comic Roundtable*
George Hagenauer: “Charles Biro invented true crime comic books in 1912.” (photo by: Ryan M. Place)
George Hagenauer’s Prohibition-era flask (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer, “These are railroad spikes from where Frank Nitti committed suicide. Also we have a Maxwell Bodenheim from Chicago Literary Times.” (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer: “This is ‘Space Pirates’ by Kelly Freas. It’s painted on burlap!” (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer: “This is another Kelly Freas piece. It was done in 1969 and used in Wolfling by Gordon Dickinson.” (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer: “This is a rare bound volume of Black Mask.” (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
Ryan Place writing notes (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
Ryan Place writing notes (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
George Hagenauer (photo by: Ryan M. Place)
All Star Comics #38 (1948) image courtesy of HA.com archives
National Comics #33 (1940) image courtesy of HA.com archives
The Thing #16 (1954) image courtesy of HA.com archives
Baseball Heroes (1952) image courtesy of HA.com archives
Suspense Comics #11 (1946) image courtesy of HA.com archives
Superman #45 (1947) image courtesy of HA.com archives
Cat-Man #9 (1942) image courtesy of HA.com archives
Amazing Spider-Man Annual #1 (1964) image courtesy of HA.com archives
Crime SuspenStories #22 (1954) image courtesy of HA.com archives
Crack Comics #1 (1940) image courtesy of HA.com archives
Silver Streak #6 (1940) image courtesy of HA.com archives
Detective Comics #2 (1937) image courtesy of HA.com archives
Great Comics #3 (1942) image courtesy of HA.com archives
Batman #3 (1940) image courtesy of HA.com archives
Mask #2 (1945) image courtesy of HA.com archives
Cookie #17 (1949) image courtesy of HA.com archives
Green Lantern #1 (1960) image courtesy of HA.com archives
All Star Comics #8 (1941) image courtesy of HA.com archives
Superman’s Girlfriend, Lois Lane #1 (1958) image courtesy of HA.com archives
Dennis the Menace #1 (1961) image courtesy of HA.com archives
Mystic Comics #2 (1940) image courtesy of HA.com archives
Batman #73 (1952) image courtesy of HA.com archives
Jerry Lewis #78 (1963) image courtesy of HA.com archives
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